Reviewed – 21st August 2019
“a brilliant and nuanced musical“
It’s 1963 and Eddie Birdlace has one more night before him and his fellow marine buddies (Bernstein and Boland – the three bees) ship out to the Vietnam war. Full of the certainty of their invincibility and the promise of a hero’s return, the marines spend their night partaking in a long honoured tradition: the dogfight. A simple premise. Each marine puts in fifty bucks. They throw a party. The marine who can bring the ugliest date wins the leftover money. When Eddie meets Rose he is sure he has found the perfect girl for the dogfight, but he doesn’t bargain for what comes next.
At its heart this is a love story but it is also investigates toxic masculinity. The marines have only had thirteen weeks training, and can’t be more than nineteen years old. They are vessels of a violent and ugly misogyny, but at the same time they are no more than boys, naive and vulnerable, in no way ready to face war. In heartbreaking juxtaposition, Rose is a breath of fresh air to the stage, intelligent, interesting and ultimately kind.
The performers are all members of the British Theatre Academy, which offers accessible training and performance opportunities to young people under the age of twenty three. And what a cast they are. Across the board they are full of energy and conviction, and there isn’t a weak link onstage. Our leading pair played by Stephen Lewis-Johnson and Claire Keenan in this performance – two casts alternate – are brilliant. Keenan is particularly compelling, funny and genuine, immediately likeable. She is utterly engaging to watch. Her and Lewis-Johnson are in turn lovely together, and both vocally really strong. Lewis-Johnson’s lonely return from Vietnam is an undeniably powerful end to the show which he delivers with the full emotional punch it deserves.
The band are faultless. It’s a fantastic score by Benj Pasek and Justin Paul (both music and lyrics) that they handle with accomplishment and ease.
The set by Dean Johnson and Andrew Exeter is simple but effective. The band, lit by warm lamps are at the back of the stage and the different settings are created by wooden crates. A particularly lovely moment sees light bulbs suspended by cast members to create street lamps around Eddie and Rose on their first date.
This a brilliant and nuanced musical that is delivered by an incredibly talented cast and band.
Reviewed by Amelia Brown
Photography by Eliza Wilmot
Southwark Playhouse until 31st August
Last ten shows reviewed at this venue: