Since U Been Gone
Forge – The Vaults
Reviewed – 5th February 2020
“The candypop colours fizz and zing and feel alive with fun and possibility”
Since U Been Gone is an autobiographical piece, in which Teddy Lamb intertwines stories of personal grief and loss with their own ongoing journey of self-discovery and self-definition. Teddy tells the story, with a live underscore performed on the electric guitar by Nicol Parkinson – quietly resplendent in a fabulous silver frock – with whom they share a stage. Teddy is a charming and engaging performer, with a gentle touch, who establishes a sense of warm intimacy with the audience immediately. Their words are direct and honest – as this type of show demands – but are occasionally shot through with beautiful currents of unexpected poetry. They are also, at points, extremely funny. (Put it this way, no-one who sees this show will every hear Eminem’s Lose Yourself in the same way again!).
Pete Butler (Set Designer) and Zia Bergin-Holly (Lighting Designer) have made the show look gorgeous, with a palette reminiscent of a 1960s TV set. The candypop colours fizz and zing and feel alive with fun and possibility, which serves at different times as both emphasis and ironic counterpoint to the narrative. For the most part, Billy Barrett (Director), wisely lets Teddy tell us the story without too much directorial intervention, and the few more obviously choreographed moments are well-placed, helping to give the words extra pace and texture when they need it. The live underscore is wonderful throughout, and the occasional moments in which Nicol Parkinson subtly sashays into the story, with a perfectly timed twang of the guitar, are just sublime.
This show is more than an intimate audience with an engaging performer, however. Teddy Lamb’s cleverly crafted text shines a light on the difficulties that beset gender-queer people on a daily basis in our society. Our non-binary and trans brothers and sisters encounter hostility and aggression in every aspect of their lives almost continually, and it behoves us all to step up and do better. One of the things we can all start with is pronoun awareness. Early on in the show, Teddy explains that, unlike the ‘strong, soft, comfortable’ feeling the pronoun ‘they’ gives, ‘he’ ‘feels like wearing an uncomfortable beige suit’. Which begs the question: why should anyone feel uncomfortable in what they wear, when clothes should allow us to dance?
Reviewed by Rebecca Crankshaw