Tag Archives: Peacock Theatre

The Snowman

★★★★

Peacock Theatre

The Snowman

The Snowman

Peacock Theatre

Reviewed – 23rd November 2019

★★★★

 

“a visual feast for young and old eyes alike”

 

The Snowman, based on Raymond Briggs’ award winning children’s book, is brought to the stage by composer Howard Blake, director Bill Alexander and choreographer Robert North for its annual visit at the Peacock Theatre in London’s West End. It’s a perennial favourite among children and their parents “at the most magical time of the year,” and it’s easy to see why. Blake’s music, including the hit song “Walking in the Air” (sung by Aled Jones), plus North’s choreography—with Alexander’s direction tying it all together—makes The Snowman one of those rare shows that can hold the attention of the primary school set and their younger siblings. It also helps that this show, like the book, has no words. The Birmingham Repertory Theatre’s production of The Snowman is a visual feast for young and old eyes alike.

That said, this production has a rather different look from the drawings in the book, although designer Ruari Murchison finds ways to portray the eponymous hero and the young boy who creates and befriends him that are recognisable enough. And it’s hard to find fault with the design for the myriad of other creatures not in the book, who come to join the Snowman and his friends on stage. The never ending array of toys, fruit, and adorable animals that come to life and dance in their unwieldy costumes is something the child in all of us can appreciate. The talented dancers, led by dance captain Antony Edwards, bring off the difficult combination of comedy and grace in their performances, to the delight of their young audience. The set uses the space at the Peacock cleverly and efficiently, given that a lot of room has to be created for the dancers (and for flying the Snowman and the Boy). The small but effective band, under the musical direction of Costas Fotopoulos, creates a lively sound that is loud enough to overcome the constant murmuring of adults and kids commenting on the action, but not so loud that an audience with sensitive ears could object.

The elements of the story in The Snowman are familiar to anyone who loves folk tales. It has some things in common with The Nutcracker, which may be the reason it was adapted into a seasonal show. But The Snowman is a much simpler tale—perfectly designed for a younger audience that may not be quite ready for the complexities of Clara and her world in The Nutcracker. In short, Boy creates a Magical Snowman which he then introduces to the commonplace items of his world, such as clothing, toys, and food. But through the Snowman’s magic these items also become magical, and the boy’s world is transformed, culminating in a fantastic flight to the Snowman’s world where the roles are reversed. Now it is the Boy who becomes the magical figure transforming the world of the Snowmen and their friends. Add in the rescue of the Snow Princess from the evil Jack Frost, and all is ready for a happy celebration before the Boy returns home. Was his journey just a dream? But he still has the scarf that Father Christmas gave him, so of course it must be true.

If there is one criticism to be made of this show, it is that it runs a hundred minutes with an interval. That is a long time for very young children to manage, and there were predictable meltdowns towards the end of the second half. But for the most part, the audience was entranced by the music and dancing, and loved opportunities for waving at the Snowman and the Boy as they flew across the stage. So if panto is not your thing, and you are searching for a seasonal substitute to take your young friends and family to, why not introduce them to The Snowman?

 

Reviewed by Dominica Plummer

Photography by Tristram Kenton

 


The Snowman

Peacock Theatre until 5th January 2019

 

Previously reviewed at this venue:
Cirque Berserk! | ★★★★ | February 2018
The Snowman | ★★★★★ | November 2018
Tango Fire | ★★★★ | January 2019
Hotel | ★★★★ | February 2019
Yamato – Passion | ★★★★★ | March 2019
Beats On Pointe | ★★★ | May 2019
Some Like It Hip Hop | ★★★★★ | October 2019

 

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Some Like it Hip Hop

★★★★★

Peacock Theatre

Some Like it Hip Hop

Some Like it Hip Hop

Peacock Theatre

Reviewed – 24th October 2019

★★★★★

 

“Some of the moves were so athletic and gravity defying that they induced audible gasps of disbelief from those watching”

 

Almost exactly eight years to the day, Zoonation’s show returns to the theatre where it staged its world premiere for a short revival.

A grieving Governor is so heart-broken, that he obscures the sun, bans books and exiles women. Two ladies in not so much of a nod, more of an affectionate wink to Some Like It Hot and Twelfth Night, sneak back into the city dressed as men and try to blend in, producing much hilarity and unexpected love.

An impressive set flies in and out with military precision and is so slick that it almost matches the staccato movement of the surrounding dancers. Lighting is sombre, matching the mood of the governor and yet is always precisely on point. Costumes are suitably ‘street’ and are cleverly designed to give the actors all the room they need for the lightening quick movement required.

You could pick holes in the script, yet I’m fairly confident that not a single person in the packed auditorium was there to find a sub-plot, they were there for the dance and boy what a treat they had.

The story was told by a narrator and my only quibble was that he was not always easy to understand, cutting off the end of his sentences and sometimes being drowned out by the score. The two female singers had rich, soulful voices that complemented each other beautifully and effortlessly filled the theatre.

Some Like it Hip Hop is an ensemble piece and all the dancers clearly have a trust and respect for each others work and great humour is injected into the show. As the Governor, (Christian Alozie) is strong, masculine and as moody as the World that he has created, his rooted to the spot krumping is a joy to behold. The two lead ladies are terrific. Jo-Jo (Lizzie Gough) is quirky and delightfully complements her love interest Simeon. Kerri (Jade Hackett) with one lucky punch, is looked upon as more of a man than all the hunks surrounding her and makes the most of all her humorous moments in both her movement and facial expression. Simeon (Tommy Franzen) is extraordinary. His dancing is clean, controlled and seemingly effortless, with every move, however small, having a purpose.

So many scenes were memorable, a clever section with six characters all restlessly going to sleep, an extremely funny song ‘Rules Of Seduction’ and the final battle for supremacy ramps the acrobatic dance moves to a whole new level.

I was delighted to see that the audience was made up of mostly teenagers and children, I was treated to the most amazing curtain call I have ever seen with each actor having a short dance isolation whilst the rest of the cast mirrored their movements in a surrounding horseshoe. Some of the moves were so athletic and gravity defying that they induced audible gasps of disbelief from those watching.

This is a high energy, incredibly skilful show that will live in the memory for a long time. I’m not sure if it’s good form for a reviewer to stand up and join in the dancing at the end of the show but I did.

At the very beginning of the evening, we were encouraged by the narrator to make as much noise as possible. That is exactly what happened and what a happy, excited noise it was.

 

Reviewed by Chris White

Photography by Johan Persson

 


Some Like it Hip Hop

Peacock Theatre until 9th November

 

Previously reviewed at this venue:
Cirque Berserk! | ★★★★ | February 2018
The Snowman | ★★★★★ | November 2018
Tango Fire | ★★★★ | January 2019
Hotel | ★★★★ | February 2019
Yamato – Passion | ★★★★★ | March 2019
Beats On Pointe | ★★★ | May 2019

 

Click here to see our most recent reviews