Tag Archives: Matt Crockett

GARRY STARR: CLASSIC PENGUINS

★★★★★

Arts Theatre

GARRY STARR: CLASSIC PENGUINS

Arts Theatre

★★★★★

“a show of sparkling brilliance”

Let’s start with the show warning: “contains nudity and mild language”. Missing from this warning is “danger from collapse as a result of extreme laughing”.

This is not the show for you if naked bodies on stage offend your sensibilities. Garry Starr gets on with the show (or gets it all off?) from the moment he swings his chair around to face us – he’s been patiently waiting with his back to the audience as we take our seats. It’s all there – yes, I mean all the naughty bits – on full show. The audience explodes in laughter which pretty much never stops as the next 70 minutes roars past like a Southern Ocean squall.

And don’t expect any respect for the great literature of the Cream and Orange Penguin paperbacks era. Garry Starr – the creation of Australian comic Damien Warren-Smith – gallops through all the great books – everything from Hamlet (nodding to Garry’s former take on Shakespeare) to The Grapes of Wrath. The works are stacked on a bookshelf at the front of the stage, the titles projected on a screen at the back – set in a silver foil Antarctic mountain – as he pulls each one out then carelessly tosses it on the floor when that sketch moves on.

This is a show of sparkling brilliance. Garry/Damien is a master of mime, clowning, improvisation and wordplay. Part of the fun for us in the seats is the guessing game as the title appears. Will this one be a pun on the title? Just think what you might do with Moby Dick. Or will a member of the audience be hauled on stage to help connect four apparently unrelated titles?

It’s a one man show – and it’s not. It’s cleverly scripted – and it leaves so much to chance. It’s a riff on the classics, yet it is a fond recall of so many great books. It’s an extreme performance in the nude, yet it doesn’t shock. Despite all the comic potential, there isn’t a single barb. Garry the character is all the greater, because of the warmth Warren-Smith shows as a performer.

Garry has built up a following. In the queue to get into the theatre was a group to one side in penguin costumes, each carrying one of the eponymous books: a band of costumed fans like those waiting to attend a singalong performance of ‘Sound of Music’. That too proved a piece of pageantry. The performance starts even before you enter.



GARRY STARR: CLASSIC PENGUINS

Arts Theatre

Reviewed on 3rd November 2025

by Louis Sibley

Photography by Matt Crockett (main images) Jeff Moore (outdoor images)


 

Previously reviewed at this venue:

THE CHOIR OF MAN | ★★★★★ | October 2025
PORNO | ★★★ | November 2023
THE CHOIR OF MAN | ★★★★ | October 2022
THE CHOIR OF MAN | ★★★★★ | November 2021

 

 

Garry Starr

Garry Starr

Garry Starr

THE REMARKABLE BEN HART

★★★★★

UK Tour

THE REMARKABLE BEN HART

Wilton’s Music Hall

★★★★★

“It’s well crafted and oddly moving, with a flair for the occult.”

The Remarkable Ben Hart deserves many remarks. Probably remarks like ‘wow’, ‘I can’t work out how he does it’, ‘maybe magic is real’, or in the case of my sister: ‘please stop telling me about this show, I’m already feeling really existential and this is so unsettling it might tip me over the edge’

Ben Hart is very remarkable (good-looking too). He’s a magician but calling him merely a magician feels a little uninspired; he’s a wizard, really. Hart mocks science with his magic, though I am loath to divulge any significant details of his act as that would spoil some of the mastery. That being said, Hart’s tricks defy gravity so many times that both Isaac Newton and Elphaba must be absolutely fuming right now.

A magician is a performer as much as he is a man of magic. And Ben Hart knows this; his command of magic is matched by his command of the stage and room. He’s charismatic, easily holding the attention and admiration of a naturally sceptical crowd, praying for some small slip up spelling his demise (maybe that’s an exaggeration, but a magician’s audience is not a forgiving one). Also, he’s funny. His job isn’t terribly dissimilar to that of a comedian, and in both his scripted work and his audience work, Hart’s chaotic humour is excellent. Engaging with the audience is necessary in order to counter their scepticism and Ben Hart is clearly adept at doing so. He’s charming and open. So at one is he with audience that by the show’s second half, he has adopted the role of a psychic. Except you feel less like you’re being scammed and more metaphysical baffled.

Naturally, a magic show is not one necessarily steeped in narrative. Yet, the piece is artfully constructed, enhanced further with its notes of mysticism. Hart weaves discussions of lucid dreams and surreal dreamscapes into his script. It’s well crafted and oddly moving, with a flair for the occult.

He’s successful for a reason, and now he’s doing a UK tour. His act is so surreal, so seemingly impossible, so mesmerising, you’d be ever so silly to miss it. Go seek him out and support some real-life wizardry.



THE REMARKABLE BEN HART

Wilton’s Music Hall then UK Tour continues

Reviewed on 4th September 2025

by Violet Howson

Photography by Matt Crockett


 

Recently reviewed at the venue:

MACBETH | ★★★★ | July 2025
ROMEO AND JULIET | ★★★ | June 2025
MARY AND THE HYENAS | ★★★ | March 2025
THE MAGIC FLUTE | ★★★★ | February 2025

 

 

THE REMARKABLE BEN HART

THE REMARKABLE BEN HART

THE REMARKABLE BEN HART