Tag Archives: Royal Court

Reviewers’ Round-up

When not out reviewing for us, our team attend many more shows which they’d love to tell you about. Take a look at what they’ve been seeing recently

November 2019

THE LARAMIE PROJECT | ★★★★ | RADA GBS Theatre until 30th November 2019 | Seen by Ethan Doyle
The Laramie Project
An interrogative and harrowing verbatim piece on a despicable homophobic murder that explores the attitudes of the town in which it occurred with frankness, intimacy, and hope. The performances are sublime in their service of the text and there are some truly striking visual moments too. Just make sure to bring tissues – you will cry.
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DEAR EVAN HANSEN | ★★★★  Noël Coward Theatre until 30th May 2020 | Seen by Flora Doble | Photo by Matthew Murphy
Dear Evan Hansen
The hotly-anticipated Broadway transfer of Dear Evan Hansen has finally arrived at the Noël Coward Theatre in London. Exploring mental health, suicide and the social media abyss, Dear Evan Hansen is a groundbreaking and powerful piece of theatre that will hopefully help facilitate important conversations about depression, anxiety and youth suicide.
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THE LION, THE WITCH & THE WARDROBE  | ★★★★★ | Bridge Theatre until 2nd February 2020 | Seen by Katre | Photo by Brinkhoff Moegenburg

THE LION, THE WITCH & THE WARDROBE

A beautiful, magical production with superb puppets and an amazing multi-talented cast. A really special show..
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SOLARIS  | ★★★★ | Lyric Hammersmith until 2nd November 2019 | Seen by Dominica Plummer | Photo by Mihaela Bodlovic

Solaris

A lyrical, thought provoking, but somewhat disappointing adaptation by David Greig, of Stanisław Lem’s classic science fiction novel. In the eerie presence of the sentient planet Solaris, an orbiting space station sent from Earth experiences the inexplicable. Greig updates this unforgettable story by adding a female protagonist to a crew trying to avoid madness a long way from home and from those they have left behind. Or have they? Enjoyed for superlative performances and a memorable set design that alternates between the bright clean lines of the space station and the moody seascapes of the planet below.
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LUNGS  | ★★★★★ | The Old Vic until 9th November 2019 | Seen by Dominica Plummer | Photo by Helen Maybanks

Lungs

The Old Vic’s revival of Duncan Macmillan’s eco love story reunites Claire Foy and Matt Smith in a seamless two hander about a couple considering parenthood in a world on the brink of climate change. Macmillan’s script holds up well and Foy and Smith recreate the onstage chemistry that ups the stakes in this timely drama. It was a treat to see the traditional Old Vic create an intimate theatre in round so that everyone in the audience could feel that much closer to this conflicted couple and their story.
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SHOOK | ★★★★ | Southwark Playhouse until 23rd November 2019 | Seen by Dominica Plummer | Photo by The Other Richard

Shook

Samuel Bailey’s Papatango prizewinning play is performed to great effect in a gritty, naturalistic setting about three young offenders who are also parents. Bailey’s play is an absolute gift to powerhouse performers like Josh Finan, Ivan Oyik and Josef Davies, with good support from Andrea Hall playing their empathetic teacher. Bailey’s tale may lack a satisfying denouement in this memorable portrait of prison life, but his talent for dialogue and characterisation will ensure him a devoted following for whatever he chooses to write next.
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DEATH OF A SALESMAN | ★★★★ | Piccadilly Theatre until 4th January 2020 | Seen by Rebecca Crankshaw | Photo by Brinkhoff Moegenburg

DEATH OF A SALESMAN

Sharon D Clarke and Wendell Pierce give powerhouse performances in Arthur Miller’s classic drama.
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GHOST QUARTET | ★★★★ | Boulevard Theatre until 4th January 2020 | Seen by Jonathan Evans | Photo by Marc Brenner

Ghost Quartet

An intoxicating, bizarre and sometimes baffling musical. The narrative threads weave themselves into knots, but the gorgeous score of this song cycle lines the show with magic. Magic that is matched by this impressive new venue in the heart of Soho.
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ON BEAR RIDGE | ★★★★ | Royal Court until 23rd November 2019 | Seen by Jonathan Evans | Photo by Mark Douet

