Tag Archives: Charlotte Dowding

Dumbledore is so Gay

Dumbledore is so Gay

★★½

Online

Dumbledore is so Gay

Dumbledore is so Gay

Online – Filmed at the Pleasance Theatre

Reviewed – 6th October 2021

★★½

 

“the play struggles to engage, too often feeling more like a public service announcement than a piece of theatre”

 

Remember when JK Rowling shook the world in 2007 by announcing that Dumbledore was gay? It was arguably an entirely tokenistic move, with the author failing to meaningfully mention the character’s sexuality in the seven book series she’d just completed. Nonetheless, it still displayed a small shuffle forward in representation, introducing a LGBTQ+ character into a major franchise and sparking the kinds of discussions that Dumbledore is So Gay delves into.

The play follows Jack (Alex Britt), a Harry Potter fanatic growing up gay in a culture that uses the word as an insult. He has to suffer through societally entrenched homophobia from his friends, classmates, and parents (all played by the multiroling Max Percy and Charlotte Dowding), as many young people have had to do. However, the difference is that Jack is armed with a time turner, the time-travelling necklace that Hermione uses in The Prisoner of Azkaban. In this play, Jack uses it to try to alter the timeline so that his fantasies are manifested, but has to reckon with some harsh realities.

The script, written by Robert Holtom, doesn’t feel like it ever really embraces the concept, however – the differences between the timelines feel quite unadventurous and tame. A lot of the dialogue is also very on the nose, as if Holtom doesn’t trust that the audience for this show is most likely going to be comprised of people who already subscribe to the idea that homophobia is bad. As a result, the play struggles to engage, too often feeling more like a public service announcement than a piece of theatre.

The performances, too, are a mixed bag. Britt inhabits the role of Jack excellently, but has the same intonation on a lot of his lines that makes the dialogue feel wearisome. Percy over-caricaturises most of his characters, which works initially but ultimately exacerbates the script issues. And Dowding thankfully strikes a great balance of comedy and pathos across her characters that’s fantastically engaging. Overall, it feels like a tonal misstep from director Tom Wright.

There are positives to the show: the lighting design (Rory Beaton) and sound design (Peter Wilson) are both stellar, and Darius Shu’s filming for the stream is highly professional and beautifully executed. However, these elements are building on flawed foundations – Dumbledore is So Gay feels like it entered the conversation about ten years too late for the messages it wants to share.

 

 

Reviewed by Ethan Doyle

Photography by Alex Brenner

 


Dumbledore is so Gay

Online until 18th October from dumbledoreissogay.ticketco.events

 

Other shows reviewed this year by Ethan:
Shook | ★★★★★ | Online | February 2021
In Pieces | ★★½ | Online | April 2021
Monday Night at the Apollo | ★★★½ | Apollo Theatre | May 2021
Catching Comets | ★★★★★ | Pleasance Theatre | September 2021

 

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Dumbledore is so Gay

★★★★

VAULT Festival 2020

Dumbledore is so Gay

Dumbledore is so Gay

Network Theatre

Reviewed – 27th February 2020

★★★★

 

“a thoroughly enjoyable show with craftsmanship that you don’t find every day”

 

Bright, genuinely funny and completely naïve – “Dumbledore Is So Gay” by writer Robert Holtom and director Tom Wright is where Harry Potter meets The Butterfly Effect.

Jack is a young man. Jack (Alex Britt) is a Pottermaniac (and not-so-proud Hufflepuff). Jack is also gay, and has a big crush on his best friend. But life is brutal, especially for young boys with a non-mainstream sexual orientation. At school and at home, he is expected to be someone quite different – or rather, be with someone quite different – therefore, he decides to utilise some Harry Potter magic to change a few things from his past.

The simplicity and minimalism of the production are actually quite impressive. The set consists of three wooden crates which are functionally a couch, a bar, school desks and even a few more things. There are only three actors – Alex Britt as Jack, alongside Max Percy and Charlotte Dowding who play multiple roles from Jack’s life – his best friends, his parents, his bullies, his teacher, his lovers. Britt’s Jack has lots of youthful naivety and charming determination which makes him delightfully relatable for young audiences. Percy and Dowding are both very skilled at making all of their parts quite unique.

Robert Holtom’s witty and poignant writing has some cleverly placed counterpoints that blend more and less serious parts into a harmonious whole. And though this harmonious whole is admittedly utterly naïve, it also remains in accord with Jack’s immature character. One may wonder if use of magical realism isn’t but an excuse for presenting triggering themes in a more digestible way, but it definitely is engaging for the target viewer. Tom Wright’s direction is smooth, clear and dynamic, deftly utilising the very limited resources (and seemingly very limited budget).

It is not a play that will change the world. It is not a play that will set a new standard for LGBTQIA+ theatre. It is, nevertheless, a thoroughly enjoyable show with craftsmanship that you don’t find every day.

 

Reviewed by Dominika Fleszar

Photography by Gabriel Mokake

 

VAULT Festival 2020

 

 

Click here to see all our reviews from VAULT Festival 2020