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Potted Panto

Potted Panto

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Southwark Playhouse

Potted Panto

Potted Panto

Southwark Playhouse

Reviewed – 10th December 2019

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“a celebration of all that is silly and fun about pantomime, something all the family can enjoy and most certainly will!”

 

According to Jeff there are six great pantos. According to Dan there are twelve, but his list does include the Queen’s speech. And all six (or twelve) are about to happen in potted form on the stage of the Southwark Playhouse!

Our first pantomime is Jack and the Beanstalk, featuring an ill-timed beanstalk entrance, a moose that lays golden eggs and a mother in a pink feather boa who can’t afford that next bottle of Bollinger, darling. Next up, Dick Whittington, Show White, Sleeping Beauty, Cinderella, and finally Aladdin, unless Dan gets his way, in which case it’ll be A Christmas Carol. The northern fairy in Sleeping Beauty is a particular highlight as is Cinderella’s French God-Chicken.

As we travel through the different pantomimes, we also learn about the different pantomime traditions, as Jeff teaches Dan and the audience at the same time. All the classics are there from, β€œHe’s behind you,” to β€œOh no he isn’t.” There’s audience participation including a 3D experience of Cinderella’s coach ride home after the ball. There’s satire of course – Dick Whittington is a close imitation of Boris Johnson complete with messy blonde wig and prevaricating Eton voice. Brexit makes an appearance, and overall the show strikes a good balance between entertaining both children and adults alike – although they may not be laughing at the same thing!

Simon Scullion’s set is simple background for the different stories that is brought alive by the wealth of costumes (Nicky Bunch) and props that are paraded across the stage. The windows cut into the set are ideal mechanisms for cameo appearances and entrances from fairies, Prince Charming and the Queen of England.

Daniel Clarkson and Jefferson Turner are a comedy duo who have been working together for years, including as CBBC presenters. As well as performing in the show, they are its writers alongside Richard Hurst. They are clearly having a fantastic time together onstage, and it’s infectious. Clarkson is perhaps the more compelling performer of the two, but still they balance each other well, transforming between a host of characters with ease and wit. There’s a lot of very clever stuff in it, but at its core it’s about having fun, and the constant laughter from the audience was an undeniable measure of that.

This is a celebration of all that is silly and fun about pantomime, something all the family can enjoy and most certainly will!

 

Reviewed by Amelia Brown

Photography by Geraint Lewis

 


Potted Panto

Southwark Playhouse until 11th January

 

Last ten shows reviewed at this venue:
Other People’s Money | β˜…β˜…β˜… | April 2019
Oneness | β˜…β˜…β˜… | May 2019
The Curious Case Of Benjamin Button | β˜…β˜…β˜…β˜…β˜… | May 2019
Afterglow | β˜…β˜…β˜…Β½ | June 2019
Fiver | β˜…β˜…β˜…β˜… | July 2019
Dogfight | β˜…β˜…β˜…β˜… | August 2019
Once On This Island | β˜…β˜…β˜… | August 2019
Preludes | β˜…β˜…β˜…β˜… | September 2019
Islander | β˜…β˜…β˜…β˜…β˜… | October 2019
Superstar | β˜…β˜…β˜…β˜… | November 2019

 

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The Girl Who Fell

The Girl Who Fell

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Trafalgar Studios

The Girl Who Fell

The Girl Who Fell

Trafalgar Studios

Reviewed – 17th October 2019

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“a warm piece of theatre brimming over with emotional honesty”

 

Set in the aftermath of a tragic suicide, The Girl Who Fell is play about those left behind. Sam – a never-to-be sixteen year old – is the missing piece the story revolves around as it follows her family and friends grappling with loss and their own burden of guilt. This is a production where the walls come down – both literally and metaphorically. As the rustic, stripped-down set (Georgia de Grey) peels away block by block, so do the barriers the characters have put up to defend themselves, making for a warm piece of theatre brimming over with emotional honesty.

Each character has their own cross to bear with respect to Sam’s death. Claire Goose plays an instantly recognisable fraught mother battling for control, who is blamed by others for the suicide due to her harsh punishment becoming broadcast on the internet. Her superb performance is complimented by those of Rosie Day and Will Fletcher, who fill the roles of Sam’s best friend Billie and boyfriend Lenny so well that by the end of the play you have forgotten that the actors are not really teenagers. From the outset it is clear that these three have relationships with complex undercurrents, and throughout their stories they walk a messy, angry line between looking after each other and tearing each other down.

Introduced initially as a romantic interest for mum Thea, Gil (Navin Chowdhry) is the character last to the stage, and the slowest to unravel, but it is satisfying to see that he too is connected to the death in more ways than one. The script (Sarah Rutherford) times its key reveals and hooks well but is also full of refreshing doses of humour. Paired with Hannah Price’s direction, which brings a wonderful amount of movement and energy to a play about death, and the lighting (Robbie Butler) and sound (Adrienne Quartly), it delivers a tender and touching exploration of grief, blame, and the worst impulses in human nature.

Addressing such broad themes, the play almost seems timeless and that is perhaps its only failure. For all that Sam’s death can be seen as intrinsically linked to her life as part of the social media generation, the unique ways modern life can impact on being a teenager – and being a parent – seem to be largely glossed over in favour of an appeal to universalism. But, nevertheless, there is certainly lots of substance for viewers to contemplate. With its well-woven character backstories and sincere musings on faith, family, and forgiveness, The Girl Who is Fell is a rich treat of a story with wide-ranging appeal.

 

Reviewed by Vicky Richards

Photography by Helen Maybanks

 


The Girl Who Fell

Trafalgar Studios until 23rd November

 

Previously reviewed at this venue:
Soul Sessions | β˜…β˜…β˜…β˜… | February 2019
A Hundred Words For Snow | β˜…β˜…β˜…β˜…β˜… | March 2019
Admissions | β˜…β˜…β˜… | March 2019
Scary Bikers | β˜…β˜…β˜…β˜… | April 2019
Vincent River | β˜…β˜…β˜…β˜… | May 2019
Dark Sublime | β˜…β˜…β˜… | June 2019
Equus | β˜…β˜…β˜…β˜…β˜… | July 2019
Actually | β˜…β˜…β˜…β˜… | August 2019
The Fishermen | β˜…β˜…β˜…Β½ | September 2019
A Day In The Death Of Joe Egg | β˜…β˜… | October 2019

 

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