Tag Archives: Mark Senior

PEPPA PIG’S BIG FAMILY SHOW

★★★★

UK Tour

PEPPA PIG’S BIG FAMILY SHOW

Theatre Royal Haymarket

★★★★

“a warm, playful introduction to theatre for very young audiences”

From the moment the signature theme music swells through the theatre, audiences of every age are gently ushered back into Peppa Pig’s bright, familiar universe. When the much-loved song “Today is the Day” starts up, the tiniest theatregoers practically lift out of their seats, sensing that a full day of play and adventure is about to unfold. The unexpected heart of this new stage outing, however, lies in the introduction of baby Evie — a storyline fans have only just begun to encounter in recent announcements. Seeing it play out live gives the production an immediate emotional charge, as if the young audience has been invited to witness a family milestone from inside the Pig household itself.

Daisy, the show’s human guide, anchors us inside the oversized puppetry world with warmth and clarity. Through her perspective, the children learn what it means to prepare for a new sibling: decorating the house, helping the grown-ups, and sharing in the anticipation. Scenes with Peppa and George preparing baby Evie’s room gently invite children to think about pregnancy, family change, and what it means to welcome someone new. The narrator’s performance is sharply tuned to the cartoon’s vocal style, giving the sense of a television episode brought to life. Music drives the production, with nearly every number built around interactive dance moments — from decorating the house to playing outdoor games — ensuring young viewers seldom sit still for long.

The most inventive sequences come from the show’s playful use of theatre magic. When George cries real water tears, droplets shoot out toward the audience, causing delighted shrieks across the stalls. Later, a glowing nighttime tableau appears as fluorescent ducks, a rising moon, and three enchanted paint buckets emerge from behind a lowered black curtain. Brushes seem to dance and paint on their own, transforming the set in a moment of genuine stagecraft charm.

The second act quietens in tone as baby Evie finally arrives. The entire auditorium lowers its voice to greet the newborn — a surprisingly tender communal moment. A song about Evie learning and growing resonates with parents, especially when the sound of a newborn’s soft cry drifts through the theatre. The finale returns to high energy with a game of musical statues and an appearance from Santa, who, despite resembling a very slim Santa image, delights the children nonetheless.

Where the production falters is in its target age range, the storytelling and interaction level skew strongly toward children aged two to four. For older children, the narrative may feel too simple, closer to an early-years activity session than a full theatrical experience. Meanwhile, for toddlers under two, the long running time can feel demanding.

Overall, this Peppa Pig stage outing delivers exactly what its core audience hopes for: bright colours, gentle humour, familiar songs, and moments of theatrical magic that feel lifted straight from the cartoon. While its age targeting could be clearer, the production succeeds as a warm, playful introduction to theatre for very young audiences — and a charming celebration of Peppa’s ever-expanding family.



PEPPA PIG’S BIG FAMILY SHOW

Theatre Royal Haymarket then UK Tour continues

Reviewed on 7th December 2025

by Portia Yuran Li

Photography by Mark Senior


 

Shows most recently reviewed at this venue:

OTHELLO | ★★★★★ | November 2025
SALOMÉ | ★★★★ | September 2025
THE SCORE | ★★★½ | February 2025
WAITING FOR GODOT | ★★★★ | September 2024

 

 

PEPPA PIG

PEPPA PIG

PEPPA PIG

CINDERELLA

★★★★

Hackney Empire

CINDERELLA

Hackney Empire

★★★★

“Sumptuous, hilarious, sparkling and completely over the top”

The most magical thing about watching Cinderella is that you know the story, the characters and the outcome. It is a universal story of adversity and justice, and the transformative powers of love and kindness. It has been performed, in various adaptations, possibly millions of times around the world. In Britain alone, it is one of the most frequently mounted pantomimes.

Yet, in the hands of a masterly production, you can still be enthralled. In fact, much of the enchantment comes from the fact you DO know what’s going on. So, in the audience, you become collaborator and co-creator, and in some weird way, know that the success of the evening is greatly down to you.

That’s enough theorising – Hackney Empire’s seasonal Cinderella, in the hands of writer Will Brenton and director Clive Rowe, delivers that masterly production. Sumptuous, hilarious, sparkling and completely over the top. Brenton and Rowe are masters. The credits in the programme are too long to even begin a selection, but think productions of The Addams Family and Chicago – Rowe has been involved in these and many more. With such credentials, the evening guaranteed brilliance.

For a start there was a proper band. Led by Wendy Gadian as musical director and arranger, the four musicians managed to sound like a complete orchestra. The music – a mix of classic Christmas and contemporary pop with original material and songs by Steven Edis – yielded sophisticated dance numbers, rousing choruses, some poignant solos and great audience involvement. At one point, a few songsters joined in from the stalls even before the invitation.

Then there was the villain – the wicked stepmother. Gloriously attired in costumes by designer Cleo Pettitt, and prowling about the stage to audience boos, Alexandra Waite-Roberts was, for me, the outstanding act. She is a musical performer of the highest calibre with huge on-stage charisma. Her song number ‘I am going to live till I die’ and a short Bob Fosse-style dance sequence (choreography by Michael Ward) were two of the show’s delights.

But then picking out any performer seems churlish. Kat B and George Heyworth as Flatula and Nausea (the Ugly Sisters) held the show together. Jade Johnson as the Fairy Godmother and Siobhan James as Cinderella were the charmers, while Nicholas McLean, as a cheeky Buttons hopelessly in love with Cinders, gave us a light touch of pathos – as well as being a belting singer.

It was a big ensemble, appropriate for the gorgeous Hackney Empire. Supporting the main cast and ensemble were 25 students from the Vestry School of Dance and Performing Arts. Every one was excellently integrated and a credit to the show.

The final must-mention was the on-stage spectacle delivered by a hugely talented creative, production and technical team with lighting by Tim Mitchell and sound by Richard Bell. The backdrops were all spun with glitter – we got a frost festival, a woodland glade, a castle on a mountain and Hardup Hall, home to Cinderella and her stepsisters. As the first act closes and the fairy godmother sends Cinders to the ball, the technics were all pulled out and a piece of completely awesome stage magic was performed to gasps by the audience. It would be quite wrong to spoil the moment. Go and see for yourself.

Do you need reminding of the story? Cinderella is a classic folk tale (French) of a virtuous working girl extremely down on her luck and being bullied. But her beauty and goodness have been noticed and there is a handsome prince loose in the district – Hackney in the Holly in this case – who is looking for a wife (and to be recognised for himself). So, Hey Presto! Magic brings the two together and all wrongs are righted. In the meantime we have all enjoyed nearly three hours of laughter, sung along to some great music, been awestruck, thrilled and thoroughly satisfied. What better way to open the Christmas season?



CINDERELLA

Hackney Empire

Reviewed on 4th December 2025

by Louise Sibley

Photography by Mark Senior


 

Previously reviewed at this venue:

ROMEO AND JULIET | ★★★★★ | April 2025
DICK WHITTINGTON AND HIS CAT | ★★★★ | December 2024
ALADDIN | ★★★★ | November 2023

 

 

Cinderella

Cinderella

Cinderella