Tag Archives: Maddie Rice

Pickle Jar – 5 Stars

Pickle Jar

Pickle Jar

Soho Theatre

Reviewed – 26th October 2018


“the characters, despite being created only through shifts in Rice’s voice and posture, are three-dimensional and complex”


In what presents as a comedy monologue, but quickly evolves into a troubling modern tale, Maddie Rice writes and performs the part of Miss, a well-meaning and slightly prudish teacher. At school, Miss fills the traditional role of a stable, sexless mentor to her precocious charges while in her private life she is between relationships and desperately at sea amid the dangers of urban dating. The comic potential of two worlds in conflict is successfully mined for the first half, as Rice skilfully conjures a recognisable collection of characters.

Then, just as we wonder where all this is going, a tragic event at school triggers Miss to begin to unravel. Fighting off the intrusive concern of the school’s councillor, Laura, with her wheedling voice and mindfulness techniques, Miss hits the Pina Coladas and revisits the nightclub where she had experienced an assault at the hands of a colleague, about which she had been silent.

Several details elevate the showcase above the usual wry look at modern life. The direction by Katie Pesskin is crisp, with smart use of lighting (Mark Dymock) and sound (Dominic Kennedy). The script is genuinely funny and the characters, despite being created only through shifts in Rice’s voice and posture, are three-dimensional and complex, from handsome food-tech teacher Eric and jolly but morally bereft flatmate Mairead, to charming Raj at the corner shop and an array of street-wise pupils.

Although this is her writing debut, Rice is an accomplished performer having toured in the stage version of Phoebe Waller-Bridge’s ‘Fleabag’ and played various parts in Comedy Central’s ‘Every Blank Ever’. Her role in ‘Fleabag’ provides a jumping off point for the character of Miss, but here the bawdy Saturday Night style is mellowed by an emotional authenticity and pin sharp observation. For example, the simple set (Ben Target and Tom Hartshorne) features two mounds and a sapling to represent the place in a school playing field where the girls have their heart-to-hearts. In the script, too, character is never sacrificed for easy laughs. When Miss admits that it’s high time she bought toilet rolls, kitchen rolls and sausage rolls for the flat, we realise it’s because Mairead has been excusing her these duties, exposing both the flatmate’s softer side and the extent of Miss’s fragility.

All this gives a powerful sense of reality to the show’s narrative and themes, but as serious as these are, the comedy never goes cold. Brilliant writing and performance are vital to pull of this balancing act and this one woman show gives us both barrels.


Reviewed by Dominic Gettins

Photography by Ali Wright


Pickle Jar

Soho Theatre until 10th November


Previously reviewed at this theatre:
Denim: World Tour | ★★★★★ | January 2018
Dust | ★★★★★ | February 2018
Francesco de Carlo: Comfort Zone | ★★★★ | May 2018
Great British Mysteries | ★★★½ | May 2018
Sarah Kendall: One-Seventeen | ★★★★ | May 2018
Sugar Baby | ★★★★ | May 2018
Flesh & Bone | ★★★★★ | July 2018
There but for the Grace of God (Go I) | ★★★★ | August 2018
Fabric | ★★★★ | September 2018
The Political History of Smack and Crack | ★★★★ | September 2018


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Review of Awkward Conversations With Animals I’ve F****d – 4 Stars


Awkward Conversations With Animals I’ve F****d

Lion & Unicorn Theatre

Reviewed – 15th November 2017


“Rob Hayes has created an extraordinary, entirely original, piece of theatre”


As titles go, ‘Awkward Conversations With Animals I’ve Fucked’ certainly packs a punch … As does the play itself -it’s in your face, obscene, provocative, and funny. Frequently very funny indeed, and yet at times it is also surprisingly, and almost unbearably poignant. Rob Hayes has created an extraordinary, entirely original, piece of theatre. It is no surprise that in 2013, a year before Awkward Conversations premiered at the Edinburgh Fringe, he won the Tom Erhardt Award for Most Promising Playwright. It will be fascinating to see where he goes next. A talent to watch, for sure.

Part of the delight of this show is in the reveals, which are both comedic, as we witness Bobby’s increasingly bizarre choice of sexual partner, and touching, as the more painful story of his childhood, especially that of his relationship with his father, unfolds. Holding a stage for an hour is no mean feat for an actor, yet Linus Karp was at all times both engaged, and engaging as he took us with him through Bobby’s slowly unravelling life. By the end of the play – a suitably climactic moment – we felt that we knew him. His fate mattered to us. And this is surely one of the things that good theatre is all about.

Ably directed by Maddie Rice, with sparse and effective set-design by Amanda Ljunggren, Linus Karp’s funny and touching performance of Rob Hayes’ striking extended monologue is one of the most satisfying theatrical evenings currently on offer.


Reviewed by Rebecca Crankshaw


Lion And Unicorn Theatre



is at the Lion & Unicorn Theatre until 29th November



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