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Dumbledore is so Gay

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VAULT Festival 2020

Dumbledore is so Gay

Dumbledore is so Gay

Network Theatre

Reviewed – 27th February 2020

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“a thoroughly enjoyable show with craftsmanship that you don’t find every day”

 

Bright, genuinely funny and completely naΓ―ve – β€œDumbledore Is So Gay” by writer Robert Holtom and director Tom Wright is where Harry Potter meets The Butterfly Effect.

Jack is a young man. Jack (Alex Britt) is a Pottermaniac (and not-so-proud Hufflepuff). Jack is also gay, and has a big crush on his best friend. But life is brutal, especially for young boys with a non-mainstream sexual orientation. At school and at home, he is expected to be someone quite different – or rather, be with someone quite different – therefore, he decides to utilise some Harry Potter magic to change a few things from his past.

The simplicity and minimalism of the production are actually quite impressive. The set consists of three wooden crates which are functionally a couch, a bar, school desks and even a few more things. There are only three actors – Alex Britt as Jack, alongside Max Percy and Charlotte Dowding who play multiple roles from Jack’s life – his best friends, his parents, his bullies, his teacher, his lovers. Britt’s Jack has lots of youthful naivety and charming determination which makes him delightfully relatable for young audiences. Percy and Dowding are both very skilled at making all of their parts quite unique.

Robert Holtom’s witty and poignant writing has some cleverly placed counterpoints that blend more and less serious parts into a harmonious whole. And though this harmonious whole is admittedly utterly naΓ―ve, it also remains in accord with Jack’s immature character. One may wonder if use of magical realism isn’t but an excuse for presenting triggering themes in a more digestible way, but it definitely is engaging for the target viewer. Tom Wright’s direction is smooth, clear and dynamic, deftly utilising the very limited resources (and seemingly very limited budget).

It is not a play that will change the world. It is not a play that will set a new standard for LGBTQIA+ theatre. It is, nevertheless, a thoroughly enjoyable show with craftsmanship that you don’t find every day.

 

Reviewed by Dominika Fleszar

Photography by Gabriel Mokake

 

VAULT Festival 2020

 

 

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