Tag Archives: Nuwan Hugh Perera

THE ENORMOUS CROCODILE

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Regent’s Park Open Air Theatre

THE ENORMOUS CROCODILE at Regent’s Park Open Air Theatre

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“a fun and happy atmosphere in the perfect surroundings of the Open Air Theatre”

Even with continual rain – and a short stop mid show, as eight top notch stage crew mopped up the flooded stage for safety; The Enormous Crocodile is a snappy tuneful wonder.

This new musical based on the classic Roald Dahl picture book, on the whole stays close to the original story; taking the audience from the muddy shores of the Nile and through the treacherous jungle, as the dastardly enormous crocodile goes in search of a nice juicy little child for lunch!

As the audience arrives, there are bubble machines and recorded jungle noises, and animal roars and trumpeting, creating a fun and happy atmosphere in the perfect surroundings of the Open Air Theatre.

The cast appear in stunning headdresses whilst wearing smile inducing chest high fishing waders and wellington boots, as they jump into the river Nile with their firefly puppets. The colourful tropical jungle comes to vibrant life.

All the much-loved characters are played by the five excellent cast members, creating delightful puppetry with the fantastic puppets designed by Toby OliΓ©, which often integrate into Fly Davis’ super clever set and costume designs.

Malinda Parris, in the titular role, stays as the crocodile throughout – with quick changes to the extended long tail. Starting with the full cast creating the tail, it then morphs into a fast moving long tailed go-cart with the actor upfront as she gyrates the croc’s humungous head and toothy mouth, belting out crocodile songs!

The enormous crocodile meets the farty, soon to be mud loving, Humpy-Rumpy Hippopotamus, played by the always brilliant Nuwan Hugh Perera. Onwards through the jungle the enormous crocodile meets Trunky the Elephant (Joanna Adaran); the cheeky monkey Muggle-Wump (Elise Zavou) and finally the comedic and delightful Audrey Brisson as the Roly-Poly Bird. The four jungle friends are disgusted that the enormous crocodile is wanting to eat a child – and decide they need to put a stop to him!

The arrival of the Jungle Juniors is a show highlight, as the silly teacher takes them on a jungle adventure. And in true Dahlian style the children β€œdo what we are told not to do”, and once lost in the jungle sing a sweet brave song. The enormous crocodile tries to eat the children by pretending to be a coconut tree (genius set design), a seesaw, and after eating the teacher, the croc dons the teacher’s clothes in the awful reptile’s quest to eat the children!

A magical, if quirky, ending in space as the enormous crocodile explodes into the sun and sizzles up like a sausage – dead!

Maybe not quite as dark as Roald Dahl intended. Time for a celebration!

The tasty, if unmemorable, tunes come fast and furious, composed by Ahmed Abdullahi Gallab, book and lyrics by Suhayla El-Bushra, with additional music by Tom Brady, it’s a jam packed 55-minute show.

The Enormous Crocodile is directed by Emily Lim and co-directed by Toby OliΓ©, with uncomplicated choreography by Vicki Igbokwe-Ozoagu. Musical director MΓ‘th Roberts on keyboard, is the only live musician on-stage, hidden in plain sight in a bird hide! The pre-recorded music band sounds great. Tom Gibbons sound design works seamlessly in the open air, and even though The Enormous Crocodile plays during the day Jessica Hung Han Yun’s lighting sparkles.

A croc of gold for younger audiences!


THE ENORMOUS CROCODILE at Regent’s Park Open Air Theatre

Reviewed on 22nd May 2024

by Debbie Rich

Photography by Johan Persson

 


 

 

Previously reviewed at this venue:

TWELFTH NIGHT | β˜…β˜…β˜…β˜…β˜… | May 2024
LA CAGE AUX FOLLES | β˜…β˜…β˜…β˜…β˜… | August 2023
ROBIN HOOD: THE LEGEND. RE-WRITTEN | β˜…β˜… | June 2023
ONCE ON THIS ISLAND | β˜…β˜…β˜…β˜… | May 2023
LEGALLY BLONDE | β˜…β˜…β˜… | May 2022

THE ENORMOUS CROCODILE

THE ENORMOUS CROCODILE

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The Lord of the Rings

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Watermill Theatre

THE LORD OF THE RINGS at the Watermill Theatre

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Lord of the Rings

“The nuances of the characters are beautifully executed, particularly up close on the small stage.”

