Lion and Unicorn Theatre Archives - Page 4 of 14

Camp

Lion and Unicorn Theatre

Reviewed – 19th August 2019

★★★

“harbours a great concept and has significant potential”

Going away to camp is a rite of passage for most young people whether that be with the Scouts or for a musical festival. Camp, directed by James Easey, imagines a new type of camp retreat for which LGBT+ and queer folks go to earn their Gay-Card and officially join the community. Written by Easey and Kimberley Turford, Camp follows the camp experiences of three LGBT+ individuals as they study hard for lessons on everything from queer history to Voga (Voguing Yoga, of course!).

Felix (Nicholas Marrast-Lewis) is a loud, out-and-proud gay man who is woefully ignorant about the LGBT+ issues. Becky (Camille Wilhelm) is a bisexual woman who is passionate about fighting the bi erasure. Mary (Fizz Waller) is an ex-Christian who has just left her husband of seven-years after finally coming to terms with her attraction to women. The trio clash at first but are soon able to explore together the ways the community needs to do better.

Camp considers many important issues facing the modern LGBT+ and queer community, in particular, the in-fighting between bisexuals and homosexuals and negative attitudes towards trans individuals. The topics raised are interesting but discussion surrounding them is often derailed by Becky’s angry and often over-the-top reactions. Though Becky is understandably angry about the ignorance within a community that purports to be for her, it would be good if her character was mellowed to facilitate better dialogue amongst the characters.

The play is at its strongest when it engages the audience directly. At one point, the actors step out of their roles and ask the audience LGBT+ trivia. This is a great way to break up the action on stage and some facts – such as the word ‘homosexual’ only first being used in 1869 – are so shocking that they earn a collective gasp from the audience. Voga is also excellent fun, and gold sparkly Gay-Cards being gifted to every audience member is the perfect way to end the show.

The stage is not particularly remarkable. A futon to the left of the stage acts as both a sofa and a bed and two chairs with a small table to the right creates the impression of a classroom. Rainbow bunting hanging on the back wall is the only decoration that places them in a camp environment. Props are minimal but a colourful book with the words ‘The Book of GAY’ plastered across the front used for the quiz is notable.

The lighting is very simple. Scenes end with a fade to black so that the actors can reposition themselves on or off stage. This is not always done with good timing and one scene took place for about five seconds in the dark. At the end of another scene, the stage was made far darker than any previous transition which led the audience to believe the play was over and thus began to clap. This sort of inconsistency leads to substantial confusion and needs refining.

Waller is the standout star. She is wonderfully funny as May and fully engages the audience. Her comic timing is excellent and her quick wit in response to unexpected moments such as when an audience member interrupted her reading out a quote make up some of the performance’s funniest moments. Wilhelm and Marrast-Lewis stumble over several of their lines, and their arguments are not convincing in tone or escalation despite the strong script.

Camp harbours a great concept and has significant potential, but a fine tune of its characters and the play’s execution is needed to really drive home the important issues that it endeavours to explore.

Reviewed by Flora Doble

Camp

Lion and Unicorn Theatre until 24th August as part of Camden Fringe 2019

Last ten shows reviewed at this venue:

The German Girls | ★★★ | August 2018

The Cut | ★★ | November 2018

BackPAGE | ★★½ | February 2019

Like You Hate Me | ★★★ | April 2019

Mama G’s Story Time Roadshow | ★★★★★ | May 2019

River In The Sky | ★★½ | May 2019

Euan | ★★★★ | July 2019

A Shoddy Detective & The Art Of Deception | ★★ | August 2019

Blue Tights, Red Knickers And An ‘S’ On Her Vest | ★★★ | August 2019

The Death Of Ivan Ilyich | ★★ | August 2019

Click here to see more of our latest reviews on thespyinthestalls.com

A Shoddy Detective and the Art of Deception

Lion and Unicorn Theatre

Reviewed – 15th August 2019

★★

“chaotic and slapstick, occasionally clever, but the humour is dated, and the plot twists and red herrings a touch predictable”

Established in 2006, The Camden Fringe was set-up as an alternative to Edinburgh Festival, offering performers, with perhaps less time and financial commitments, the chance to try out new material and different ideas in a supportive setting. Like Edinburgh, the festival encompasses new writing, opera, musicals, stand-up, sketch comedy, dance, cabaret, poetry, opera and improvisation; and the shows take place throughout the day and generally last one hour. It aims to give ‘anyone’ the chance to perform and showcase their talents, from very experienced performers and companies, to ambitious newcomers.

The company behind “A Shoddy Detective & the Art of Deception” running at the Lion & Unicorn Theatre fall into that latter category of ‘ambitious newcomers’. “Shoddy Theatre” is a new kid on the block, created by half a dozen East 15 Acting School graduates, and this is their first professional outing. You need to be a far from shoddy detective to find out more. No programmes or cast list exist and an extensive google merely informs that this show is written and directed by the ‘Company’.

The detective in this story is haplessly on the trail of a supposedly stolen painting from a manor auction. Everybody is considered to be a suspect, but there are few clues scattered around the estate, and even fewer in the mind of the sleuth. Enlisting the help of an old enemy who he put behind bars for multiple international heists triggers a Clouseau-esque romp through the land of P. G. Wodehouse.

The energy is infectious as the six actors roll out fifteen characters over the sixty minutes. It is chaotic and slapstick, occasionally clever, but the humour is dated, and the plot twists and red herrings a touch predictable. The audience is too often way ahead of the characters: characters whose race to catch up is hampered by an obstacle course of tried and tested jokes. It is possible to see where this production is going, but it does need fresher material and a much sharper edge to cut through the mass of entertainment that comprises the Camden Fringe.

For a debut, though, there is great promise. Even the shoddiest detective can spot the potential drive of this hitherto anonymous company. Once they devise a script that matches their ambition, I’m sure they’ll find their eureka moment.

Lion and Unicorn Theatre

Reviewed – 19th August 2019

★★★

“harbours a great concept and has significant potential”

Camp harbours a great concept and has significant potential, but a fine tune of its characters and the play’s execution is needed to really drive home the important issues that it endeavours to explore.

Reviewed by Flora Doble

Camp

Lion and Unicorn Theatre until 24th August as part of Camden Fringe 2019

Last ten shows reviewed at this venue:

Lion and Unicorn Theatre

Reviewed – 15th August 2019

★★

“chaotic and slapstick, occasionally clever, but the humour is dated, and the plot twists and red herrings a touch predictable”

For a debut, though, there is great promise. Even the shoddiest detective can spot the potential drive of this hitherto anonymous company. Once they devise a script that matches their ambition, I’m sure they’ll find their eureka moment.

Reviewed by Jonathan Evans

Photography courtesy Shoddy Theatre

A Shoddy Detective and the Art of Deception

Lion and Unicorn Theatre until 18th August as part of Camden Fringe 2019

Last ten shows reviewed at this venue: