Tag Archives: Phil Willmott

Great Expectations

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The Geffrye Museum of the Home

Great Expectations

Great Expectations

The Geffrye Museum of the Home

Reviewed – 17th August 2019

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“the company succeeds in bringing off this show with great flair”

 

If you haven’t yet discovered the oasis of peace in busy Hoxton that is the Geffrye Museum, then, for the next few weekends in August, you have an additional reason to go. Free Theatre UK is performing a β€œsteam punk” version of Charles Dickens’ beloved classic Great Expectations that audiences of all ages will enjoy. This is an outdoors production, so bring along a picnic, something to sit on, and don’t worry if it rains. The company is well prepared with tents for both performers and the audience. And did I mention it’s free?

Great Expectations is the kind of novel that gets introduced to school kids at too young an age, and it is often years before they wish to tackle Dickens again. This is a great pity not only because the story of Pip and the extraordinary characters who surround him is unforgettable, but as always, Dickens paints a vast canvas illuminating the lived realities of the Industrial Age. It is appropriate, therefore, that Free Theatre has chosen to perform this adaptation in the grounds of the Geffrye Museum, founded and built by a successful merchant as almshouses for the widows and orphans of ironmongers. Skillfully adapted by Phil Willmott, this production of Great Expectations is also highly accessible, so it’s a wonderful way to introduce your kids to Dickens before they have a chance to get discouraged.

Like Pip, Free Theatre UK also has β€œgreat expectations,” and the company succeeds in bringing off this show with great flair. Everything has been thought through with care, from the greeter at the gate who ushers you into the gardens of the Geffrye Museum, to the actor who courteously bids you farewell at the end of the show. The set is elaborate by outdoors performance standards, with a lot of imaginative touches. Both this, and the costumes, designed by Penn O’Gara, give this production its β€œsteam punk” elements, and if there is one criticism to be made, it is that this idea could have been developed a bit further in the script. But the design elements use steam punk to memorable effect.

Free Theatre UK is, for the most part, a young company, although what some performers lack in experience, they make up for in talent. Under the capable direction of Phil Willmott, everyone has a chance to shine. Noteworthy performances include Cal Chapman as Pip, Darcey O’Rouke as Estella, and the terrific Matthew Wade, who takes on contrasting roles as the convict Magwitch, and as Joe, Pip’s gentle and caring foster father. There’s also Jan Hewitt’s wonderfully operatic Miss Havisham to enjoy as well. As an ensemble, the cast works beautifully together, taking on multiple roles, sharing the narration between them, and even performing some live music.

You’ve got two weekends and Bank Holiday Monday to catch this glorious show. Go!

 

Reviewed by Dominica Plummer

Images by Joseph Mark Photography

 

The Geffrye, Museum of the Home

Great Expectations

The Geffrye Museum of the Home until 1st September

 

Previous ten shows covered by this reviewer:
Holy Land | β˜…β˜…β˜… | The Space | June 2019
Strange Fruit | β˜…β˜…β˜…β˜… | Bush Theatre | June 2019
The Luncheon | β˜…β˜…β˜… | Tristan Bates Theatre | June 2019
Past Perfect | β˜…β˜…β˜…β˜… | Etcetera Theatre | July 2019
When It Happens | β˜…β˜…β˜…β˜…β˜… | Tristan Bates Theatre | July 2019
Boris Rex | β˜…β˜… | Tristan Bates Theatre | August 2019
Horrible Histories: Barmy Britain Part Four | β˜…β˜…β˜… | Apollo Theatre | August 2019
Showtune | β˜…β˜…β˜…β˜… | Union Theatre | August 2019
The Time Of Our Lies | β˜…β˜…β˜…β˜… | Park Theatre | August 2019
Agent 14 | β˜… | Upstairs at the Gatehouse | August 2019

 

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After Dark; or, A Drama of London Life
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Finborough Theatre

After Dark; or, A Drama of London Life

After Dark; or, A Drama of London Life

Finborough Theatre

Reviewed – 20th June 2019

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“once you get your ear into a penny dreadful frame of mind, it becomes engrossing and plain fun”

 

If you’d told me that a Thursday evening in Brexit Britain following the latest instalment of a soulless slog towards finding the new Tory Prime Minister would have seen me grinning along to a rousing rendition of Rule Britannia, complete with Union Jacks, I’d have laughed in your face. But perhaps the play is right; all the best things do happen After Dark.

Written by Dion Boucicault (who based it on Les Oiseaux de Proie by EugΓ¨ne GrangΓ© and Adolphe d’Ennery), the work, subtitled A Drama of London Life, was an 1868 box office hit. London life is right; we find ourselves at the nexus of some key moments in our city’s past. Robert Peel’s bobbies patrol the streets, the new Metropolitan line (cleverly rendered) plays a starring role and (gulp) empire is held above all. Despite adjustments for modern audiences (director Phil Willmott rightly removed anti-Semitic characterisation), this remains every inch the melodrama, with ham in spades. The music hall is still alive at the Finborough, with the saucy ditties to prove it, and some depictions border on panto. Toby Wynn-Davies as sly lawyer Chandos Bellingham, for example, is only ever a signature song away from Fagin – but once you get your ear into a penny dreadful frame of mind, it becomes engrossing and just good plain fun. Wynn-Davies in particular brings real menace, especially in a beautifully-choreographed scene making the most of the clever sliding set and a terrific thunderclap sound effect.

In fact sound (Julian Starr)Β and lighting (Zak Macro) are, uniformly, first class. Rousing Victorian brass sets the scene and the live music too is of exceptionally high quality; Gabi King, Rosa Lennox (who is also musical director) and Helen Potter deliver a genuinely affecting rendition of Abide With Me, amongst other more ribald pieces. Hannah Postlethwaite’s adroit staging, establishing all of London from treacherous Rotherhithe to a smart hat shop, combined with liberal quantities of dry ice, make the small space feel genuinely atmospheric. It doesn’t take long to believe we’re in the murky streets of old; fans of Sherlock Holmes will find plenty here to enjoy.

Those of us who have had a sticky tube journey here might be heard snorting at the underground described as a β€˜glorious pathway of shining light’, and certainly there are other moments that date the piece even uncomfortably (the uneasily stereotypical Russian dance troupe springs to mind). But approach the night with tongue firmly in cheek, anticipating an ending of Shakespearean levels of silliness, and you can’t go too far wrong.

 

Reviewed by Abi Davies

Photography by Sheila Burnett

 


Β After Dark; or, A Drama of London Life

Finborough Theatre until 6th July

 

Last ten shows reviewed at this venue:
Square Rounds | β˜…β˜…β˜… | September 2018
A Funny Thing Happened … | β˜…β˜…β˜…β˜… | October 2018
Bury the Dead | β˜…β˜…β˜…β˜… | November 2018
Exodus | β˜…β˜…β˜…β˜… | November 2018
Jeannie | β˜…β˜…β˜…β˜… | November 2018
Beast on the Moon | β˜…β˜…β˜…β˜…β˜… | January 2019
Time Is Love | β˜…β˜…β˜…Β½ | January 2019
A Lesson From Aloes | β˜…β˜…β˜…β˜…β˜… | March 2019
Maggie MayΒ  Β Β  | β˜…β˜…β˜…β˜… | March 2019
Blueprint Medea | β˜…β˜…β˜… | May 2019

 

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