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Ryan Lane Will Be There Now In A Minute

★★★★

VAULT Festival 2020

Ryan Lane Will Be There Now In A Minute

Ryan Lane Will Be There Now In A Minute

Cage – The Vaults

Reviewed – 29th February 2020

★★★★

 

“Every opportunity is seized to squeeze every laugh out of a moment, and Lane does it with aplomb”

 

As Ryan Lane bounds on in a mix of traditional Welsh (women’s) dress and a foliage-infused scarlet cape, you’d be forgiven for thinking, ‘perhaps this is a bit too niche’. It was no concern to me as a fellow Welshman, but there was a definite anxiety in the audience in the opening to Ryan Lane Will Be There Now in a Minute. Luckily, the subsequent 55 minutes or so sees Lane charm and delight with a truly hilarious and occasionally poignant look at small-town characters and values.

Set in the rural town of Llandiloes, Lane takes us on a tour of the cast of characters that inhabits it, ranging from the school rugby teacher to the local tour guide. They interact with the audience while going about their daily business, framing them as reluctant sports students or unenthusiastic tourists, which sets up a goldmine of comic potential that Lane unrelentingly reaps. Every opportunity is seized to squeeze every laugh out of a moment, and Lane does it with aplomb, through the extensive physical and vocal toolkit that he and director Georgia Murphy establish with each character. The wit oozing from the script is also exceptional, with a Python-esque surreality to some of the one-liners conjuring a cacophony of belly laughs from the audience.

The sinew connecting each character that Lane depicts is the undercurrent of bigotry that comes entrenched with living in a close-knit rural community such as Llandiloes, and is delivered with expert subtlety in telling the story of a schoolboy struggling with his sexuality. Where many shows fall into the trap of becoming too preachy, Ryan Lane Will Be There Now in a Minute almost swings too far in the opposite direction, displaying unfathomable restraint, letting the irreverent hilarity on the surface smuggle in the more meaningful undertones lurking beneath.

 

Reviewed by Ethan Doyle

Photography by Bruce Wang

 

VAULT Festival 2020

 

 

Click here to see all our reviews from VAULT Festival 2020

 

Dressed
★★★★★

Battersea Arts Centre

dressed

Dressed

Battersea Arts Centre

Reviewed – 26th February 2019

★★★★★

 

“It is rare to see performers as joyous and free as these four women are”

 

Lydia Higginson didn’t really know where dressed. would fit amongst the thousands of shows at the Edinburgh Fringe. She didn’t know what reviewers would say. She didn’t know what she wanted them to say, either, and so what they said didn’t feel right.

Now dressed. has won a Fringe First Award, transferred to Battersea Arts Centre, and is about to go on tour. But these accolades don’t make the reviewer’s job any easier. The fact remains that this is a unique show that defies categorisation, and that basic words like ‘hilarious’ or ‘heart-warming’, can’t hope to describe.

So, what is the show about? On the surface, it is about the power of creativity as a means of overcoming trauma. After being stripped at gunpoint, Lydia moves back home, locks herself in her room, and learns to sew. The first four garments she makes are costumes; by January 2017, she has made her entire wardrobe and given all her shop-bought clothes away. In dressing herself, Lydia is able to reclaim herself, to take back the body that was wrenched out of her control.

On its own, Lydia’s story is arresting and, dare I say it, inspiring. But the thing that makes it so special is the way in which it is told. Lydia performs alongside three of her friends – Josie, Olivia, and Nobahar – who dance with her, sing with her, and wear her costumes. But, most importantly, they enjoy themselves. In spite of the dark subject matter, dressed. is overwhelmed by a sense of joy. It feels as though they made this show purely because they wanted to make it: not out of vanity, but because they felt that this story deserved to be told. No it’s not polished, and yes the microphone wires keep getting caught on bits of the set – but who cares? It is rare to see performers as joyous and free as these four women are.

The roughness of the show should not be mistaken for a lack of professionalism: it is beautifully executed. All four performers are energetic and charismatic, each contributing something unique. Olivia Norris is a mesmerising dancer; Nobahar Mahdavi is a captivating singer. Josie Dale-Jones’ subtle humour brings comic relief, whilst Lydia herself is unflinchingly honest and direct. Lucy Adams’ lighting design matches and enhances the changes in tone, whilst the relatively bare stage is perfect for both dance numbers and quiet moments of sewing.

If I had to choose one word to describe dressed., it would be “celebratory”. It is a celebration, not only of creativity, reclamation, and Lydia herself, but of friendship. It is the story of four girls who met at a dance class when they were ten years old, and who now, as women, exemplify the beauty and power of friendship during dark times. Their love, for each other and for what they have created, is a reminder that theatre cannot be made without it.

 

Reviewed by Harriet Corke

Photography by  Camilla Greenwell

 


Dressed

Battersea Arts Centre until 2nd March

 

Previously reviewed at this venue:
How to Survive a Post-Truth Apocalypse | ★★★ | May 2018
Rendezvous in Bratislava | ★★★★★ | November 2018

 

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