Tag Archives: Lewis McBean

WAR HORSE

★★★★★

UK Tour

WAR HORSE at The Lowry

★★★★★

“Every part is played with truth and passion, the cast make us feel, even cry at times”

The National Theatre’s new production based on the well known, much loved book by author Michael Morpurgo, is compelling viewing. A powerful indictment of conflict and the utter chaos of war, War Horse interrogates the things which test us and allow us to grow in understanding, albeit through unimaginable suffering. It is at once, both devastating and a powerful, life changing, piece of theatre.

Albert Narracott, a sixteen year old farmer’s boy living in rural Devon, is given the task of training up young Joey, a beautiful, feisty horse who had been bought in a bad-tempered bidding war by Albert’s quarrelsome, drunk father. Albert’s task is to turn Joey into a working horse. Their growing bond and successes in the face of adversity, are joyous.

When war comes, the peace of farm life is broken, men enlist and good, strong horses are bought by the army to work in the fields of war. Albert’s beloved Joey is sold by his father, betraying his promise to Albert. Albert cannot bear the loss of his best friend Joey and undertakes a journey into war, with the aim of safely bringing him back home. The parallel, integral story of the horses Joey and Topthorn, a thoroughbred mount, as they are compelled to serve first British, then German forces, mirrors the violent conflict faced by troops, alongside the power of friendship amongst men and animals. When we see war through the horses’ eyes, we see more clearly.

Albert (Tom Sturgess) holds the stage, as he wrestles challenges with bravery, gentleness and single minded determination. From bullied son and gentle companion of Joey, to vulnerable yet emboldened soldier, he captivates throughout. He is our son, our future too.

Joey and Topthorn are awesomely commanding full size puppet horses from The Handspring Puppet Company and are undoubtedly a core part of the success of the production. Puppetry Director Matthew Forbes and the puppeteers who perform in rotation, succeed in portraying the non verbal communication of the horses. The skilled and enthralling puppetry shows them as both warriors and victims, alongside the men at war and the women left behind. The poignance of both horses setting their rivalry aside and settling down to chew the grass side by side, is matched with jaw dropping moments of pure theatre, with both horses involved in the full thrust and horror of war.

Every part is played with truth and passion, the cast make us feel, even cry at times. The nuanced gentleness and ‘stiff upper lip’ of Lieutenant Nicholls (Chris Williams), the comedic banter and potted French of Sergeant Thunder (Gareth Radcliffe), and the gallows humour and bitter-sweet comradeship of David Taylor (Ike Bennett) are examples of the talent on display.

Safe in the directorial hands of Tom Morris and Katie Henry, the work retains its magical spectacle of puppetry, filmic, visceral storytelling, animation and music. The songs, written by John Tams and performed with gritty soulfulness by Sally Swanson and the cast, offer the best of the English folk tradition: memorable, simple and stirring. They complement the power of Adrian Sutton’s orchestral soundtrack, without which the full power and experience of War Horse could not be realised.

The simple, suspended sets (a frayed paper drawing page, where the light edges in) allow our imagination to combine with the creative drawings (Rae Smith) and animations, to immerse us evermore. The highly effective use of lighting zones (Rob Casey), where animals and cast move into and out of view, adds spine tingling perfection when the cast appear from the dark, or a horse rears into view.

Although some of the scenes are disturbing, they are totally necessary in bringing Morpurgo’s work to life and portraying the full horror of war. Touching and moving, War Horse is a must-see experience.

 


WAR HORSE at The Lowry then UK tour continues

Reviewed on 22nd September 2024

by Lucy Williams

Photography by Brinkhoff Moegenburg

 

 

 

 

 

 

More five star shows from this month:

GUYS & DOLLS | ★★★★★ | BRIDGE THEATRE | September 2024
THE PLAY THAT GOES WRONG | ★★★★★ | DUCHESS THEATRE | September 2024
THE BELT | ★★★★★ | THE CORONET THEATRE | September 2024
JAZZ CONVERSATIONS | ★★★★★ | THE PLACE | September 2024

WAR HORSE

WAR HORSE

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Twang!! – 4 Stars

Twang!!

Twang!!

Union Theatre

Reviewed – 13th April 2018

★★★★

“strong, lively and highly entertaining performances”

 

Everyone has grown up with the story of Robin Hood and his merry men. He takes from the rich and gives to the poor. He heroically fights, shoots arrows, and can parry with his sword like a pro. Or so we have always thought … In the current adaptation of Lionel Bart’s 1965 spoof musical Twang!! Robin Hood has been reduced to nothing more than a weak and feeble country bumpkin, due to having – as the title suggests – ‘lost his twang’. The show notoriously was a flop when it first came to the West End fifty years ago, however, it has recently been spruced up and reworked by Julian Woolford, giving it a more modern twist and playing on its pantomime-like shenanigans and musical theatre pizzazz with tongue firmly placed in cheek. A complete hoot, this is a riotously camp romp in the woods (or Sherwood forest to be precise), and they know it! Don’t be expecting the likes of a brooding Kevin Costner, think more Bob Fosse, with plenty of men in tights and slapping of thighs.

After rescuing runaway, Much (Joe Rose), from the clutches of the dastardly Sheriff (Christopher Hewitt), Robin Hood (Peter Noden) welcomes him to Nottinghamshire and into his band of merry men. But something is strange about this place. Life in this county is all a song and dance. Literally. Everything is better as a musical, so the merry men tell, or rather, perform with a series of pirouettes, high kicks and jazz hands, for Much. They are more chorus boys than brutish bandits. Things are looking a sorry state for their leader of the pack. Robin has lost his ‘twang’ and can’t be the hero he used to be. Can the beauty and charm of Maid Marion (Kweeva Garvey) help? Held captive by the villainous Prince John (Lewis McBean), can Robin find his courage again to rescue Marion? With the help of his boys, and Marion’s feisty waiting ladies, it’s certain that good will win out.

If someone who cannot stand musicals described why, this production of Twang!! probably includes each and every one of those reasons. It’s cheesy, silly, brash and bursts into song for no reason. But where this new adaptation is clever, is that it embraces it. They know they are a musical cliché, and with the clever one-liners and musical segments that reference well-known Broadway shows, there are plenty of in-jokes for the theatre luvvies in the audience. Not that this alienates the rest, mind you. It is still clear that they are making fun of the genre on a very wide, and obvious, level. Yes, the overall story is rather slight and none of the songs are memorable, however, the strong, lively and highly entertaining performances from most of the cast makes up for it. You have to get into the spirit of proceedings, but once you do, it’s a gay old time.

 

Reviewed by Phoebe Cole

Photography by Anton Belmonté

 


Twang!!

Union Theatre until 5th May

 

 

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