Tag Archives: Pleasance Theatre

Dog Show

Dog Show

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Pleasance Theatre

Dog Show

Dog Show

Pleasance Theatre

Reviewed – 1st December 2021

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“a barkingly mad show, but it is smart and even touching at times”

 

What’s the festive period without a riotous new show by drag queen Ginger Johnson? This year, Ginger, accompanied by the show’s co-creator David Cumming and performers Rudy Jeevanjee, Mahatma Khandi and Azara, welcome us to Crappersea Dog Pound for an evening of muzzles off entertainment.

The premise is thus: the audience are all new dogs at the pound hoping to be adopted by a loving family for Christmas. Before their hopefully happy departing, the resident dogs – led by the immensely talented Ginger – have decided to tell us new recruits what possible fates could await us in the human world – from being a social media pup to suffering through degrading obedience training. What follows is a feast for the eyes and ears; a cabaret variety show filled with singing, dancing, comedy, spoken word and rap on the glitzy Pleasance stage.

Of course, as expected, the show is downright filthy. But there is more to the double entendre than might initially meet the eye. Dog Show is a thoroughly queer show and uses its campy premise to effectively explore how the queer community and its kinky subdivisions are viewed by wider society. Notions of embracing freedom and rejecting control and dominance come up again and again and culminate in a finale song that rings like a warrior cry to not obey the man and instead forge your own path. The writing is brilliantly witty, and the aforementioned themes are weaved beautifully throughout the show even at its most absurd moments.

All the performers are phenomenal. Ginger is, as expected, an excellent compere and Cumming’s is exceedingly funny in his various roles. Jeevanjee, Khandi and Azara all bring fantastic energy to the show and contribute excellent solo performances. All five cast members are incredibly polished with not a note, foot or word out of place.

The audience is treated to song after song from the performers with brief pauses for amusing talking head comedy. The show moves along at a great pace; blink and you will miss some hilarious joke or lyric. Stand out songs are certainly Azara’s rap about gender roles and Cumming’s Act Two opener about humping the foot stool. Special mention must also go to Ginger and Cumming’s song about Laika, the Soviet space dog who was the first animal to orbit the Earth. Closing Act Two, this song marked a significant tonal shift as the audience is asked to reflect on the canine’s tragic fate and lack of choice.

The set, designed by Ginger herself, is reminiscent of old Soho and club back alleys. Four slats of β€˜brick’ wall create different formations on stage and there is no shortage of props such as a rideable toy jeep to add to the fun. The lighting (Rachel Sampley) contributes beautifully to the seedy atmosphere with flickering neon and flashing strobes. With the cast parading around in ripped clothes, floppy ears and sparkly tails, the visual spectacle of the show is completely engrossing.

Dog Show is a barkingly mad show, but it is smart and even touching at times. If you embrace the weirdness and absurdity of it all, you are in for a real treat.

Reviewed by Flora Doble

Photography by Ali Wright

 


Dog Show

Pleasance Theatre until 19th December

 

Previously reviewed at this venue this year:
Catching Comets | β˜…β˜…β˜…β˜… | September 2021
Express G&S | β˜…β˜…β˜…β˜… | June 2021
Ginger Johnson & Pals | β˜…β˜…β˜…β˜… | June 2021
Godot is a Woman | β˜…β˜…β˜…Β½ | June 2021
Lights Out | β˜…β˜…β˜…β˜… | October 2021

 

Click here to see our most recent reviews

 

Lights Out

Lights Out

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Pleasance Theatre

Lights Out

Lights Out

Pleasance Theatre

Reviewed – 24th October 2021

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“Lights Out is thrillingly unconventional, sits in a sweet spot of tension and comedy”

 

It’s that time of the year again: London Horror Festival is in full swing, providing all manner of uneasiness to get you feeling spooky for Halloween. The festival often does a great job of making space for quirkier, off-beat shows, and Lights Out proves that this year is no different, with this fantastic role-playing stage seance from Merely Roleplayers and Blackshaw Theatre Company.

Moving from their regular podcast format to the Pleasance Theatre, the Merely Roleplayers ensemble (consisting of Natalie Winter, Alexander Pankhurst, Helen Stratton, and Richard Stratton, with Matt Boothman hosting) take on the characters of the Blackout Four – a group of Londoners who (apparently) went mysteriously missing on the Northern Line in 2017. Under eerie candlelight, they try to recreate the events of that night to discern what happened, improvising their way through a story whose outcomes are dictated by tarot cards.

If you’ve ever played Dungeons and Dragons or any similar sort of role-playing game, the rules will feel familiar. The actors describe what their characters do and perform any dialogue they might have, while the host keeps things running smoothly and dictates what’s happening in the world. When an actor chooses to do something that will irrevocably affect the story, the suit of the tarot card they draw decides whether the outcome will be hopeful or sinister. There’s a bit more nuance to it than that, but the rules are easy to follow during the show. It’s a great device for keeping the proceedings spontaneous and engaging, with the actors having to make some very difficult spur-of-the-moment decisions.

Thankfully, the cast are all very much up to the task – Winters in particular does an excellent job as the emotional core of the group, encouraging characters who start off very comedic, such as Richard Stratton’s narcissistic journalist, to open up and reveal more complex shades of their personality. Boothman is also stellar as the host, ensuring the pace of the story never drops, and painting some striking images with his narration.

Considering the whole show is consisted of five people speaking from behind a table, it carries a lot of flair – the use of candles provides a suitably spooky atmosphere, and the team’s dynamic and confidence enraptures you in their narrative. Lights Out is thrillingly unconventional, sits in a sweet spot of tension and comedy, and is absolutely worth your time this Halloween.

 

Reviewed by Ethan Doyle

 


Lights Out

Pleasance Theatre as part of London Horror Festival 2021

 

Previously reviewed at this venue this year:
Express G&S | β˜…β˜…β˜…β˜… | June 2021
Ginger Johnson & Pals | β˜…β˜…β˜…β˜… | June 2021
Godot is a Woman | β˜…β˜…β˜…Β½ | June 2021
Catching Comets | β˜…β˜…β˜…β˜… | September 2021

 

Click here to see our most recent reviews