Tag Archives: Nikki Bentley

STARTING HERE, STARTING NOW

Starting Here, Starting Now

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Waterloo East Theatre

STARTING HERE, STARTING NOW

Starting Here, Starting Now

Waterloo East Theatre

Reviewed – 1st July 2021

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“that good, old-fashioned thingβ€”an entertaining, relaxing evening in the theatre”

 

Waterloo East’s latest production is a delightful revival of Maltby and Shire’s Starting Here, Starting Now. This musical revue, first produced in 1976 in New York, is an economically staged three hander that has lost none of its relevance in the past forty five years. Not surprisingly, its subject is that perennial favorite β€” love. But it’s not a loose collection of songs about love, or even a story about a star crossed pair of lovers. Instead, Maltby and Shire group their songs by theme. The evening starts off with a collection of songs about the joys (and frustrations) of looking for love in the city; moves on to the sorrows of those unlucky in love, and concludes with eternally hopeful lovers looking for a fresh start. The revue opens and ends where it began β€” with a spritely rendition of the title song, β€œStarting Here, Starting Now”. Even without an overarching story to this revue, however, audiences will still relish the dramas that unfold in each song. They range from the ironic to the tragic; from triumph to loss as the seasons turn. There’s even a song about more mundane matters, such as the way in which crossword puzzles can drive a couple apart.

But what makes Waterloo East’s revival of Starting Here, Starting Now worth seventy five minutes of your time is its powerhouse performers. Director Gerald Armin is to be congratulated for putting Nikki Bentley, Noel Sullivan and Gina Murray on stage together. Their combined experience, together with that of musical director Inga Davis-Rutter, means the audience can sit back and relax, knowing that they are in very good hands. Nikki Bentley, last seen as Alphaba in Wicked, is particularly good at the torch song numbers, but she can also be sly and funny, such as the makeover song where she promises to make Gina Murray β€œbeautiful like me.” Gina Murray’s acting chops, in addition to her lovely voice, are seen to great advantage in this show. Good examples are her comic foil to Noel Sullivan’s overconfident suitor in β€œWe Can Talk To Each Other”, and the way in which she packs the small stage with energy in β€œWatching the Big Parade Go By.” Sullivan, by contrast, doesn’t have quite the range of his fellow performers, but we’re talking about a seriously talented cast here. All three work well together as an ensemble, and together with Inga Davis-Rutter on the keyboards, move effortlessly through the evening.

Starting Here, Starting Now is that good, old-fashioned thingβ€”an entertaining, relaxing evening in the theatre. Perfect for date night, and as an added bonus, you are getting a West End experience at Fringe prices. I call that a very good deal.

 

Reviewed by Dominica Plummer

Photography by Β Gareth McCleod

 


Starting Here, Starting Now

Waterloo East Theatre

 

Five star shows this year:
Shook | β˜…β˜…β˜…β˜…β˜… | Online | February 2021
Bklyn The Musical | β˜…β˜…β˜…β˜…β˜… | Online | March 2021
Preludes in Concert | β˜…β˜…β˜…β˜…β˜… | Online | May 2021
Reunion | β˜…β˜…β˜…β˜…β˜… | Sadler’s Wells Theatre | May 2021
Overflow | β˜…β˜…β˜…β˜…β˜… | Sadler’s Wells Theatre | May 2021
Cruise | β˜…β˜…β˜…β˜…β˜… | Duchess Theatre | May 2021
In My Own Footsteps | β˜…β˜…β˜…β˜…β˜… | Book Review | June 2021
The Hooley | β˜…β˜…β˜…β˜…β˜… | Chiswick House & Gardens | June 2021
Bad Days And Odd Nights | β˜…β˜…β˜…β˜…β˜… | Greenwich Theatre | June 2021

 

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Unlimited: The Songs Of Stephen Schwartz

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Online via Thespie

Unlimited: The Songs Of Stephen Schwartz

Unlimited: The Songs Of Stephen Schwartz

Online via Thespie

Reviewed – 13th December 2020

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“All nine performers deliver fantastic performances that are a testament to their infectious love of musical theatre.”

 

The concert begins with Stephen Schwartz himself, singing at a piano. He introduces this evening of his songs, and says how much he misses live theatre. This sets the tone for an hour that is a true ode to theatre and to musical theatre more specifically. The cast sing songs from across his canon of musicals, duets, trios and solos. Each performer has been part of the Wicked cast at some point over the years it has run. The songs are interspersed by moments where the cast interview each other, reminiscing about favourite roles and songs to sing, and sharing what the theatre means to them.

In a wonderfully grand venue, eight of them sit socially distanced with pianist and Musical Director Nick Barstow sitting behind a grand piano, ready to accompany them! It is such a joy to see so many fantastic singers and performers together. I mean this both in the sense of seeing them sing together, the soaring duets and powerful trios. But also in the sense of seeing them sit together, watching each other perform, supporting and appreciating each other. Community is something that comes up as a theme in the interviews and this feels like a visual representation of the community that theatre offers and creates.

The videography and editing by Jake Waby and Christian Abad for JW Productions is an example of how to produce digital content right. Sarah Sendell’s sound design is equally strong and we are able to enjoy the strength of all these singers in perfect quality.

The concert begins with a trio from the musical β€˜Pippin’, and Alexia Khadime sings the first solo number of the evening – a stunning rendition of β€˜I Guess I’ll Miss the Man’. Alice Fearn and Liam Tamne come together to sing a beautiful duet from β€˜Pocahontas’, and their ranges compliment each other flawlessly.

Dianne Pilkington sings a compelling solo, and Melanie La Barrie’s performance from the bar is wonderful. β€˜For Good’ from Wicked is an emotional end to the concert, sung by Nikki Bentley, Sophie Evans, Alice Fearn, Alexia Khadime and Dianne Pilkington.

All nine performers deliver fantastic performances that are a testament to their infectious love of musical theatre.

 

Reviewed by Amelia Brown

Photography by Aimie AtkinsonΒ 

 


Unlimited: The Songs Of Stephen Schwartz

Online via Thespie

 

Recently reviewed by Amelia:
I Will Still Be Whole (When You Rip Me In Half) | β˜…β˜…β˜…β˜… | The Bunker | November 2019
My White Best Friend And Even More Letters Best Left Unsaid | β˜…β˜…β˜…β˜… | The Bunker | November 2019
Potted Panto | β˜…β˜…β˜…β˜… | Southwark Playhouse | December 2019
The Girl With Glitter in Her Eye | β˜…β˜…Β½ | The Bunker | January 2020
Essence | β˜…β˜…Β½ | The Vaults | February 2020
Flights | β˜…β˜…β˜…Β½ | Omnibus Theatre | February 2020
Maliphantworks3 | β˜…β˜…β˜…β˜…β˜… | The Coronet Theatre | February 2020
Globaleyes | β˜…β˜…β˜…β˜… | Online | September 2020
First Date | β˜…β˜…β˜… | Online | October 2020
A Christmas Carol | β˜…β˜…β˜…β˜… | Watermill Theatre Newbury | December 2020

 

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