Tag Archives: Linus Karp

How to Life a Jellicle Life

★★★★

Lion and Unicorn Theatre

How to live a jellicle life

How to Live a Jellicle Life: Life Lessons From the 2019 Hit Movie Musical ‘Cats’

Lion & Unicorn Theatre

Reviewed – 21st October 2020

★★★★

 

“an hilarious journey through the fever dream that is the 2019 movie musical Cats”

 

In December 2019, the questionable decision was made to turn the Tony Award-winning musical Cats by Andrew Lloyd Webber into a blockbuster movie, in which a star-studded cast were transformed into singing and dancing humanoid-felines through the use of some rather dodgy CGI. The bizarre film adaption quickly became a meme that took the internet by storm and left reviewers in despair.

The somewhat surreal experience of watching the movie Cats had an understandably profound effect on many across the world, including Linus Karp, the director, writer and star of the new one-man show ‘how to live a jellicle life: life lessons from the 2019 hit movie musical ‘cats’’.

The show takes the form of a mock lecture in which Karp takes the audience through an animation-filled PowerPoint full of ‘jellicle’ wisdom. He begins by explaining the plot (or lack thereof) of the movie Cats. In short, Cats follows a tribe of cats called the Jellicles and the night that they make their ‘Jellicle choice’, that is, deciding which cat will ascend to the Heaviside Layer and come back to a new life. Unclear? Tough luck! As amusingly noted by Karp, that is about as much of an explanation that Lloyd Webber thought to provide.

The audience is next introduced to the Jellicle cats themselves from the “very sexy” Rum Tum Tugger played by Jason Derulo to the supposed ‘Napoleon of Crime’ Macavity the Mystery Cat. Karp makes hilarious quips and comments about all our new feline friends, and has particular fun presenting the audience with (supposedly) edited snaps of him and the lovely Mr. Mistoffelees, who he declares his true love.

The show is non-stop jokes and parodic musical numbers. The silly tone is set from the very beginning as the audience is seated to a version of Dua Lipa’s song Physical with the final chorus line replaced with ‘Let’s get Jellicle’. Later on in the performance, a disco lights machine is used to accompany a playlist of “gay-friendly pop songs” that ‘celebrate’ the Heaviside Layer. Karp is continually dancing and leaping across the stage, breaking between explanations for a bout of exaggerated musical theatre high-kicks and spins (Sam Carlyle). The absurdity of it all is infectious, and it is evident how much fun Karp is having throughout.

There is some audience participation though the ridiculousness of the show’s concept could have afforded more. Perhaps in post-Covid times, this could be incorporated more, such as a token (like a ‘Jellicle cat’ card) for the attendees to take away.

Karp is not afraid to embrace the jellicle attire (Alison Carlyle), decked out in full-body orange and black striped cat suit, a furry wig-cum-hat, and a red and black feathered tail. Throughout the performance, he adopts ‘cat-like’ movements to comic effect, and an especially funny moment is when he gets distracted by his own laser pointer. The stage is empty apart from the projector screen that sits at the back and a table with a carton of milk that Karp enthusiastically drinks from to open the show. The lights are simply done, a single spotlight on Karp as he prances around the stage.

Karp’s play is an hilarious journey through the fever dream that is the 2019 movie musical Cats. As silly as it is smart, ‘how to live a jellicle life: life lessons from the 2019 hit movie musical ‘cats’’, is a must-see for any person who left a screening of Cats pondering the epitome of philosophical questions: “how can I, too, live a Jellicle life?”

 

Reviewed by Flora Doble

Photography courtesy Awkward Productions

 


How to Live a Jellicle Life: Life Lessons From the 2019 Hit Movie Musical ‘Cats’

Lion & Unicorn Theatre until 24th October

 

Last ten shows reviewed by Flora:
Something Awful | ★★★★★ | The Vaults | January 2020
Tribes | ★★★★ | Putney Arts Theatre | January 2020
Important Art | ★★★ | The Vaults | February 2020
Jekyll & Hyde | ★★★½ | The Vaults | February 2020
Minority Report | ★★★½ | The Vaults | February 2020
The Six Wives Of Henry VIII | ★★★ | King’s Head Theatre | February 2020
Julius Caesar | ★★★★ | The Space | March 2020
The Haus Of Kunst | ★★★ | The Vaults | March 2020
Pippin | ★★★★ | The Garden Theatre | September 2020
Big Girl | ★★★ | Bread & Roses Theatre | September 2020

 

Click here to see our most recent reviews

 

Awkward Conversations With Animals
★★★★

King’s Head Theatre

Awkward Conversations With Animals

Awkward Conversations With Animals I’ve F*cked

King’s Head Theatre

Reviewed – 16th April 2019

★★★★

 

“Karp is utterly convincing, and his journey from shy awkwardness to desperate loneliness is actually quite heart-breaking”

 

It does exactly what it says on the tin. Four funny, frank and – yes – awkward conversations between one man and the animals he’s fucked. Or been fucked by. Or wants to fuck. Rob Hayes’ unsettling script had the audience in stitches, and with a stellar solo performance by Linus Karp, this show proves to be a hit.

Each scene cleverly keeps the audience guessing who, or more accurately, what Bobby is talking to. Moving from his bedroom, to a hotel, to the cold woods, Bobby sits on the fringes of society. Anxiously avoiding the police and any interference from the outside world, he is an enigmatic figure just trying to connect to… something. Hayes has given us an extreme (and illegal?) position, but anyone whose sexual preference extends beyond monogamous heterosexuality will see something of themselves in Bobby.

Linus Karp as Bobby is genuinely hilarious, an awkward cross between Michael Cera and Max von Sydow. Deftly handling the script like he’s making it up on the spot, Karp is utterly convincing, and his journey from shy awkwardness to desperate loneliness is actually quite heart-breaking. Katherine Armitage has directed her actor effectively, ensuring an acute sense of space and making sure each scene has a completely different tone. Amanda Ljunggren’s design suggests a young, messy, confused man surrounded by IKEA furniture and animal memorabilia. A large wooden bed dominates the stage and is craftily used for a change of scenery in the final scene. Marcus Rice’s music could have played a larger role in scene changes to create a greater sense of atmosphere but was otherwise quite pleasant.

Karp keeps things light however, no matter the dark subject matter. Bobby is never a predator – he’s just a boy struggling with his sexuality. The closest companion to Hayes’ script is Lars von Trier’s 2013 film ‘Nymphomaniac’ (albeit with more laughs). “Sexuality is the strongest force in human beings. To be born with a forbidden sexuality must be agonising,” says Joe in Volume II. We feel for Bobby, despite our best efforts. But this play makes you laugh before making you think. As squeals of disgust and barks of laughter filled the auditorium though, I couldn’t help wondering: aren’t we all just animals anyway?

 

Reviewed by Joseph Prestwich

Photography by Simon J Webb

 


Awkward Conversations With Animals I’ve F*cked

King’s Head Theatre until 27th April

 

Related articles:
A Walk in the Woods With Linus Karp

 

Last ten shows reviewed at this venue:
Brexit | ★★★★★ | November 2018
Buttons: A Cinderella Story | ★★★★ | November 2018
Momma Golda | ★★★ | November 2018
The Crumple Zone | ★★ | November 2018
Outlying Islands | ★★★★ | January 2019
Carmen | ★★★★ | February 2019
Timpson: The Musical | ★★★ | February 2019
The Crown Dual | ★★★★ | March 2019
Undetectable | ★★★★ | March 2019
Unsung | ★★★½ | April 2019

 

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