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Brainiac Live!

★★★★

Garrick Theatre

Brainiac Live!

Brainiac Live!

Garrick Theatre

Reviewed – 2nd August 2019

★★★★

 

“a fantastic show for young audiences and their families”

 

This show is quite literally, explosive, in both its energy and experiments. It certainly delivers more than the snap, crackle and pop from your morning cereal! Based on the original Sky TV show made by ITV studios, Brainiac Live! is a series of experiments, using everyday situations and making them extraordinary. It is a dazzling display of how exciting science can be. The four ‘Brainiacs’, fronted by ‘Ned’ (Andy Joyce), have an infectious energy, so you can’t help but become engrossed in the action. The whole cast put their all into the production and it was evident that they were truly passionate about experiments.

Audience members enter the theatre that has been transformed into a seemingly abandoned laboratory. Hazard tape, upturned warning cones and old radioactive barrels make you feel as if you have stumbled upon a secret location where exciting and dangerous events are to come. This is echoed in the use of lighting (Glyn Edwards), which uses flashes of light that scan through the audience as if on a helicopter search. There is a sense of peril as often writer and director Andy Joyce, suggests that this is the first time the actors are trying the experiments. This made the already exciting series of spectacles even more gripping.

This is a fantastic show for young audiences and their families. At no point did I feel alienated for being an older audience member – we were welcomed with open arms. Whilst most of the jokes were aimed at children, there were comedic moments for the whole family. An example of this was when ‘Raz’ (Maggie Frazer) tested the audience’s hearing by playing differently pitched noises. This marked the difference between young and ‘more experienced’ ears, who could hear less.

The experiments flowed seamlessly between each other, leaving no moments for audience distraction. The aftermath required stage clean up and this time was cleverly filled by interactive videos on a large projector (Odinn Orn Hilmarsson). These included showing optical illusions, doing number quizzes and explaining why we mishear song lyrics. The content used was modern making the show feel relevant and up to date. However, there was only one female character and one small section making reference to female inventors, which felt a bit clunky and underdeveloped.

Ultimately, the loud bangs, colourful flares and smoke clouds steal the show. Although, this is not its only strength – this show has beauty, and brains. The content is informative too as it teaches about the science behind the experiments. At every point where there are loud noises, a warning is given to cover your ears, making it accessible to more nervous audience members. You simply can’t go wrong with this fun, exciting show that is carried by the sheer energy of the performers.

 

Reviewed by Emily Morris

Photography by Anna Kucera

 


Brainiac Live!

Garrick Theatre until 1st September

 

Previously reviewed at this venue:
Rip It Up – The 60s | ★★★ | February 2019
Bitter Wheat | ★★★★ | June 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

Rip it Up – The 60s
★★★

Garrick Theatre

Rip it Up

Rip it Up – The 60s

Garrick Theatre

Reviewed – 28th February 2019

★★★

 

“The energy and precision of the dancers shines throughout the show”

 

The ‘Rip It Up’ team comprises about fifteen incredibly talented dancers, singers and musicians who form the backbone of this 1960s ‘Nostalgia Fest’ currently running at the Garrick Theatre. They are the powerhouse that drive what is essentially a vehicle for four ‘Strictly Come Dancing’ celebrities. It is clear from the outset that the ensemble is far more watchable than the frontmen. What is also clear is the fact that you are not going to learn anything new whatsoever about the decade.

“If you can remember the 1960s, you weren’t really there”. The four headliners – Harry Judd (from McFly), Jay McGuiness (from The Wanted), Aston Merrygold (from JLS) along with Olympic champion Louis Smith MBE – are all too young to have been there anyway; so there is no danger of any insightful anecdotes interfering with the banal banter eked out from them by MC Cavin Cornwall. Fortunately, we have a video back projection featuring veterans (mainly Lulu) to fill us in with some suitably superficial soundbites.

But let’s not miss the point. This is a dance extravaganza, not a history lesson. And while I admit to being a bit of a ‘stick-in-the-mud’, I did have a good wade and I can reveal that there are some real diamonds in there. Most notably a stunning routine that pays homage to Bob Fosse’s iconic ‘Frug’ (as featured in “Sweet Charity”). The energy and precision of the dancers shines throughout the show, bringing to the fore the varied inventiveness of Gareth Walker’s choreography. The fab four figureheads are given plenty of scope to show off, while generously acknowledging and complementing the unsung heroes that fuel the furnace. Dance Captain Scott Coldwell is a ball of burning energy that fires the cast into a machine precisioned chorus.

A solid four-piece band, headed by lead singer Jill Marie Cooper, provides the sonic backdrop: a faithful reproduction of the sounds of the sixties, with some musical surprises courtesy of Barnaby Dickinson’s imaginative rearrangements of the Beatles’ hits from the later years.

But for all the high energy, it is altogether a bit of a stew as we plough through a predictable line up of watersheds including the British Invasion, the West Coast music explosion, Woodstock, the Mods, Psychedelia, Motown, Bacharach, the Beatles and the Stones; bogged down along the way by Cornwall’s tiresome commentary. Like those late night, backwater ‘Best of…’ TV shows, whose style this is emulating, there is an inevitable tendency towards repetition, borne from a need to fill the time slot allotted.

If it lacks the X factor, there is no denying that there is an abundance of the fun factor. While aimed predominantly at the Strictly fans there is enough in the pot for everyone. Like the decade it represents, you just have to let your hair down and enjoy it for what it is. “Rip it Up – the fifties” preceded this, and I now find myself looking forward to them shedding the cheesecloth and donning the glam and glitter for “Rip it Up – the Seventies”.

Keep on Rollin’…

 

Reviewed by Jonathan Evans

Photography courtesy Rip it Up

 

Rip It Up - The 60s

Rip it Up – The 60s

Garrick Theatre until 2nd June

 

Last ten shows covered by this reviewer:
Dear Elizabeth | ★★ | Gate Theatre | January 2019
Director’s Cut | ★★★ | The Vaults | January 2019
Out of Step | ★★ | Drayton Arms | January 2019
Police Cops | ★★★★ | The Vaults | January 2019
Queens of Sheba | ★★★ | The Vaults | January 2019
Super Happy Story (About Feeling Super Sad) | ★★★★ | The Vaults | January 2019
A Beautiful Noise | ★★★★★ | Lyric Theatre | February 2019
Can-Can! | ★★★★ | Union Theatre | February 2019
Not Quite | ★★★ | Hen & Chickens Theatre | February 2019
The Grand Expedition | ★★★★★ | Secret Location | February 2019

 

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