A CHRISTMAS CAROL(ISH) at @Sohoplace
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“a bumper pack of Christmas crackers β plenty of bangs, groan-worthy jokes, gimmicks and a squeaky toy”
In Scrooge-like fashion, the gremlins struck the press night of Nick Mohammedβs madcap festive spectacular causing the performance to be curtailed. They struck again on this second attempt, with technical difficulties interrupting the final act.
Such is the nature of A Christmas Carol(ish), starring Nick Mohammedβs gremlin-esque alter-ego Mr Swallow, that many of the audience thought the interregnum was part of the productionβs nod-and-wink playfulness. The whole thing is a teetering calamity with sufficient nods to the perils of live entertainment to make an appearance by the stage crew almost inevitable.
The downtime was short-lived and towards the climax. By then the four-strong cast had garnered enough goodwill and provoked enough merriment to ensure most stayed around to see the story out.
Just as well, because still to come was Mohammedβs wire walk to retrieve a special parcel lodged in the roof at @Sohoplace. A real nail biter. You underestimate multi-talented Mr Mohammed at your peril.
This is Mohammedβs show β writer, lyricist, star β and itβs been upscaled from earlier incarnations with extra razzle and indeed dazzle. Helpfully, he introduces himself for those unfamiliar with his nasally high-pitched irritant character Mr Swallow, based on a real-life English teacher blended with a hint of Mr Bean.
The plot, such as it is, is modelled on the Dickensian classic with Scrooge replaced by Santa. But donβt attempt to follow the original text too closely β itβs a gumbo pot of festive treats. God appears (voice only) and the nativity story also gets a look-in with a faintly alarming but very funny replay of the birth of Jesus with Mr Swallow as a scouse midwife. Look away now kids.
In director Matt Peoverβs song-speckled staging, Mohammed is ably and gamely supported by diva Rochelle (Ghostsβ Martha Howe-Douglas) who is doing them all a favour between Lloyd-Webber gigs; put-upon impresario Mr Goldsworth (David Elms); and ratty orphan Rudolph (Kieran Hodgson). Theyβre all playing roles in Mr Goldsworthβs production with overconfident and under rehearsed Mr Swallow the rogue element. You can understand why technical difficulties are the least of the productionβs concerns.
Special mention for the set (Fly Davis) which appears like a Victorian Amazon warehouse, with boxes to the ceiling, but becomes, at various points, a glowing cityscape with candlelit windows, an advent calendar for character vignettes and, of course, a climbing wall for Mr Swallowβs high stakes scramble.
The reference that springs to mind is β admirably β one of those classic Morecambe and Wise plays βwhat Ernie wroteβ with endless mugging, undercutting, quick fire gags and bags of whimsy. Quick-witted and winning Mohammed is at the centre of it all. He brings his impish charms to what has evolved into an ambitious and glittery production that delivers more often than not.
Itβs a bumper pack of Christmas crackers β plenty of bangs, groan-worthy jokes, gimmicks and a squeaky toy. Mishappy Christmas, Mr Swallow.
A CHRISTMAS CAROL(ISH) at @Sohoplace
Reviewed on 26th November 2024
by Giles Broadbent
Photography by Matt Crockett
Previously reviewed at this venue:
DEATH OF ENGLAND: CLOSING TIME | β β β β | August 2024
DEATH OF ENGLAND: DELROY | β β β β β | July 2024
DEATH OF ENGLAND: MICHAEL | β β β β β | July 2024
THE LITTLE BIG THINGS | β β β β | September 2023
BROKEBACK MOUNTAIN | β β β β β | May 2023
A CHRISTMAS CAROL(ISH)
A CHRISTMAS CAROL(ISH)
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