Tag Archives: Michael Harrison

Fiddler on the Roof (Cast Change)
★★★★★

Playhouse Theatre

Fiddler on the Roof (Cast Change)

Fiddler on the Roof (Cast Change)

Playhouse Theatre

Reviewed – 22nd June 2019

★★★★★

 

Friedman’s formidable presence is the perfect complement to Tevye; one that no Matchmaker could cap.”

 

Almost before Trevor Nunn’s “Fiddler on the Roof” opened last December at the Menier Chocolate Factory, it had ‘West End Transfer’ stamped all over it. Three months on from its relocation to the Playhouse Theatre it is still a richly deserved hot ticket. Settling into the larger space, the show has thankfully lost none of the intimacy and passion: there is always the fear of over-projection, but the subtlety and attention to detail of this production is beautifully intact, gently immersing the audience into the small Russian village of Anatevka in 1905.

Designer Robert Jones’ set – a ramshackle Jewish shtetl – spills out into the auditorium; the smokey darkness of the crooked wooden buildings backed by a foreboding bank of bare woodland, yet overlain with folk-tale lanterns and Tim Lutkin’s time-shifting lighting that conjures both the chilly light of an uncertain dawn with heart-warming twilight. A true reflection of the town folk’s stoicism in the face of their impending resettlement. Trevor Nunn has conjured up the perfect mix of mockery and menace in this atmospheric revival.

Based on the stories of one of the most famous and beloved of all Jewish writers; Sholem Aleichem, the story centres on Tevye, a poor Jewish dairyman, forever questioning ‘Tradition’, and the mysterious ways in which God moves. A patriarchal figure, his refusal to bend to the changing times is slowly eroded by the strong-willed actions of his daughters, who rebel against the custom of arranged marriage and choose to marry for love. Although he never quite lets go, Tevye’s grip on his heritage is increasingly fragile. Andy Nyman gives a stunningly natural and captivating performance of this central role. Whilst making light of his plight with precision-timed quips and asides, we are also continuously aware of his fear of the threat of exile and, more poignantly, his love for his wife and daughters.

In its first major cast change since the transfer Maria Friedman takes over as his wife Golde. Friedman’s formidable presence is the perfect complement to Tevye; one that no Matchmaker could cap. Their onstage chemistry evokes the hard-won intimacy built from the ups and downs of a twenty-five-year marriage; culminating in the tender self-realisation of their duet “Do You Love Me?” Friedman again pours the liquid gold of her voice over the achingly angelic “Sunrise, Sunset”, one of the choral highlights. In fact, the entire company do wonderful justice to Jerry Bock’s sumptuous score, with a sensitive, but never sentimental, interpretation of Sheldon Harnick’s lyrics. Molly Osbourne and Nicola Brown as the daughters Tzeitel and Chava are joined by Ellie Mullane impressively stepping in as Hodel. The three sisters give heartfelt performances, accentuating the satire often missed in “Matchmaker, Matchmaker”. The village matchmaker is indeed central to the story, and her role is made more vital by Anita Dobson who takes on the mantle with a thrilling energy, showing us her dab hand at comic timing.

But beneath this musical portrait of family and community is the solemn undercurrent of violence, anti-Semitism and persecution; sadly still all too pertinent. Matt Cole’s choreography, paying homage to Jerome Robbins’ original, shows how rapidly high spirits can descend into oppressed chaos, particularly when a vodka-soaked wedding dance is broken by the arrival of a vicious tsarist pogrom at the close of the first act. A threat that is taken to its tragic conclusion in the final scenes.

The human touch easily sits alongside the disturbing historical commentary. Yet, despite the epic themes, the staging of this production lends real intimacy to a thousand seat venue, and by avoiding the temptation to overplay to the rafters the emotional impact touches the heart with much more force. Its message is clear; but what is equally clear is that this quite simply is still a triumph of a show. Musical theatre at its best. Matchless.

 

Reviewed by Jonathan Evans

Photography by Johan Persson

 

Playhouse Theatre

Fiddler on the Roof

Playhouse Theatre until 2nd November

 

Last ten shows covered by this reviewer:
Elegies For Angels, Punks And Raging Queens | ★★★ | Union Theatre | May 2019
Mycorrhiza | ★★★ | The Space | May 2019
The Curious Case Of Benjamin Button | ★★★★★ | Southwark Playhouse | May 2019
The Talented Mr Ripley | ★★★★ | Wilton’s Music Hall | May 2019
Vincent River | ★★★★ | Trafalgar Studios | May 2019
Pictures Of Dorian Gray (B) | ★★★ | Jermyn Street Theatre | June 2019
The Flies | ★★★ | The Bunker | June 2019
The Importance Of Being Earnest | ★★★★ | Tabard Theatre | June 2019
The Decorative Potential Of Blazing Factories (Film) | ★★★ | The Coronet Theatre | June 2019
Bitter Wheat | ★★★★ | Garrick Theatre | June 2019

Click here to see more of our latest reviews on thespyinthestalls.com

 

Danny Mac to star in Sunset Boulevard Tour

STRICTLY COME DANCING STAR

DANNY MAC

TO STAR AS JOE GILLIS IN THE UK AND IRELAND TOUR OF THE CURVE PRODUCTION OF ANDREW LLOYD WEBBER’S

SUNSET BOULEVARD

 

Michael Harrison and David Ian are delighted to announce that Danny Mac is to star as Joe Gillis in the forthcoming UK and Ireland tour of Curve’s production of Andrew Lloyd Webber’s award-winning musical SUNSET BOULEVARD. Ria Jones is to play Norma Desmond and the show is to be directed by Nikolai Foster.

 

Most recently Danny Mac captured the nation’s hearts and received overwhelming support during his incredible time on BBC1’s Strictly Come Dancing making it all the way to the final. This month he stars as Gabey in On The Town at Regent’s Park Open Air Theatre. His other musical theatre credits include Wicked and Legally Blonde.

One of the all-time great musicals, Andrew Lloyd Webber’s Tony Award®-winning (Best Musical, Best Original Score and Best Book of a Musical) masterpiece SUNSET BOULEVARD is a compelling story of romance and obsession, based on Billy Wilder’s legendary film, with Don Black and Christopher Hampton’s wonderful book and lyrics. This much-loved score includes the title number Sunset Boulevard, With One Look, As If We Never Said Goodbye, The Greatest Star Of All and The Perfect Year and will be performed by a full orchestra.

In her mansion on Sunset Boulevard, faded, silent-screen goddess, Norma Desmond, lives in a fantasy world. Impoverished screen writer, Joe Gillis, on the run from debt collectors, stumbles into her reclusive world. Persuaded to work on Norma’s ‘masterpiece’, a film script that she believes will put her back in front of the cameras, he is seduced by her and her luxurious life-style. Joe becomes entrapped in a claustrophobic world until his love for another woman leads him to try and break free with dramatic consequences.

 

SUNSET BOULEVARD will open at Curve on Saturday 16 September 2017 (press night Thursday 28 September), before touring the UK and Ireland. Full casting to be announced shortly. For up to date tour details please visit:

 

SunsetBoulevardTour.com