Tag Archives: Molly Knox

MAISIE ADAM – APPRAISAL

★★★★

UK Tour

MAISIE ADAM – APPRAISAL at the Tyne Theatre & Opera House

★★★★

“a welcomingly confrontational and awkward evening of stand-up with a bit of something for everyone”

On the biggest night of her new tour, Maisie Adam presents a raucous night of heckling the audience right back, and journeying through the humour in everything, from coil “re-fittings”, awful gameshow appearances, and the class politics of wild water swimming in Brighton.

A rising TV favourite, Adam is a talented comedian who is hell-bent on providing both an “accurate” and “detailed” set (if she has learnt anything from mishearing previous hook-ups or gigging in Sweden). Appraisal takes the audience through a review of Adam’s current life, career, and relationship statuses, with punchlines that keep the crowd on side from start to finish. We are treated to a review of Adam’s state of being in comedy – with a closing segment dissecting the age-old question of what it’s like to be a woman in comedy. Adam’s reckons it’s much like being any other woman, performing odd rituals and actions to keep safe on a walk home, and syncing periods with the closest women around you (in this case, Adam’s front row at the Tyne Theatre and Opera House). Although this section of the set feels a bit out of nowhere, it did well to keep the laughs rolling through the audience.

The first act features Adam’s skilful crowd work, warming everyone up to what is essentially a slagging off with an audience. Be warned not to sit in the box at any future tour dates at beautiful proscenium-arched venues, you may be unwillingly entered into a “who is posher” contest, and it will, in fact, be hilarious for everyone involved, but you. It is a true joy to watch Adam’s improvised crowd-work in action, as she turns vague responses into weapons against punters before they can whoop overenthusiastically for the name of the city they travelled to Newcastle from. Adam’s is brilliant at rolling with the oddities of her audience and playing to the strangeness of their behaviour and responses. A particular shoutout must go to the gentleman in the front-row who very obviously legged it at the first brief mention that there might be an interval coming up. Adam’s dealt with him with a hilarious level of disbelief and we relished in the “fair enough” attitude the brilliantly timed awkward moment produced.

After the interval, Adam’s gives herself some feedback (good and bad) on how her life is going, along with astute and hilarious observations on the absurdity of being in your late twenties/early thirties and being surrounded by your oddly grown-up school friends who are still kids at heart, along with your parents who desperately need a quick word on their peculiar use of emojis. We are also treated to a very funny whistle stop tour of Adam’s treacherous gameshow features and cameos, from being a contestant on The Chase, to claiming an embarrassing level of obscurity on Pointless, as an answer.

For the most part, Adam’s lands blow after blow of hilarious self-deprecating jokes, and creates an atmosphere that will have everyone grinning from ear to ear (whether you are a middle-aged dad with a flip-phone case or one of Adam’s many younger lesbian fans). Maisie Adam’s: Appraisal is a welcomingly confrontational and awkward evening of stand-up with a bit of something for everyone. This show deserves all the praise it gets.

 


MAISIE ADAM – APPRAISAL at the Tyne Theatre & Opera House then UK Tour continues

Reviewed on 6th October 2024

by Molly Knox

Photography by Matt Crockett

 

 


 

 

Previously reviewed by Molly:

CRYING SHAME | ★★★★★ | EDINBURGH FESTIVAL FRINGE | August 2024
IS THE WI-FI GOOD IN HELL? | ★★★★★ | EDINBURGH FESTIVAL FRINGE | August 2024
MY MOTHER’S FUNERAL:THE SHOW | ★★★★★ | EDINBURGH FESTIVAL FRINGE | August 2024
TIT SWINGERS | ★★★★ | EDINBURGH FESTIVAL FRINGE | August 2024

MAISIE ADAM

MAISIE ADAM

Click here to see our Recommended Shows page

 

IS THE WI-FI GOOD IN HELL?

★★★★★

Edinburgh Festival Fringe

IS THE WI-FI GOOD IN HELL? at the Edinburgh Festival Fringe

★★★★★

“a personal and gorgeous reflection on queerness, place, and boyhood that will leave you laughing one second and reaching for tissues the very next”

Is The Wi-fi Good in Hell? is a gorgeously flawless meditation on gentrification, platonic love, and on growing up gay in a deprived coastal area. Following the adolescence and youth of Dev, this one-man storytelling masterclass is as creative and engaging as it is hilarious. The audience fall in love with the story from the moment Dev, played and written by Lyndon Chapman, strolls onto the stage dawning an outfit and hat that wouldn’t look too out of place in a MySpace profile photo, and begins to unravel himself and his hometown of Margate.

Acted superbly by Chapman, the piece begins with the tongue-in-cheek humour of 13-year-old Dev struggling to find connection and fit in as a young gay kid from Margate in the late 00s. The writing captures the era gloriously and paints a vivid picture of Dev’s perspective on himself, attitudes, and surroundings. “If they laugh at your jokes, they like you” he hauntingly echoes throughout the piece. He later notes the modelling work of “local creatives”, who Dev bitingly admits are local but definitely did not go to his school.

Directed by Will Armstrong, Chapman transforms subtly and expertly from 13, to his later teens, to his early twenties, keeping a coherence of character that matures in voice and physicality but never looses Dev’s spark. The piece shines with Millennial / Gen Z cusp relatability and presents a new dawn of coming-of-age nostalgia that represents queer working-class experience in a didactic yet humorous way. It is marvellous to see this experience represented so magically on stage.

The piece’s storytelling has a distinctive voice that carries with it waves of professionalism and style. As Dev details his tumultuous experiences fitting in with his surroundings, himself, and others, we are met with Damian Pace’s stylishly technical sound design which compels the audience to hang on the story’s every breath. Characters who Dev encounters like Luke and Ange are also clear and powerful, despite never appearing on stage, and connections between them and Chapman’s protagonist are touchingly quiet and bittersweet.

Chapman’s script earns its tackling of more serious issues. Audiences poignantly wipe tears from their eyes as Chapman lets his roll tragically down his cheeks. Dev is presented with complexity and depth. In particular, the portion surrounding the different switching between his “5 voices” is massively effective and absorbing. Ideas about how queer men feel they must shape themselves and their outward personas, and how that impacts them internally, are well thought through and performed with honesty and careful humour. Is The Wi-Fi explains plainly how Dev feels he must blend throughout his young life to try and reduce homophobia.

The show also twists the supernatural and folkloric into real-life consequences in a mesmerising and beautiful feat of writing and directing. Visceral and otherworldly descriptions of something following Dev are woven interestingly into the story, and Chapman’s horror and confusion quickly becomes palpable for the audience. Is The Wi-Fi Good in Hell? is a masterfully supernatural and touching re-telling of the life of a young gay man growing up and moving away from a decaying coastline; a place soon to be overrun with gentrification. This is a personal and gorgeous reflection on queerness, place, and boyhood that will leave you laughing one second and reaching for tissues the very next.

 


IS THE WI-FI GOOD IN HELL? at the Edinburgh Festival Fringe – Underbelly, Cowgate – Iron Belly

Reviewed on 25th August 2024

by Molly Knox

Photography by Charles Flint

 

 


IS THE WI-FI GOOD IN HELL?

IS THE WI-FI GOOD IN HELL?

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