Tag Archives: Danny Kaan

MOST FAVOURED

★★★½

Soho Theatre

MOST FAVOURED

Soho Theatre

★★★½

“this slick two hander pulses with life”

‘Most Favoured’ breathes new life into the Christmas story with a fresh, funny and heartfelt take on a cornerstone of Christianity. With a stellar cast and staging, it offers audiences a vibrant alternative to the usual festive fare.

Mary’s hiding a secret. Enter Mike, a clueless US tourist obsessed with KFC. After a whirlwind one-night stand, Mary lets her guard down… only to discover Mike has a secret too.

Written by award winning playwright David Ireland, ‘Most Favoured’ is an offbeat spin on a familiar story. Ireland makes striking use of contrasts: the oversharing Mary is set against the taciturn Mike, with rapid fire exchanges cleverly offset by silence. There are shrewd dynamic shifts, each character leaving the other speechless, and we power through a kaleidoscope of emotions in record time. Yet the twist proves predictable and the dialogue thereafter takes on overtly religious tones, losing some of its earlier sparkle and thinning the plot. The ironic finale – complete with a hilarious callback – lands with mischievous flair, though feels slightly misplaced after the devotional detour. Still, this is an entertaining spin that brings the story bang up to date.

Directed by Max Elton, Literary Associate Director at Soho Theatre, this slick two hander pulses with life. Staged as a single scene, the production sustains momentum through varied use of space and natural blocking. The contrasting characters are vividly realised, with nuanced reactions and expressive detail revealing inner worlds. The pacing is strong overall, though a few pregnant pauses could be trimmed. Still, shifts in tempo add texture and help us forget we’re in the same hotel room.

Ceci Calf’s set and costume design is spot on. The set convincingly evokes a well-known chain of budget hotels, complete with a witty window gag. The costumes are very on brand for each character, especially the use of colour which the clothes on the floor don’t immediately give away.

Amy Daniels’ lighting design is understated yet effective, lending the production a naturalistic feel. The closing fade, paired with a tongue in cheek reveal, provides a witty final flourish.

Marcus Rice’s sound design is pared back but intentional, using music sparingly for maximum impact. Naturalistic effects such as the shower are deployed with precision, adding just enough texture to bring the scene to life.

The cast is superb. Lauren Lyle – two-time BAFTA Scotland award winner – humanises Mary with gritty allure. Lyle deftly balances feistiness with tender vulnerability, her facial expressions effortlessly charting hope, betrayal and hurt with skill. Alexander Arnold, best known for roles in ‘Skins’ and ‘Yesterday’, is a quirky yet endearing Mike. Arnold’s deadpan reactions counter Lyle’s heightened energy, while sly comic beats – such as repeatedly eyeing the KFC during an impassioned speech from Mary – showcase his timing. Together, the pair make a charming oddball couple, delivering a masterclass in the art of showing rather than telling.

‘Most Favoured’ is a quirky, witty Christmas romp with a heart of gold. While the writing feels like a tale of two halves, the assured delivery maintains momentum, making this an engaging and entertaining seasonal show.



MOST FAVOURED

Soho Theatre

Reviewed on 15th December 2025

by Hannah Bothelton

Photography by Danny Kaan


 

 

 

 

MOST FAVOURED

MOST FAVOURED

MOST FAVOURED

RIDE THE CYCLONE

★★★★

Southwark Playhouse Elephant

RIDE THE CYCLONE

Southwark Playhouse Elephant

★★★★

“You come away feeling slightly giddy, but feeling good”

With the proliferation of new musicals roller coasting into theatreland, you’d think it hard to find an original subject to base one around. Currently, there seem to be two ways to go; either you can dredge up an old, safe favourite or else take the quirky route and think outside the box. Jacob Richmond and Brooke Maxwell are obviously advocates of the latter. Six teenagers who die in a freak accident on a fairground ride is an unlikely starting point. A hard sell perhaps? “Ride the Cyclone” first appeared on the Canadian fringe in 2009, before heading Off-Broadway, via Chicago, a few years later. It has taken nearly ten years for it to cross the pond for its European premiere in London but, like those long, concertina queues we used to find ourselves in for the latest fairground attraction, it has been worth the wait.

