Tag Archives: Lyric Hammersmith

JACK AND THE BEANSTALK

★★★★★

Lyric Hammersmith

JACK AND THE BEANSTALK

Lyric Hammersmith

★★★★★

“this raucously joyful romp will put a bit of much needed magic into everyone’s lives”

If you are looking for a pantomime to see this Christmas look no further than this absolute treat of a show at the Lyric Hammersmith. With a stellar cast and a strong creative pedigree in writer Sonia Jalaly and director Nicholai La Barrie, it more than meets expectations on every level.

From the outset the Fairy Godfather in a shimmering gold dressing gown and big blue fluffy slippers, makes us aware of how Hammersmith is losing its imagination. It soon becomes all too clear why, when we are introduced to Fleshcreep Academy, the local Hammersmith school, complete with copious security cameras and a sadistic headmaster, (a brilliant bully of a baddy played by John Partridge). Meanwhile our hero Jack (Joey James), who is so lacking in confidence that he communicates through a sock puppet and his sister Jill (Sienna Widd), who has enough sass for the entire school have just started their first day, joined by their mother Momma Trott (a highly entertaining Sam Harrison) who has been hired as the new dinner lady. His first appearance with three stripey pink and white mugs strapped at jaunty angles to his pink wig, wearing a satin pink ‘diamonds are a girls best friend’ outfit, looks like a cross between a RuPaul Drag Race contestant and Rylan. All credit to the costume dept (Georgia Lowe) for an incredible job and particularly for Momma Trott’s imaginative and hilarious wardrobe.

In order to defeat The Giant, Jade Hackett’s ‘Looney Tunes’ Fairy Godfather valiantly tries to capture everyone’s imagination and her performance is a comedic masterpiece – her hilarious footwork alone is a pure delight. Jack eventually finds his voice and what a voice…. Joey James is excellent, playing the dual characters of himself and his ‘sock’ alter ego. Not only is he an exceptional rapper, but he also delivers a killer melodic line in the song ‘Pure Imagination’.

Corin Buckeridge’s cleverly created songs feel so currently familiar, yet are original compositions. The sound (Nick Manning) hits just the right level which is no mean feat for a pantomime and Kayla Lomas-Kirton’s vibrant and contemporary choreography delights the younger members of the audience. Older generations will recognise and appreciate other witty musical sound bites like ‘Take my Breath Away’ and ‘Hello Darkness my old Friend’ and the cheeky reenactment of the CCTV Coldplay footage and the inclusion of the controversial 6/7 shows just how appealing this production is to all ages.

The Lyric Hammersmith prides itself for bringing their community together and having innovation at its heart. Well they have truly pushed the boundaries in this production, whilst still maintaining all the core values of a truly traditional panto. This is a tumultuously feel-good show about hopes and dreams …. as the Fairy Godfather said ‘There is nothing more magical than a child’s imagination’. From the audience’s reaction, this raucously joyful romp will put a bit of much needed magic into everyone’s lives.



JACK AND THE BEANSTALK

Lyric Hammersmith

Reviewed on 22nd November 2025

by Sarah Milton

Photography by Manuel Harlan

 

Previously reviewed at this venue:

OUR TIME | ★★★★ | October 2025
GHOSTS | ★★★★★ | April 2025
PLAY ON! | ★★★★★ | January 2025
OTHELLO | ★★★★ | January 2023

 

 

JACK AND

JACK AND

JACK AND

OUR TIME

★★★★

Lyric Hammersmith

OUR TIME

Lyric Hammersmith

★★★★

“A piece that challenges our preconceptions of what dance and live performance is”

Over four decades of pushing the boundaries of inclusivity in the performing arts, Amici Dance Theatre Company once again deliver a deeply moving and inspirational show. Live music, dance and poetry come together on the stage to create Our Time, a story about love, identity and the collective strength of creative inclusion.

This show is a tribute to the visionary founder of Amici Dance Theatre Company Wolfgang Stange, whose love story takes us on a journey across different continents, decades, sounds and colours. Director Michael Vale has broken down the story in eight scenes, starting off in 1970, where Wolfgang (played by Ross Black) and his partner George Beven (played by Gurpreet Dosanjh), meet for the first time, We observe their relationship blossom as the years pass; from London, to Sri Lanka and Berlin, we travel all the way to 2025 and even after they both have passed away, the ensemble keeps moving and dancing, thus keeping the torch of Wolfgang’s legacy burning.

There is a lovely balance between faster paced and energetic scenes and more sombre, serious ones, highlighting that both historical events and Wolfgang and George’s relationship have its ups and downs. But in the end, it is joy that prevails. And a big step towards a more inclusive mindset in performance.

Elaine Thomas’ choreography is stunning, with some wonderful duos and impactful ensemble pieces that flow and merge and elevate the feeling of hope and bliss. Performers lead one another with trust and excitement and it’s clear that dance really is for everyone. Wolfgang was heavily influenced by Hilda Holger and her inclusive approach about dance belonging to everyone. Bodies of all shapes and abilities come together to celebrate love and acceptance. The stage is filled with passion and dedication, even if the more abstract sections of the ensemble choreography come across slightly confusing and disorienting.

One of the highlights of the show is the live music and original composition by Nao Masuda. The three musicians, Nao Masuda, Jenny Adejayan and Charis Morgan, sit on a platform at the back of the stage. Their steady presence envelops the performers, leads them and supports them, with music that ranges from jazz to waltz and Sri Lankan drums.

Costume Designer Tina Bicat has created a colourful canvas on the performers. Splashes of all the shades of red, green, yellow, blue and purple decorate the white clothes they wear, with Wolfgang and George having their own deeper and more intricate matching patterns. They’re part of the ensemble and at the same time stand out just enough to be easily spotted around the stage.

A piece that challenges our preconceptions of what dance and live performance is and who it ‘should’ be performed by. Our Time is a heartfelt performance that will encourage you to view the world differently and show you how each individual has their own unique potential, both on and off stage.



OUR TIME

Lyric Hammersmith

Reviewed on 22nd October 2025

by Stephanie Christodoulidou

Photography by Sheila Burnett


 

Previously reviewed at this venue:

GHOSTS | ★★★★★ | April 2025
PLAY ON! | ★★★★★ | January 2025
OTHELLO | ★★★★ | January 2023

 

 

OUR TIME

OUR TIME

OUR TIME