Tag Archives: Simon Rouse

THE HISTORY BOYS

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UK Tour

THE HISTORY BOYS at the Cambridge Arts Theatre

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“an enjoyable and important revival of a play that has become a modern classic”

Alan Bennett’s much-loved play celebrates the 20th anniversary of its National Theatre first performance with a new production and a national tour (Director SeΓ‘n Linnen). The period is firmly established from the outset with walk-in music made up of 1980s bangers – Soft Cell, The Human League, Pet Shop Boys – and we hear more of this throughout the show (Sound Designer Russell Ditchfield).

The set (Grace Smart) is the outside of a grim grey building – Cutlers’ Grammar School for Boys, Sheffield – which when it revolves will let us into a classroom laid out with plain square tables and the ugliest red plastic, stackable chairs.

A line-up of eight boys enters performing rather nicely a close harmony, doo-wop number before breaking into their schoolboy characters. Music is an important part of this production (Musical Director Eamonn O’Dwyer), some of it embedded into the plot, at other times as entr’acte music during scene changes. The onus in the solo numbers falls on the vulnerable, questioning character of Posner (Lewis Cornay). Cornay’s made in heaven harmonies soar above the ensemble and his solo performance of Rodgers & Hart’s β€˜Bewitched, Bothered and Bewildered’ is truly beautiful. Not forgetting Yazdan Qafouri as Scripps playing the piano quite brilliantly too.

The plot centres on the differing teaching methods of the nearing-retirement Hector (Simon Rouse) and the newbie Irwin (Bill Milner) as they coach the eight sixth formers towards their Oxbridge entrance exams. But the importance of the play and the main interest lies in the developments of each character. Being teenagers, conversation revolves much around sex and we hear a blow-by-blow account of Dakin’s (Archie Christoph-Allen) conquest of the school secretary. But there is also common knowledge of Hector’s fondness for fondling the private parts of his pupils whilst they ride pillion on his motorbike home from school. Despite this being a period piece, the casual acceptance by the boys that this is acceptable behaviour, makes me extremely uncomfortable. It takes the words of the only female teacher Mrs Lintott (Gillian Bevan) – β€œa grope is still a grope” – to voice out loud that what Hector is doing is wrong. Bevan’s no-nonsense approach to the role allows us to believe that she alone is the wise one amongst the school staff. The Headmaster best described by Mrs Lintott as β€œa twat” is played perfectly in this manner by Milo Twomey – approaching Basil Fawlty levels of hysteria when roused.

Two important intimate scenes: Posner looks for solace from Hector and Dakin’s attempt to mislead Irwin lack the necessary poignancy for full effect. It is the schoolboy ensemble that is most impressive – the natural chatter between classes and the laddish hijinks – and Timms (Teddy Hinde) stands out of the crowd with just the right amount of cheek and arrogance. A showstopper number of Stand and Deliver despite a lot of banging, stamping and chair-fighting lacks sufficient punch (Movement Director Chi-San Howard). Amplification of the singing might help.

The biggest laugh of the night comes from Rudge’s (Ned Costello) assertion that β€œHistory is just one fucking thing after another” claimed with a down to earthiness that, after nearly three hours on stage, this feels just about right.

This is an enjoyable and important revival of a play that has become a modern classic but at times, the highs don’t quite reach high enough and the emotional parts don’t quite reach deep enough.

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THE HISTORY BOYS at the Cambridge Arts Theatre then UK tour continues

Reviewed on 1st October 2024

by Phillip Money

Photography by Marc Brenner

 

 

 

 

 

 

 

Previously reviewed at this venue:

REBUS: A GAME CALLED MALICE | β˜…β˜…β˜… | September 2024
CLUEDO 2: THE NEXT CHAPTER | β˜…β˜… | March 2024
MOTHER GOOSE | β˜…β˜…β˜…β˜… | December 2023
FAITH HEALER | β˜…β˜…β˜… | October 2023
A VOYAGE AROUND MY FATHER | β˜…β˜…β˜… | October 2023
FRANKENSTEIN | β˜…β˜…β˜…β˜… | October 2023
THE SHAWSHANK REDEMPTION | β˜…β˜…β˜… | March 2023
THE HOMECOMING | β˜…β˜…β˜…β˜…β˜… | April 2022
ANIMAL FARM | β˜…β˜…β˜…β˜… | February 2022
ALADDIN | β˜…β˜…β˜…β˜… | December 2021

THE HISTORY BOYS

THE HISTORY BOYS

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Noises Off

Noises Off

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Garrick Theatre

Noises Off

Noises Off

Garrick Theatre

Reviewed – 3rd October

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“a gloriously silly evening”

 

When all around is strife and uncertainty, there’s nothing like a good old-fashioned plate of… farce. Thirty-seven years after its debut performance at the Lyric Hammersmith, Michael Frayn’s play of backstage antics bleeding into on stage catastrophe is as thigh-slappingly funny as ever.

For West End audiences used to the meta-theatricality of Mischief Theatre’s β€˜The Play That Goes Wrong’ will find themselves on familiar territory here – Mischief’s hugely successful show it essentially a full-length take on Frayn’s final act. What this production allows however is a look behind the scenes, seeing the love triangles, squabbles and gossip that take places in corners the audience normally cannot see. Act One introduces the array of wonderfully exuberant characters in rehearsal, Act Two takes us literally behind the scenes to show how love breaks this particularly touring company apart, and Act Three takes us further along the tour when the actor’s exasperation causes absolute chaos onstage.

The joy is seeing all the jokes set up in Act One come to fruition in Act Three. Jeremy Herrin’s production keeps the energy high and the pace quick. His ensemble leap to the challenge. Sarah Hadland is gossipy dame using balletic posture and glued on grins to see the show through. Richard Henders plays an excellent Frederick Fellowes, epitomising the actor seeking meaning for every move he makes. Simon Rouse plays a drunken octogenarian with aplomb and Lloyd Owen is a suitably sarcastic and exasperated director. Meera Syal, as Dotty Otley, lives up to her name, unable to remember when to bring sardines on and when to bring them off.

Max Jones’ set is nicely modern, and the costumes fit into the present day well. This is pastiche of a genre that will always please. The audience tonight was guffawing in the stalls. My only reservation is in the casting – it could have been a little more inventive. That aside, this is a gloriously silly evening of comedy that will leave anyone with sore cheeks and good spirits. Fans of Mischief Theatre would be advised to check this out, along with anyone else interested in the theatricality of theatre and what madcap relationships go on behind the scenes. It might leave you wondering why anyone would get involved in the game of theatre. But it’s the precariousness of live theatre itself that will always be the most entertaining thing on stage.

 

Reviewed by Joseph Prestwich

Photography by Helen Maybanks

 


Noises Off

Garrick Theatre until 4th January

 

Previously reviewed at this venue:
Rip It Up – The 60s | β˜…β˜…β˜… | February 2019
Bitter Wheat | β˜…β˜…β˜…β˜… | June 2019
Brainiac Live! | β˜…β˜…β˜…β˜… | August 2019

 

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