 

β€˜When Mr Bilbo Baggins announced that he would shortly be celebrating his eleventy-first birthday with a party of special magnificence, there was much talk and excitement’. And so opens J. R. R. Tolkien’s monumental β€œThe Lord of the Rings”; one of the best-selling books ever written. Since my early teens, I’m not sure I have met anybody who hasn’t read it. The Sunday Times once stated that β€œthe English-speaking world is divided into those who have read β€˜Lord of the Rings’ and those who are going to read it”. Peter Jackson’s trilogy of films echoes the epic scale of fantasy and adventure. How, then, can the story translate to a two-hundred-seater theatre in the Berkshire countryside? A good question, and one that becomes swiftly answered as we wander through the Shire, under an open sky, into Bilbo’s much anticipated birthday party. Woodsmoke drifts from the gardens of the old mill down to the stream, with the scent of Hog roast floating among the jugglers and minstrels, while Hobbits mingle with β€˜the Big Folk’. As the party reaches its end, we are ushered inside where the adventure begins. A very big adventure in a pretty small space, but The Watermill Theatre have concocted a production in which each element of the stagecraft would put the most hallowed wizard to shame.

It is telling that this adaptation by Shaun McKenna and Matthew Warchus (with music by A. R. Rahman, VΓ€rttinΓ€ and Christopher Nightingale) is referred to as a β€˜musical tale’ rather than a musical. Shunning convention it avoids formulaic showtunes. Instead, the soundtrack follows the pulse of the emotions rather than the narrative; the underscoring seamlessly merging into song. Impressively performed by the actor-musician cast and ensemble, Mark Aspinall’s orchestrations ranges from folk to bar-room jigs, through to bombastic percussion-driven anthems, back again to the mysticism of the Celtic harp, whistles, fiddles and gorgeous voices.

 

“Each member of the cast deserves mention, and each could threaten to steal the show”

 

Frodo, who has inherited the One Ring from his cousin at the birthday party has to undertake the quest to destroy the ring in the fires of Mount Doom. Louis Maskell carries the role with an instinctive ease that belies the demands of the emotional journey required. Nuwan Hugh Perera, as his companion Sam, is an unexpected voice of reason, merging light relief with solid support for his fellow hobbits. Across the board, the portrayal of the characters is natural, and paradoxically believable in all their other-worldly implausibility. Peter Marinker’s Gandalf has the wizened wisdom that keeps his power in check. Both Georgia Louise, as the Royal Elf Galadriel, and Aoife O’Dea as Arwen, enchant us with their performances and musicality. Each member of the cast deserves mention, and each could threaten to steal the show. The largest threat being Matthew Bugg’s Gollum, who weaves his way into the second act: feral, feline and fluid. Bugg moves as though underwater, defying gravity as easily as abusing the hobbits’ trust.

The nuances of the characters are beautifully executed, particularly up close on the small stage. But remarkably, when required, the epic proportions magically come into full force. Paul Hart’s staging is phenomenal. Simon Kenny’s ingenious design utilises every nook and cranny of the playing space. With the stunning combination of Adam Fisher’s sound, Rory Beaton’s lighting, George Reeve’s projections, Charlie Tymms’ puppetry and Anjali Mehra’s choreography (to name a few of the key creatives), the effect is that of a sweeping panorama. Only later, in retrospect, does one wonder how it is achieved.

β€œThe Lord of the Rings: A Musical Tale” is little short of a miracle. As we are led back outside, back to the Shire, darkness has fallen. We bid farewell to Frodo. Emotions are running high. Our senses have been caught in the storm of a spectacle, but we have still heard the intimate sounds of extraordinary theatre making. Most people who have read Tolkien’s high-fantasy novel would agree that they could read it again. Everyone, I’d like to think, who sees this adaptation at The Watermill will agree that they could see it again. And again.


THE LORD OF THE RINGS at the Watermill Theatre

Reviewed on 1st August 2023

by Jonathan Evans

Photography by Pamela Raith

 


 

 

Previously reviewed at this venue:

Mansfield Park | β˜…β˜…β˜…β˜… | June 2023
Rapunzel | β˜…β˜…β˜…β˜… | November 2022
Whistle Down The Wind | β˜…β˜…β˜…β˜… | July 2022
Spike | β˜…β˜…β˜…β˜… | January 2022
Brief Encounter | β˜…β˜…β˜… | October 2021

The Lord of the Rings

The Lord of the Rings

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