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The Understudy



The Understudy

The Understudy

Online via www.theunderstudyplay.com

Reviewed – 20th May 2020



“Recorded in isolation, it is propelled by a cast that comprises the cream of the crop”


Of all his novels, David Nicholls has said that “The Understudy” is the one he most yearns to rewrite. Those familiar with the book would possibly balk at this show of modesty. It is true that it has been unfairly overlooked in the shadow of his better-known works, but it deserves more of the spotlight. The gentle, self-deprecating humour, laced with a sharp and cutting wit that can only come from experience, casts an astute eye over the ‘theatrical life’; taking us backstage and beyond.

For eight years Nicholls trod the boards himself. He was a failed actor, he admits, his career on a steep downward path. We somehow get the feeling he’s being too hard on himself, but his natural skills as a writer turned that failure into success and, with luck, his story can take centre stage now with its revival as a streamed, online radio play. Released in two parts, it is adapted by Henry Filloux-Bennett in response to Covid-19 thwarting the fully staged production. With director Giles Croft at the helm it is a wonderful homage to an industry under threat and reaffirmation that it has no alternative but to survive. (Consequently, all proceeds from the play go to theatre charities).

The story revolves around actor Stephen McQueen (no, not ‘that’ Steve McQueen); divorced, down on his luck and waiting in the wings for that big break. His ex-wife has given up waiting long ago, while his daughter wonders when he will get a proper job. McQueen’s luck looks set to change when he lands a job understudying the vane but talentless film star, Josh Harper, in the West End. He covets the leading man’s job, but unfortunately, he covets his wife too. When he sees an opportunity to steal both, things can only go horribly wrong.

Recorded in isolation, it is propelled by a cast that comprises the cream of the crop. You can almost ‘hear’ the twinkle in Stephen Fry’s eye as his affectionately sardonic narration weaves through the action; while Russell Tovey epitomises the hapless McQueen. Sarah Hadland, as ex-wife Alison, floors him with her sarcastic punches, but with her skilled shifts of tone can pick him up again with real affection. Josh Harper is suitably arrogant and wonderfully observed in Jake Ferretti’s portrayal. With Emily Atack as his love interest (on and off stage) and Sheila Atim as his intellectually and morally superior wife, they are all supplemented by a fine supporting cast.

The in jokes that litter the script will appeal beyond the theatre profession. Although those on the inside will be familiar with the mantra ‘Acting is Reacting’. It is hard to know whether the foreknowledge that each actor was recording their lines alone in their own homes affects our listening, but we are often all too aware of the isolation. There is a sense of detachment within the flow of dialogue and, inevitably, there will be a lack of chemistry. Nevertheless, with the editing skills and the addition of sound and music from Alexandra Faye Braithwaite, Annie May Fletcher and Sophie Galpin the show stands out as an excellent radio play in its own right. Even though it whets the appetite for the (hopefully) eventual fully staged production, it doesn’t seek to replace the live experience. This rendition of “The Understudy” succeeds in its own right and can, at least for now, step out to steal its own few moments in the spotlight.

Reviewed by Jonathan Evans


The Understudy

Part One available from 20th May Part Two from 27th May with both parts available for a month

Online via www.theunderstudyplay.com



Last ten shows reviewed by Jonathan:
Message In A Bottle | ★★★★ | Peacock Theatre | February 2020
Musik | ★★★★ | Leicester Square Theatre | February 2020
Nearly Human | ★★★ | The Vaults | February 2020
Tell It Slant | ★★★ | Hope Theatre | February 2020
The Importance Of Being Earnest | ★★★½ | The Turbine Theatre | February 2020
Closed Lands | ★★★ | The Vaults | March 2020
Max Raabe & Palast Orchester | ★★★★★ | Cadogan Hall | March 2020
The Kite Runner | ★★★★ | Richmond Theatre | March 2020
The Last Five Years | ★★★★ | Southwark Playhouse | March 2020
A Separate Peace | ★★★★ | Online | May 2020


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Queers thespyinthestalls The Old VicQueers thespyinthestalls The Old Vic

The Old Vic today announces casting for Queers, a series of eight monologues curated by Mark Gatiss. Staged on 28 and 31 July at The Old Vic, they mark 50 years since the Sexual Offences Act of 1967 began the decriminalisation process for homosexuality between men. Queers celebrates some of the most poignant, funny, tragic and riotous moments of British gay male history over the last century.

Mark Bonnar, Sara Crowe, Jack Derges, Ian Gelder, Kadiff Kirwan, Russell Tovey, Gemma Whelan and Fionn Whitehead will perform monologues written by Matthew Baldwin, Jon Bradfield, Jackie Clune, Michael Dennis, Brian Fillis, Mark Gatiss, Keith Jarrett and Gareth McLean. The monologues will be directed by Mark Gatiss and
by Old Vic Associate Director Max Webster and Baylis Director Joe Murphy.

Queers is produced in partnership with BBC Studios, Pacific Quay Productions. The monologues were filmed earlier in the year, directed by Mark Gatiss and featuring many of the cast who will be appearing on stage at The Old Vic. These films will be screened on BBC Four this summer.

Queers is part of The Old Vic’s One Voice series, funded by the TS Eliot Estate, which celebrates the rawest of theatre forms – a single voice on a stage without scenery and with nothing to rely on but words. 


The full line up is as follows:

Fri 28 Jul

The Man on the Platform by Mark Gatiss, performed by Jack Derges
The Perfect Gentleman by Jackie Clune, performed by Gemma Whelan
I Miss the War by Matthew Baldwin, performed by Ian Gelder
Something Borrowed by Gareth McLean, performed by Mark Bonnar

Mon 31 Jul

Missing Alice by Jon Bradfield, performed by Sara Crowe
Safest Spot in Town by Keith Jarrett, performed by Kadiff Kirwan
A Grand Day Out by Michael Dennis, performed by Fionn Whitehead
More Anger by Brian Fillis, performed by Russell Tovey


The Old Vic thespyinthestalls


Box Office 0844 871 7628 | oldvictheatre.com