The musical begins with a mysterious and headless girl circling the stage, singing a short song, dreaming of life. Cut to the even more mysterious ‘The Amazing Karnak’ (Edward Wu), a mechanical fortune teller, watching from on high. He is able to predict the exact moment and method of a person’s death. Even his own – which is very imminent, despite him already being in the afterlife (we can overlook this minor quibble) preparing himself to introduce the perished teenagers. Karnak has a game for them. Each will be given the chance to tell their story, in song, to win the chance to return to life. What follows is a cycle of song and monologue that occasionally baffles but always delights with its mix of absurdist humour, candid insight, bizarre ideas, emotional honesty and musical virtuosity. Irreverently frivolous one moment, genuinely heartfelt the next. Admittedly it borders on the saccharine at times, but the writers’ sharp knife always cuts through it in time.

Wu’s Karnak holds the fort like a camp and deadpan Greek God. First up is Ocean, played with real zest by Baylie Carson. Satirically self-important, she still manages to get the others’ backs up, especially best friend Constance (Robyn Gilbertson). We have to wait a while for Constance’s song – ‘Jawbreaker/Sugar Cloud’ – during which Gilbertson truly shines, revealing a deeper character than one who lost her virginity ‘just to get it out of the way’. A highlight of the show is ‘Noel’s Lament’, a gorgeous cabaret pastiche performed by Damon Gould with expert dancing and a velvet voice as he dreams of being a French prostitute. The eclectic quality of the musical numbers is demonstrated when Bartek Kraszewski’s Mischa brilliantly launches into a gangsta rap number complete with a flourish of breakdancing, while Grace Galloway’s headless girl lends her gorgeous operatic soprano to ‘The Ballad of Jane Doe’; a stunning waltz number that induces goosebumps. Then there is Ricky, whose dream of becoming an intergalactic saviour of sexy cat women (don’t ask) is brought to life in song; stunningly performed by Jack Maverick.

Director Lizzi Gee amazingly manages to bring cohesion to this disparate and totally bizarre concoction of life stories. Her choreography is meticulous, adapting itself to each and every genre and musical style seamlessly. There are moments when the inter-song monologues outstay their welcome, but the overall ride still remains on the peaks rather than the troughs. Musical Director Ben McQuigg’s five-piece band mixes power with clarity, and embraces the variety of the repertoire with panache. Every cast member has the vocal, movement and acting skills to tackle the material, making this eccentric show appear to be the most natural and obvious idea for a musical imaginable.

It is a thrilling ride, one which has that sense of danger even though you want to laugh out loud, right up to its upbeat finale. You come away feeling slightly giddy, but feeling good. Against all better judgement you find yourself wanting to join the queue again for another go.

 



RIDE THE CYCLONE

Southwark Playhouse Elephant

Reviewed on 19th November 2025

by Jonathan Evans

Photography by Danny Kaan


 

Recently reviewed at Southwark Playhouse venues:

GWENDA’S GARAGE | ★★★ | November 2025
WYLD WOMAN: THE LEGEND OF SHY GIRL | ★★★★ | October 2025
HOT MESS | ★★★★★ | October 2025
LIFERS | ★★★ | October 2025
THE CHAOS THAT HAS BEEN AND WILL NO DOUBT RETURN | ★★★★★ | September 2025
THE ANIMATOR | ★★★ | August 2025
BRIXTON CALLING | ★★★★ | July 2025
THE WHITE CHIP | ★★★★ | July 2025
WHO IS CLAUDE CAHUN? | ★★ | June 2025
THIS IS MY FAMILY | ★★½ | May 2025

 

 

RIDE THE CYCLONE

RIDE THE CYCLONE

RIDE THE CYCLONE