Tag Archives: Madelaine Moore

SANTI & NAZ

★★★★

Soho Theatre

SANTI & NAZ

Soho Theatre

★★★★

“Innocence and playfulness mingle with a satire that bites when we least expect it”

Guleraana Mir’s beautifully constructed short play, “Santi and Naz”, is a deceptively innocent and poetic account of an enduring friendship between two young women who grew up in pre-partition India. They are living in an unnamed village, soon to be split in two by new borders that sliced through the lives of millions of unsettled people. The blood spilled still stains the ground decades later. The play, however, avoids making any political commentary on the consequences of (and widespread opposition to) partition. Instead, it zooms in on the very personal effects. And by looking at the world through childish eyes, it becomes more emotively powerful.

Nehru’s (in)famous ‘Tryst with Destiny’ address opens the play, his crackling voiceover heralding the ‘stroke of the midnight hour’. As his words fall and fracture onto a darkened stage, Santi (Aiyana Bartlett) is writing a letter, destined never to be delivered, to childhood friend Naz (Farah Ashraf). The intimacy is ingrained in her memories. Laura Howard’s evocative lighting shifts to warmer shades and we find Santi and Naz years earlier, playing games, dancing, teasing and swooning over the local heartthrob. It is a coming-of-age story whose lightness belies the darkness lurking beneath. Over time that darkness spreads like a shadow between them – a representation of the cultural changes that force them apart. The performances are undeniably strong throughout: Bartlett’s vulnerable and romantic Santi seeking shelter in books and writing, while Ashraf’s more defiant Naz seeks to defy the arranged marriage that threatens her dreams of happiness.

Mir’s script (co-written with afshan d’souza-lodhi) has a natural flow, accentuated by the gorgeous chemistry between the two performers. Innocence and playfulness mingle with a satire that bites when we least expect it. Occasionally the writing confuses, and we are unsure whether there is a sexual undertone to their friendship; but we never doubt the resilience and indestructible strength of their connection. A connection that remains even when separated. Bartlett and Ashraf evocatively present a personal tragedy that mirrors the political one. It skirts around it at times and occasionally overlooks its Western audience, but ultimately it does shine a light on an often-misunderstood period of history.

It is, unfortunately, a universal story. Santi is Sikh and Naz is Muslim; a fact that is neither here nor there for them. Until the British withdrawal. The pair interject their dialogue with uncannily accurate impersonations of the key figures – such as Gandhi and Mountbatten – the latter especially whose actions and decisions affected the lives of those he had little connection with or knowledge about. The weight of the events ‘forces the air from our lungs’ as Naz points out. ‘I no longer know where my people are’.

Poignantly, we come full cycle for the play’s conclusion. Separated on the stage by a wedge of black light, the two characters are back where they started. Looking back, they are both yearning for the other. A friendship divided, a culture split apart, and a country thrown into two opposing sides. The line is drawn. But we are pulled back into the deeply personal: two people who refuse to see their differences. A heartfelt tale of innocence and experience that earns, and deserves, our undivided attention.

 

SANTI & NAZ

Soho Theatre

Reviewed on 23rd January 2025

by Jonathan Evans

Photography by Paul Blakemore

 

 

 


 

 

 

 

Previously reviewed at this venue:

BALL & BOE – FOR FOURTEEN NIGHTS ONLY | ★★★★ | December 2024
GINGER JOHNSON BLOWS OFF! | ★★★ | September 2024
COLIN HOULT: COLIN | ★★★★ | September 2024
VITAMIN D | ★★★★ | September 2024
THE DAO OF UNREPRESENTATIVE BRITISH CHINESE EXPERIENCE | ★★★★ | June 2024
BABY DINOSAUR | ★★★ | June 2024
JAZZ EMU | ★★★★★ | June 2024
BLIZZARD | ★★★★ | May 2024
BOYS ON THE VERGE OF TEARS | ★★★★ | April 2024
SPENCER JONES: MAKING FRIENDS | ★★★★ | April 2024
DON’T. MAKE. TEA. | ★★★★★ | March 2024
PUDDLES PITY PARTY | ★★ | March 2024

SANTI & NAZ

SANTI & NAZ

SANTI & NAZ

 

 

OUTPATIENT

★★★★

Reading Rep Theatre

OUTPATIENT at Reading Rep Theatre

★★★★

“a heart-warming story with an unexpected ending”

Three black walls, a black floor, a running machine and a giant exercise ball. One remarkable solo writer-performer. That’s what it takes to make one heck of a show at Reading Rep.

Harriet Madeley is an award-winning writer, actor, producer and co-director of the theatre company Crowded Room which ‘specialises in true stories that get people talking’. Mid-way through writing a new play about death – the subject no-one wants to talk about that we have all but airbrushed out of our lives – the wheel of fate took an unexpected turn. Madeley was diagnosed with a rare and chronic disease called Primary Sclerosing Cholangitis (PSC). The condition, which attacks the liver and bile ducts, affects around seven in every million in the UK. Life expectancy of sufferers can be as short as ten years and there is, as yet, no cure.

On stage Harriet Madeley becomes a ditsy journalist called Olive who must recruit interviewees for an article about terminal illness. When Olive finds herself similarly diagnosed, her own life unravels in a rapidly descending spiral of laugh out loud comic moments. She even wonders whether her own death could become her own best career break yet.

The show does not flag for a second as Madeley interacts with recordings and delivers a series of reflective monologues on her condition. As those around her struggle to accept her fate and she goes off at a very unexpected tangent, we get to know Olive’s fiancée, parents and friends in a heart-warming story with an unexpected ending.

With simple and effective video and lighting by Megan Lucas, sound by Bella Kear and some smart direction from Madelaine Moore, this thought provoking new play more than merits its Summerhall Lustrum Award for Unforgettable Theatre. It is a warm and life-enhancing version of the performer’s own terminal diagnosis story and deserves to run and run.

 


OUTPATIENT at Reading Rep Theatre

Reviewed on 17th October 2024

by David Woodward

Photography by Harry Elletson

 

 


 

 

Previously reviewed at this venue:

THE IMPORTANCE OF BEING OSCAR | ★★★★★ | May 2024
IT’S A WONDERFUL LIFE | ★★★★★ | December 2023
SHAKESPEARE’S R&J | ★★★★ | October 2023
HEDDA GABLER | ★★★★★ | February 2023
DORIAN | ★★★★ | October 2021

OUTPATIENT

OUTPATIENT

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