On Bear Ridge

Riveting, off-beat theatre that takes you to another place. Surreally dark, shone through with stunning performances. 
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MARY POPPINS | Preview Performance | Prince Edward Theatre until 7th June 2020 | Seen by Chief Spy | Photo by Mark Douet

Mary Poppins

The all time classic returns with its incredible score, magnificent staging and an outstanding cast including the legendary Petula Clark. You’re guaranteed to leave with a smile on your face.
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DEAR EVAN HANSEN | Preview Performance | Noël Coward Theatre until 30th May 2020 | Seen by Chief Spy | Photo by Matthew Murphy

Dear Evan Hansen

The winner of six Tony Awards finally arrives in the West End and the wait has definitely been worth it. Steven Levenson’s book combined with Pasek & Paul’s outstanding score make this the show to see. This performance had Marcus Harman in the lead role proving he’s an exceptional alternate Evan.
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A WOMAN ON NO IMPORTANCE | ★★★★  | Yvonne Arnaud Theatre until 2nd November 2019 | Seen by David Woodward

A WOMAN ON NO IMPORTANCE

“The unspeakable in full pursuit of the uneatable” just one of many typically Walden witticisms that sparkled like fireworks at this performance. Perhaps no surprise that it’s deeply sympathetic to the eponymous character, well-played by Liza Goddard. There’s a hint of grimly controlled madness about her performance, with her off-kilter stance and dress, with some real poetry in her speeches. To the audience’s satisfaction, she turns the tables on her nemesis. Directed by Dominic Dromgoole. Roy Hudd and Isla Blair also appear in this witty and thought provoking show.

 

 

 

 

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Review of Minefield – 4 Stars

Minefield

Minefield

Royal Court

Reviewed – 4th November 2017

⭐️⭐️⭐️⭐️

 

“An informative and interesting insight”

 

A trip to the Royal Court always offers a thought-provoking experience. Following their roots, with a commitment to giving space to new writing, Minefield was an engaging addition to their daring and innovative season of new work. Utilising a Brechtian aesthetic, Minefield is a fascinating evening of storytelling, bringing the personal experiences of Falkland’s War Veterans to larger provocations around war, death and the choosing of sides.

Minefield

Minefield brings to life the stories of six Argentine and British veterans who, working closely with playwright and director Lola Arias, developed the piece in a rehearsal period lasting longer than the Falklands war itself. The piece allows them to come to perform their own stories in collaboration with LIFT festival, an organisation dedicated to bringing global stories to the London stage. Over the course of 100 minutes, the veterans lead us through their experiences of war; the before, the events themselves and the aftermath of their involvement.

Playing themselves, the cast recreate scenes from their experiences live on-stage through a mixture of live music, foley-like sound effects, live camera feeds, projection and multi-roling. This theatrical conglomerate creates a playful atmosphere; all theatrical machinations are exposed, removing emotionality from the recreation of their memories and allowing the audience to understand their stories in a wider, and less emotionally exploitative, context. The sketch-like format covers a mix of the cast’s own personal memories, factual information, socio-political contexts and object-driven scenes, but for me, the most powerful element of the piece came in the form of the live music played by the cast, which allowed rawness and emotionality, without sensationalism.

The piece begins by definitively dividing the cast along lines of country and language; the British versus the Argentines. This is reflected throughout the piece in the language barriers between the cast themselves, half speaking only Spanish, half speaking only English, and surtitles frame the stage to both demonstrate and undermine this linguistic barrier. But as the piece continues, it is the disintegration and blurring of this division that lends poignancy to both their experiences of war and their present attempt to reconcile difference through theatre. An informative and interesting insight into an often overlooked area of history, Minefield deals with a challenging subject in a new and interesting way, coming to epitomise cultural divisions at the forefront of British politics and encouraging us all to reconcile around broader and more human commonalities.

 

Reviewed by Tasmine Airey

Photography by Tristram Kenton

 

Image result for royal court logo

 

MINEFIELD

is at the Royal Court until 11th November

 

 

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