Tag Archives: KENNY MILLER

SCOTS THE MUSICAL

★★★★★

Scottish Tour

SCOTS THE MUSICAL

Pavilion Theatre

★★★★★

“a beautiful celebration of what it means to be Scottish”

In a world that often feels like it’s falling apart at the seams with a new disaster every day, theatre can offer us a much needed solace from the stresses of real life. Scots, a new Raw Material production in association with Beacon Arts Centre, lives up to this ethos in its entirety. Directed by Jemima Levick, Scots is a tremendous celebration of Scottish history. Bursting with energy and talent, it is a production that is sure to leave anyone who sees it positively tripping over with joy.

In what-is-not-quite-yet Scotland, many many years ago, we meet The Toilet. Not a toilet. Not their toilet. The Toilet. Played by Tyler Collins, The Toilet transports us through Scotland’s history in a spell-binding two hours of storytelling and song. With an ensemble cast of seven, each actor takes on an astonishing number of characters to lead us through Scotland’s most important historical events and ask the question at the heart of this show: What Makes a Country?

While a musical retelling of history is no new concept, both across the medium of musical theatre and in Scottish work specifically, Scots manages to get everything right. Written by Scott Gilmour and Claire McKenzie, this script is an information-packed, patter-filled delight. The music hits the way a musical should: beautifully crafted original tunes (bar the occasional wink to The Sound of Music) which drive the show forward and are pleasingly executed by the on-stage musicians. The story is not only filled with humour and educational spotlights onto some of Scotland’s forgotten heroes, but it cleverly nudges us towards self-reflection throughout. We are encouraged to observe and remember the less favourable parts of Scotland’s recent history, and Scots becomes as much a tribute to our past as it is a challenge to our future. We have no choice but to look towards ourselves and start thinking about what kind of Scotland we want to create.

What’s so impressive about Scots, right from the off, is that it is a show that knows exactly what it is. It leaps head-first into its brash and inherently Scottish humour and interaction with the audience with no apologies, immediately making it clear we are in for a chaotic ride. This precedent all the more allows the emotion of the show’s heavier moments to hit hard and leave a lasting impact. Jemima Levick’s direction is a clear reflection of her immense skill. Though there are humorous moments of disarray throughout, nothing ever feels superfluous in Levick’s direction. The tone throughout is expertly balanced, and Kenny Miller’s striking design is cleverly utilised so as to ground the story across its years but never detract from the action.

The cast are sublime. Tyler Collins as The Toilet is endlessly watchable with a kind of effortless magnetism which is clearly the result of someone who really knows their craft. The vocals throughout are incredibly well-placed, with Katie Barnett offering us a show stopping, heart wrenching number which plays perfectly to her exceptional voice. What is most captivating about the cast as a whole, however, is the sense we get of just how much fun they’re having. They radiate joy which permeates the audience in inescapable waves.

Scots is exactly what’s needed in the Scottish musical theatre landscape: an original piece of work which can support its important message with strong writing, music and calibre of team. It is a beautiful celebration of what it means to be Scottish that will leave you questioning your role in the future of this storied country.



SCOTS THE MUSICAL

Pavilion Theatre then Scottish Tour  continues

Reviewed on 18th March 2026

by Kathryn McQueen

Photography by Tommy Ga-Ken Wan


 

 

 

 

SCOTS THE MUSICAL

SCOTS THE MUSICAL

SCOTS THE MUSICAL

GALLUS IN WEEGIELAND

★★★★★

Tron Theatre

GALLUS IN WEEGIELAND

Tron Theatre

★★★★★

“the slickest and most joyful offering to the Scottish Christmas landscape this year”

Not for a long time have I left a theatre in higher spirits than after seeing Gallus in Weegieland – Tron Theatre’s annual winter pantomime. Written by Johnny McKnight and directed by Sally Reid, this show is a masterpiece of comedy, character and cultural references that will leave your head spinning in the best possible way.

The show is a comically Glaswegian twist on the Alice in Wonderland story. We meet Alice, an aspiring dancer with a big heart and very little talent, who is on a metaphorical journey to find herself and along the way hopefully her love, imagination and bravery. She asserts her bravery early on by following a half-boy-half-rabbit, Knavey, underground into the magical Weegieland. Here she is treated to a chorus of Glaswegian characters, decked out in fake designer and framed by a collage of high street shop names and pigeons. We follow Alice’s journey as she meets Hatter (not mad, just eccentric), the wannabe psychic Honey the Caterpillar and, eventually, the terrifying Queenie of Hearts. Alice must find her imagination and decide if love is really worth staying in Weegieland forever.

From start to finish, the cast of this production excel. Jessica Donnelly and Aidan MacColl as ensemble offer delightful characterisation throughout, elevating any scene they are in. Marc Mackinnon is sublime as the diva Honey, continually enrapturing the audience with their killer vocals and dry delivery. Star Penders perfectly encapsulates the mummy’s boy persona of Knavey, and one can’t help but be pulled in by Catriona Faint’s charming Hatter. Indeed, Faint’s banter with the audience is a real highlight of the show and their quick fire jokes so expertly delivered like ace after ace at a grand slam tennis match. Jorgey Scott-Learmonth offers a truly endearing Alice which skillfully never tips into the annoying – we are rooting for her throughout. The absolute scene stealer for this show, however, is Louise McCarthy as Queenie of Hearts. We come to learn very early that when McCarthy is onstage, all eyes are on her. She delivers the role with such unhinged movements and expressions that the audience is in stitches for two hours straight.

One of the most joyous elements of this show was its music, an original score composed by Ross Brown. The songs employed clever lyrics, catchy tunes and they were, as Queenie of Hearts would say, absolute bangers. Having original songs throughout elevated the show above the panto norm and, combined with the frequent interactions with the live pianist, reminded us that music is just as integral a part of panto rep as anything else. Add on top of that Eva Forrester’s vibrant choreography and the show becomes a wonderland of musical theatre.

The show offers the epitome of a pantomime aesthetic, with design by Kenny Miller, and dazzles from start to finish in outlandish patterns and colours and lights. The stage is relatively small, but it manages to feel huge and the energy and atmosphere extends into the whole room.

The audience were a little shy at points, and a couple of jokes flew past our heads, but with a little more bedding in this show could well be the slickest and most joyful offering to the Scottish Christmas landscape this year. This is the perfect show for locals and visitors alike to escape and be dazzled by a truly unapologetically Glaswegian pantomime.



GALLUS IN WEEGIELAND

Tron Theatre

Reviewed on 21st November 2025

by Kathryn McQueen

Photography by Mihaela Bodlovic


 

Previously reviewed at this venue:

ARLINGTON | ★★★ | October 2025
BLACK HOLE SIGN | ★★★★ | September 2025

 

 

GALLUS IN WEEGIELAND

GALLUS IN WEEGIELAND

GALLUS IN WEEGIELAND