Tag Archives: Lyric Theatre

Oi Frog & Friends! 

★★★★★

Lyric Theatre

Oi Frog & Friends!

Oi Frog & Friends!

Lyric Theatre

Reviewed – 5 December 2019

★★★★★

 

“Highly recommended for its sparkling script, extraordinary performances and  wonderful design”

 

It’s not even Christmas yet, but if you and your kids are already suffering from a surfeit of seasonal festivities and are looking for something that won’t jingle bells and ho, ho, ho at you, (except in a non-Christmassy way) then hurry along to the Lyric Theatre on Shaftesbury Avenue. Here you will find the delightful Oi Frog and Friends! Based on the best selling children’s book by Kes Gray and Jim Field, this fifty five minute entertainment provides all the elements of a good story, presented in a very young child friendly way. So child friendly, in fact, that this reviewer observed at least one infant happily enjoying the action. Kudos to the parents for getting their kids to good theatre at such a young age, and kudos to adaptors Emma Earle, Zoe Squire, Luke Bateman and Richy Hughes for managing such a seamless transition from the page to the stage.

Oi Frog and Friends! is not just entertainment, however. It has some important things to teach about finding one’s place (and sitting still on it) , and all the fun one can have with words while doing it. It’s a simple enough story. At the Sittingbottom School, (ho, ho) the bossy prefect Cat has the rule book about who sits on what—all determined by what rhymes with your name. Easy enough if you are a hare (chair), a fox (box) or a cat (mat). But what if you are an ostrich or a badger? Into this rule bound classroom comes Frog, a new student whose questions (and new rhymes) overturn the established order, much to Cat’s dismay, and the horror of the local media—a guest star turn by Meerkat TV’s Bob Burrows. (There’s a lot of funny punning as well as rhyming in this script, and you get drawn in. Oops).

The audience is enticed into this enchanting world by four actors who manage a breathtaking quantity of performance skills at breakneck speed. With the able direction of Emma Earle, they portray any number of animals using a combination of costumes and puppetry, and of course, sing and dance when appropriate as well. Particularly outstanding are John Winchester as Frog, and Darren Seed as Dog, but really the whole cast is brilliant at the way they leap nimbly between roles, including assisting one another when some nifty bunraku-type puppetry skills are required. Zoe Squire and Yvonne Stone, responsible for design, have come up with inventive creations that flawlessly integrate both actor and puppet into the character they play. Dog’s design is particularly clever in this respect, and it takes a skilled performer to be able to manage all the moving pieces in such a convincing way. Cat, played by Lucy Tuck, is a more conventionally designed character but still demands a lot of athleticism and comic ability. Tuck’s portrayal of a cat who is terrified of losing the last of her nine lives, is both funny and touching. The fourth member of the cast is Simon Yadoo as Cheetah, although he assists with the puppetry and takes on so many roles that it’s easy to lose count of how many times he changes costumes (and puppets). Still, his Carmen Miranda inspired turn as a Cheetah that must sit on a fajita was a big hit with the kids in the audience, and yes, even the big kids otherwise known as their parents.

In short, Oi Frog and Friends! is the perfect show to counter the pre-Christmas blahs, and satisfy the kid in all of us. Highly recommended for its sparkling script, extraordinary performances and wonderful design. It’s a rhyming good time! O.K. O.K—I’ll show myself out.

 

Reviewed by Dominica Plummer

Photography by Pamela Raith

 


Oi Frog & Friends!

Lyric Theatre until 5th January

 

Last ten shows reviewed by Dominica:
Now Is Time To Say Nothing | ★★★★ | Battersea Arts Centre | October 2019
The Accident Did Not Take Place | ★★ | Pleasance Theatre | October 2019
The Fetch Wilson | ★★★★ | Pleasance Theatre | October 2019
The Hypnotist | ★★½ | Pleasance Theatre | October 2019
The Unseen Hour | ★★★★ | Pleasance Theatre | October 2019
Cinderella | ★★★★ | The Vaults | November 2019
Iphigenia In Aulis | ★★★ | Cockpit Theatre | November 2019
Madame Ovary | ★★★★★ | Pleasance Theatre | November 2019
The Snowman | ★★★★ | Peacock Theatre | November 2019
Touching The Void | ★★★★ | Duke Of York’s Theatre | November 2019

 

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The Simon & Garfunkel Story
★★★

Lyric Theatre

The Simon & Garfunkel Story

The Simon & Garfunkel Story

Lyric Theatre

Reviewed – 29th April 2019

★★★

 

“the musicianship is excellent, and it’s quite a phenomenal showcase of ability”

 

It’s been fifty years since Simon and Garfunkel were hitting the charts, but it seems their popularity has yet to wane, as can be seen with the ongoing demand for ‘The Simon and Garfunkel Story’. Even after a sizeable run in London last year and a world tour following that, still, two months in to another season in London, a giddy full-house eagerly awaits.

New stars of the show, Adam Dickinson (Paul Simon) and Kingsley Judd (Art Garfunkel) open with a perfect rendition of ‘The Sound of Silence’. They share a fair likeness with their characters, and their silvery vocals harmonise beautifully so that if you closed your eyes you might just be fooled.

However, as soon as the first track finishes, we’re greeted with two very English accents, and a story told in the third person. It makes you wonder why they bothered with the costumes if suspension of disbelief was only going to come to a screeching halt five minutes in.

It’s a strange combination of production choices – Dickinson and Judd do at least sing with American accents, and both have appeared to study the mannerisms of their characters’ musical performances but as soon as each song is finished, they’re back to being two English lads. There’s no set besides a projector screen, and the ‘story’ is mostly made up of geographical locations of both singers and the chronology of the music, told in cheesy gobbets between numbers.

The costumes change according to the era (Everly Brothers-style shirts and black ties are swapped for seventies polo necks, and then eighties blazers and t-shirts) but the effect is so minimal they may as well not have bothered – particularly as the rest of the band remain in their shirts and ties throughout.

That being said, the musicianship is excellent, and it’s quite a phenomenal showcase of ability. More than that, it’s a pleasure to see how much they’re enjoying the performance – the drummer (Mat Swales) sweetly mouths the words of nearly every song, and the bassist (Leon Camfield) emanates a contagious enthusiasm.

It’s clear that vocal ability and aesthetic were the reigning considerations in casting Kingsley Judd: his manner of addressing the audience is overly sentimental, as though talking to an audience of senile geriatrics, and his performance is uncomfortable to watch. Dickinson, making his professional debut, seems much more at home as a front man, though he does have the advantage of having a guitar to hide behind, where Judd is left desperately trying to work out what to do with his hands – there’s only so many times you can meaningfully grab the mic stand.

Of course it’s entertaining listening to brilliant musicians performing huge hits, but it’s not a theatre production. The set-up is that of a gig (minus a dancefloor), and there’s little to no acting required or story told.

 

Reviewed by Miriam Sallon

Photography by Hamish Gill

 


The Simon & Garfunkel Story

Lyric Theatre – Monday 20th May & Monday 24th June

 

Previously reviewed at this venue:
The Simon & Garfunkel Story | ★★★★ | July 2018
A Beautiful Noise | ★★★★★ | February 2019

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