Tag Archives: Scott Rylander

Joe Stilgoe: Christmas at the Movies

Joe Stilgoe: Christmas at the Movies
★★★★

Lyric Hammersmith

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Joe Stilgoe: Christmas at the Movies

Joe Stilgoe: Christmas at the Movies

Lyric Hammersmith

Reviewed – 10th December 2018

★★★★

“Stilgoe is a natural entertainer; a real music-man: talented, funny, engaging and blessed with a wonderful gift”

 

Joe Stilgoe is one of those performers that makes the audience feel completely relaxed the moment he steps onto the stage. It is a rare talent: his mix of stand-up humour and virtuoso musicianship make for an enthralling evening. Add to the mix his abundant charisma, decorate the icing with a top-notch selection of guest artists and sprinkle with a finale of fake snow and you have the perfect recipe. Stilgoe’s show; “Christmas at the Movies” represents that pivotal moment in the year when you know that the festive season has truly started. Featuring some of the best-known Christmas music from films, Joe’s eclectic selection is the perfect way to celebrate Christmas.

Stilgoe opens proceedings by announcing he is his own warm-up for the night. As the gig is being recorded for a special Radio 2 broadcast on Christmas Day, he feels he wants to get the crowd in the mood first. “Don’t ‘ooh’ and clap at the same time otherwise they won’t be able to use it” he instructs, before he elicits three different varieties of applause from us to ‘edit in later’ if necessary. This self-deprecating style is his motif which adds to his charm. A charm that hasn’t diminished in the slightest despite the spiralling success of his career over the last few years.

Backed by his six-piece band he launches into a medley of Irving Berlin’s “Top Hat, White Tie and Tails” and “Puttin’ on the Ritz” before bringing on his first guest; West End star Louise Dearman. A trio of festive favourites that highlight Dearman’s peerless voice is capped by Frank Loesser’s “Baby, It’s Cold Outside”.

Jess Gillam, the second guest, is totally transfixing on saxophone, performing Itturalde’s “Pequeña Czarda”. A ridiculously difficult piece she cloaks the sheer technical wizardry in passion and an emotional warmth that leaves us quite breathless. Stilgoe’s piano accompaniment is quite something, clearly revealing the breadth of his own skills.

The first act closes with ‘Have Yourself a Merry Little Christmas’ from “Meet Me in St Louis” (again with Gillam on saxophone) followed by Stilgoe’s self-penned “Mr Panettone”. My only gripe is that Joe did hint that there might be some complimentary panettone waiting for us in the bar at interval. There wasn’t. Yet nobody cared, as we were all itching to get back into the auditorium for Act Two.

He opens the second half asking for trouble. Inviting requests from the audience, he rather foolishly promises to deliver. Among the titles thrown back at him are “Fairy-tale of New York”, Wham’s “Last Christmas”, “Nessun Dorma” and Handel’s “Messiah”. Yet he effortlessly merges the suggestions into a faultless impromptu medley. A skill replicated later during a set with his next star guest: Rob Brydon. Between the two of them they ask members of the crowd for their worst ever Christmas present, which produces a delightfully absurd ad-lib Blues duet. Brydon then sings “I’ll Be Home for Christmas” morphing from Bing Crosby to Michael Caine and back again.

After a couple more of Joe’s own compositions the show concludes with “White Christmas” and “Let it Snow”. Flecked with hilarious tongue-in-cheek moments this is a show of serious musicianship. Joe Stilgoe is a natural entertainer; a real music-man: talented, funny, engaging and blessed with a wonderful gift. Make it your gift for Christmas by tuning into the broadcast on Radio 2 on Christmas Day.

 

Reviewed by Jonathan Evans

Photography by  Scott Rylander

 


Joe Stilgoe: Christmas at the Movies

Lyric Hammersmith

 

 

 

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Fanatical – The Musical – 3 Stars

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Fanatical - The Musical

Fanatical – The Musical

The Playground Theatre

Reviewed – 14th November 2018

★★★

“It all makes for a lively atmosphere, with a cast who seem to be having the time of their lives”

 

For the uninitiated, it’s worth swotting up before a visit to Fanatical. It deals tenderly with the worlds of cosplay, fandom and sci-fi; come prepared with your Lord of the Rings and Star Wars references brushed up. Be in no doubt: what you sign up for here is a heartfelt love letter to sci-fi and fandoms everywhere.

Fanatical is a musical set amidst the high pressure, high excitement atmosphere of a convention of sci-fi enthusiasts – in this case, ardent supporters of the (fictional, but incredibly fully-realised) world of space comic Angel 8. We too are immersed, brought along as newly adopted fans; gorgeously detailed comic art and digital projections of a really remarkable quality sweep us into the narrative.

A comic convention may seem an odd setting for a musical, but this high-energy cast make it all make sense. So high energy in fact that at times, in the relatively small confines of Latimer Road’s Playground Theatre, the volume and sheer vigour of the music felt somewhat overpowering. Audiences should be prepared for the double earnestness of musical theatre and cosplay (a fan-driven world where enthusiasts craft their own costumes) – indeed, kudos goes to those audience members in their own space-themed outfits.

It all makes for a lively atmosphere, with a cast who seem to be having the time of their lives. Especial note must go to Suanne Braun as Trix, who acts as a linchpin in both character and performance. Her laugh-out-loud rendition of ‘Any Moment Now’ was without question the highlight of the night, as Trix attempts seduction with Miranda-esque levels of awkwardness.

Writers Matt Board and Reina Hardy say in the programme that this show has been a long time in the making. It’s clear, with the attention to detail (our comic characters have animated avatars, theme music, life stories), that Fanatical is the result of a labour of love. Perhaps that love may have added to the occasional loss of discernment. The musical could be shorter and some songs, inevitably, are weaker. Overall there is certainly more filler than killer. Coming Up Next and Self-Aware are some of the toe-tappers, with the latter seeing Tim Rogers as Craig going in for some snarling judgement of the geeks. Similarly the lyrics to the excellent Nobody’s Watching, spat out with relish by Stephen Frost as frustrated writer Scott Furnish, are great fun. As ever, the bad guys get the best songs.

With less accomplished performers, this show might just tip into being an evening of self-indulgent geekery. Strong vocal and acting performances avoid this, and the cast’s abundant enthusiasm carries its audience irresistibly along.

 

Reviewed by Abi Davies

Photography by Scott Rylander

 


Fanatical – The Musical

The Playground Theatre until 8th December

 

 

 

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