Pickle Jar

Soho Theatre

Reviewed – 26th October 2018

★★★★★

“the characters, despite being created only through shifts in Rice’s voice and posture, are three-dimensional and complex”

In what presents as a comedy monologue, but quickly evolves into a troubling modern tale, Maddie Rice writes and performs the part of Miss, a well-meaning and slightly prudish teacher. At school, Miss fills the traditional role of a stable, sexless mentor to her precocious charges while in her private life she is between relationships and desperately at sea amid the dangers of urban dating. The comic potential of two worlds in conflict is successfully mined for the first half, as Rice skilfully conjures a recognisable collection of characters.

Then, just as we wonder where all this is going, a tragic event at school triggers Miss to begin to unravel. Fighting off the intrusive concern of the school’s councillor, Laura, with her wheedling voice and mindfulness techniques, Miss hits the Pina Coladas and revisits the nightclub where she had experienced an assault at the hands of a colleague, about which she had been silent.

Several details elevate the showcase above the usual wry look at modern life. The direction by Katie Pesskin is crisp, with smart use of lighting (Mark Dymock) and sound (Dominic Kennedy). The script is genuinely funny and the characters, despite being created only through shifts in Rice’s voice and posture, are three-dimensional and complex, from handsome food-tech teacher Eric and jolly but morally bereft flatmate Mairead, to charming Raj at the corner shop and an array of street-wise pupils.

Although this is her writing debut, Rice is an accomplished performer having toured in the stage version of Phoebe Waller-Bridge’s ‘Fleabag’ and played various parts in Comedy Central’s ‘Every Blank Ever’. Her role in ‘Fleabag’ provides a jumping off point for the character of Miss, but here the bawdy Saturday Night style is mellowed by an emotional authenticity and pin sharp observation. For example, the simple set (Ben Target and Tom Hartshorne) features two mounds and a sapling to represent the place in a school playing field where the girls have their heart-to-hearts. In the script, too, character is never sacrificed for easy laughs. When Miss admits that it’s high time she bought toilet rolls, kitchen rolls and sausage rolls for the flat, we realise it’s because Mairead has been excusing her these duties, exposing both the flatmate’s softer side and the extent of Miss’s fragility.

All this gives a powerful sense of reality to the show’s narrative and themes, but as serious as these are, the comedy never goes cold. Brilliant writing and performance are vital to pull of this balancing act and this one woman show gives us both barrels.

Reviewed by Dominic Gettins

Photography by Ali Wright

Pickle Jar

Soho Theatre until 10th November

Previously reviewed at this theatre:

Denim: World Tour | ★★★★★ | January 2018

Francesco de Carlo: Comfort Zone | ★★★★ | May 2018

Great British Mysteries | ★★★½ | May 2018

Sarah Kendall: One-Seventeen | ★★★★ | May 2018

Flesh & Bone | ★★★★★ | July 2018

There but for the Grace of God (Go I) | ★★★★ | August 2018

Fabric | ★★★★ | September 2018

The Political History of Smack and Crack | ★★★★ | September 2018

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★★★★★

“a phenomenal production”

In Dublin, a man is about to leave his guitar behind for good. But a Czech woman needs her hoover fixed, and she plans to pay him in music. So begins a musical partnership, that over the course of a week, will change both their lives. Based on the acclaimed film by John Carney, ‘Once’ is a quietly beautiful story of music, love and loss. This is the first ever regional production of ‘Once’ and what a production it is. It started life at the New Wolsey Theatre, and now opens at Queen’s Theatre Hornchurch to a standing ovation.

The actor-musician cast are supremely talented, vocally superb, genuine and often very funny in their performances, alternating between instruments with complete ease. Daniel Healy and Emma Lucia play the central couple. Lucia is wonderful, apparently unphaseable, lively and immediately likeable, the heart and soul of this story. Healy is equally fantastic. Lost and hurt, he sings and plays with an urgency of emotion that is both beautiful and heartbreaking to watch. Their relationship is tangible onstage, the words left unsaid and the complications that surround loving someone. Sean Kingsley as Billy, is a lively comic addition to the production, incongruous and bold. In fact, there isn’t a weak link across the cast.

Libby Watson’s accomplished set creates a familiar pub backdrop, walls heavy with frames, with a roof that lifts to reveal a star studded night sky high above the world. Under Peter Rowe’s direction, the actors remain onstage almost constantly, and a fantastically warm sense of ensemble is created.

Enda Walsh’s book is playful and simple, coupled with music and lyrics by Glen Hansard and Marketa Irglova. Swelling folk tunes are followed by beautiful moments of ensemble acapella. This is a phenomenal production, touching and funny and deeply human, delivered by superb performances across the board.

Reviewed by Amelia Brown

Photography by Mike Kwasniak

Pickle Jar

Soho Theatre

Reviewed – 26th October 2018

★★★★★

“the characters, despite being created only through shifts in Rice’s voice and posture, are three-dimensional and complex”

All this gives a powerful sense of reality to the show’s narrative and themes, but as serious as these are, the comedy never goes cold. Brilliant writing and performance are vital to pull of this balancing act and this one woman show gives us both barrels.

Reviewed by Dominic Gettins

Photography by Ali Wright

Pickle Jar

Soho Theatre until 10th November

Previously reviewed at this theatre:

Once

Queen’s Theatre, Hornchurch

Reviewed – 4th October 2018

★★★★★

“a phenomenal production”

Reviewed by Amelia Brown

Photography by Mike Kwasniak

Once

Queen’s Theatre Hornchurch until 20th October

Previously reviewed at this venue: