Tag Archives: Cinderella

CINDERELLA

★★★★

Tyne Theatre and Opera House

CINDERELLA

Tyne Theatre and Opera House

★★★★

“transport yourself to a land of merry magic, music, and magnificent comedy”

Cinderella at the Tyne Theatre and Opera House is the perfect addition to any festive family plans. Directed excellently by Glen Murphy, this hilarious panto brings a sparkle of magic to Newcastle this December.

Ready to go with a gorgeous set and all its classic panto gags; Cinderella just about hits all the beats. Not a moment is wasted to get a chuckle, boo, or “he’s behind you” from the audience, and the flow of the show is quick-paced and engaging. Buttons, played by Charlie Richmond, punctuates every scene he is in with fabulously hilarious one-liners and ad-libs, and keeps the pace of the show chugging on. Moreover, Guy Pascall, Charlie Richmond, and Tom Whalley’s writing is laugh-a-second and knows how to get even the grumpiest of parents to respond with “oh no he didn’t”.

The script does have a reliance on reinforcing quite a traditional fairy-tale message. Although Cinderella makes a point of celebrating meeting someone that values her in her prince, it would also have been positive to have more emphasis on Cinderella’s escape from her toxic sisters, and independence from that environment, rather than her dreams entirely revolving round finding a man to marry. The unnecessary addition of a romantic plot with Buttons does also give some food for thought. I can’t help but wonder how much more enjoyable a purely platonic relationship between Cinderella and Buttons from the get-go might be.

Expectedly straying occasionally from the well-known fairy-tale, the show allows lesser-known characters such as the prince’s footmen (played brilliantly by dance duo Twist and Pulse) to the forefront to really shine. They are truly standout across the show, mesmerising the audience with tirelessly funny and astonishing dancing. Jamie Corner as Prince Canny and Robbie Dee as Baron Hardup round off the cast well. Dee’s slapstick comedy is stupendous, and Corner keeps up the pace with the demanding choreography he performs alongside with Twist and Pulse.

Kerry Blaskett-Wetherall’s choreography is spellbinding and uplifts the talented dancing ability of the ensemble. Overall, the dancing strength of the cast out-shines the vocal punch of the show. However, there are some standout singers. the show’s tremendous leading lady, Scarlett Robinson, impressively displays both her acting and singing talent as Cinderella, creating a truly memorable experience that will leave both kids and adults speechless. The live band also add to the seamless magic of the production, lifting every scene with live sound effects, fourth wall breaks, and moving swiftly between the variety of catchy pop song medleys. Most song choices feel current and give nods to music enjoyed by kids and their parents, including the likes of Backstreet Boys and ABBA, but also KPop Demon Hunters and Wicked. Admittedly, some music feels a tad dated, and the constant medleys do feel somewhat excessive at times. I couldn’t help but feel cheated of hearing longer versions of some song-choices, especially when Robinson sings them so beautifully.

The Ugly Stepsisters, played by Lewis Denny and Micky Cochrane, are everything audiences want panto dames to be. Their scenes are overflowing with quick-wit innuendo and enormous energy, interacting with the audience with close-to-the-bone one-liners. Their matching over-the-top costuming, by David Gibson and Alice Frith, is worth buying a ticket for alone. Equally, Maureen Nolan’s Fairy Godmother adds a lot to her magical performance. Nolan’s highlights include her rendition of her hit ‘I’m In the Mood for Dancing’, where fans of the song and Nolan can enjoy its up-beat fun; perfectly befitting a Prince’s ball! Nolan’s lines and delivery feel a little cheesy as she appears across the show- but isn’t that made for pantomime?

Ideal for the whole family; this is not a show to miss! Head down to Cinderella at the Tyne Theatre and Opera House to transport yourself to a land of merry magic, music, and magnificent comedy.



