Tag Archives: Sophie Ablett

she seeks out wool

She Seeks Out Wool

★★★★

Pleasance Theatre

she seeks out wool

She Seeks Out Wool

Pleasance Theatre

Reviewed – 27th January 2022

★★★★

 

“Sophie Ablett’s script and performance is thoughtful and charming”

 

If I’m being entirely honest, I didn’t really have high hopes for this show. A ‘one-woman spoken word and large-scale live-knitting’ sounded almost like a satire, and I was just grateful it would only last an hour.

But Sophie Ablett’s script and performance is thoughtful and charming and entirely surprising. Ablett was taught to knit by her mother, who was taught by her mother, and so on. It’s a way of showing love and care, and of keeping something of the family’s history alive. As Ablett stitches the various threads of her family into one garment, she talks us through journeys across Poland, France, Spain, Portugal, Belarus, finally landing in Liverpool. But there’s one face, in an old family photo, which has remained unknown to Sophie. So, she decides to pick up this thread and try to mend the hole left by this unidentified woman.

There are so many Holocaust narratives across so many mediums, sometimes it seems like shock value is necessary in order to get the message across. But Ablett delivers a powerful message, not via shocking details but in the lack thereof; in the silences created by a withholding of official information.

A simple tree made of yarn sits on a trunk of tangled rope in the background, and various coloured balls of yarn hang from the ceiling, ready to be unravelled and woven into an ever-growing shawl. Such a simple design (Beth Colley) could have been catastrophic, but Ablett is a natural storyteller, and as she sways from side to side on the balls of her feet in order to knit this giant family tapestry, she fills the stage with her quiet good nature.

There’s nothing fancy about this production. Ablett, as directed by Mamoru Takano, is barefoot, in black leggings and a jumper. And though the spoken-word script gives an undulating rhythm to the story, Ablett’s delivery is conversational and understated. Nonetheless, it’s a compelling story, made all the more so by its unusual yet endearing presentation.

 

Reviewed by Miriam Sallon

Photography by Harry Elletson

 


She Seeks Out Wool

Pleasance Theatre

 

Recently reviewed at this venue:
Catching Comets | ★★★★ | September 2021
Lights Out | ★★★★ | October 2021
Dog Show | ★★★★★ | December 2021

 

Click here to see our most recent reviews

 

Are There Female Gorillas? – 4 Stars

Gorillas

Are There Female Gorillas?

Drayton Arms Theatre

Reviewed – 29th April 2018

★★★★

“a creative and thought provoking response to a topical debate”

 

Girl and Gorilla share a stage. Girl is wearing black lingerie, stockings and suspenders. Girl waxes her legs, then epilates them, then holds a magnifying glass to them and tweezers out any remaining hairs. Gorilla sleeps, until she wakes up to Girl trying to cut her fur off with nail scissors. The pair are handcuffed together.

This is a creative exploration into attitudes to standards of beauty and femininity, and specifically the effect of societal pressure on people’s relationship to their own body hair. In a world where hair and femininity are often posed as dichotomous to each other, how do we know what choices are actually our own, the piece asks, and is it okay if we bow to other’s expectations if it makes us feel better about ourselves?

The play is beautifully written and well-crafted, smattered with outbreaks of spoken word and facts about female gorillas – did you know that male gorillas are called “silverbacks” but female gorillas do not have a gender specific name? It is a conceptually clever approach to an issue that affects so many people, and discusses the many facets of the debate in a creative way. It is funny and moving in equal measure, as dance scenes are followed by intimate and tender moments between the pair.

Sophie Ablett who plays Girl has a fantastic presence to her performance. Her struggle is immediately relatable and she communicates it expressively with a clown-like playfulness and infectious energy. Grace Strickland de Souza’s Gorilla has a childlike likeability but she feels weaker onstage, though the pair compliment each other well. There are a few moments where the point feels overly laboured, but predominantly the piece strikes a really strong balance between didactic and entertaining.

‘Are There Female Gorillas?’ is a creative and thought provoking response to a topical debate, and is a beautifully crafted piece of theatre.

 

Reviewed by Amelia Brown

 


Are There Female Gorillas?

Drayton Arms Theatre

 

 

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