CINDERELLA

Tyne Theatre and Opera House

Reviewed on 13th December 2025

by Molly Knox

Photography by Limelight Studios


 

 

 

 

Cinderella

Cinderella

Cinderella

CINDERELLA

★★★★

Hackney Empire

CINDERELLA

Hackney Empire

★★★★

“Sumptuous, hilarious, sparkling and completely over the top”

The most magical thing about watching Cinderella is that you know the story, the characters and the outcome. It is a universal story of adversity and justice, and the transformative powers of love and kindness. It has been performed, in various adaptations, possibly millions of times around the world. In Britain alone, it is one of the most frequently mounted pantomimes.

Yet, in the hands of a masterly production, you can still be enthralled. In fact, much of the enchantment comes from the fact you DO know what’s going on. So, in the audience, you become collaborator and co-creator, and in some weird way, know that the success of the evening is greatly down to you.

That’s enough theorising – Hackney Empire’s seasonal Cinderella, in the hands of writer Will Brenton and director Clive Rowe, delivers that masterly production. Sumptuous, hilarious, sparkling and completely over the top. Brenton and Rowe are masters. The credits in the programme are too long to even begin a selection, but think productions of The Addams Family and Chicago – Rowe has been involved in these and many more. With such credentials, the evening guaranteed brilliance.

For a start there was a proper band. Led by Wendy Gadian as musical director and arranger, the four musicians managed to sound like a complete orchestra. The music – a mix of classic Christmas and contemporary pop with original material and songs by Steven Edis – yielded sophisticated dance numbers, rousing choruses, some poignant solos and great audience involvement. At one point, a few songsters joined in from the stalls even before the invitation.

Then there was the villain – the wicked stepmother. Gloriously attired in costumes by designer Cleo Pettitt, and prowling about the stage to audience boos, Alexandra Waite-Roberts was, for me, the outstanding act. She is a musical performer of the highest calibre with huge on-stage charisma. Her song number ‘I am going to live till I die’ and a short Bob Fosse-style dance sequence (choreography by Michael Ward) were two of the show’s delights.

But then picking out any performer seems churlish. Kat B and George Heyworth as Flatula and Nausea (the Ugly Sisters) held the show together. Jade Johnson as the Fairy Godmother and Siobhan James as Cinderella were the charmers, while Nicholas McLean, as a cheeky Buttons hopelessly in love with Cinders, gave us a light touch of pathos – as well as being a belting singer.

It was a big ensemble, appropriate for the gorgeous Hackney Empire. Supporting the main cast and ensemble were 25 students from the Vestry School of Dance and Performing Arts. Every one was excellently integrated and a credit to the show.

The final must-mention was the on-stage spectacle delivered by a hugely talented creative, production and technical team with lighting by Tim Mitchell and sound by Richard Bell. The backdrops were all spun with glitter – we got a frost festival, a woodland glade, a castle on a mountain and Hardup Hall, home to Cinderella and her stepsisters. As the first act closes and the fairy godmother sends Cinders to the ball, the technics were all pulled out and a piece of completely awesome stage magic was performed to gasps by the audience. It would be quite wrong to spoil the moment. Go and see for yourself.

Do you need reminding of the story? Cinderella is a classic folk tale (French) of a virtuous working girl extremely down on her luck and being bullied. But her beauty and goodness have been noticed and there is a handsome prince loose in the district – Hackney in the Holly in this case – who is looking for a wife (and to be recognised for himself). So, Hey Presto! Magic brings the two together and all wrongs are righted. In the meantime we have all enjoyed nearly three hours of laughter, sung along to some great music, been awestruck, thrilled and thoroughly satisfied. What better way to open the Christmas season?



CINDERELLA

Hackney Empire

Reviewed on 4th December 2025

by Louise Sibley

Photography by Mark Senior


 

Previously reviewed at this venue:

ROMEO AND JULIET | ★★★★★ | April 2025
DICK WHITTINGTON AND HIS CAT | ★★★★ | December 2024
ALADDIN | ★★★★ | November 2023

 

 

Cinderella

Cinderella

Cinderella