Tag Archives: Soho Theatre

Review of How (not) to Live in Suburbia – 5 Stars

How (not) to Live in Suburbia

Soho Theatre

Reviewed – 30th August 2017

 

⭐️⭐️⭐️⭐️⭐️

 

 

“a frank and poignant portrayal of loneliness”

 

 

How (Not) To Live is Suburbia is a frank and poignant portrayal of loneliness explored through a hilarious yet heart-breaking autobiographical narrative. Annie Siddons’ performance is raw and relatable telling her own story of moving to the outskirts of London and becoming isolated and alone. The performance consists of Annie showing the audience her journey intercut with video footage and monologues by Nicki Hobday who also plays Anne.

[Best_Wordpress_Gallery id=”51″ gal_title=”Suburbia”]

Annie ended up moving to the suburb she continuously refers to as “Twickenham: Home Of Rugby” or THOR, for her husband’s job. The play then follows the breakdown of her marriage so she is left alone with her two children. Her children are sweetly portrayed by olive trees throughout the performance.

The play opens with Annie talking about London, a heartfelt and poetic monologue explaining why she loves the city and how much of a huge part of her life it is followed by video montages of urban London. Annie’s loneliness manifests itself as a human sized walrus who follows her around everywhere resulting in shame and humiliation. She tried to rectify her isolation by trying to immerse herself in a community which results in hilarious but unsuccessful results. She begins trying to live her live by a manifesto allowing her to be a good mother, connect with people and to maintain her artistic integrity.

The set was simple with the main focus being on the video content throughout the performance. The video content directed by Richard DeDomenici was witty and moving and provided context to Annie’s story.

This production was relevant, thought-provoking and honest. It explored the different aspects and experiences of loneliness and the different ways it can manifest itself in society. The performance was sad but had a conclusion of resilience and hope. How (Not) To Live In Suburbia was a compassionate, witty performance demonstrating the human need for love and the ability to overcome obstacles and social stigmas.

 

Reviewed by Olivia Ellison

Photography by Nicki Hobday

 

 

HOW (NOT) TO LIVE IN SUBURBIA

is at The Soho Theatre until 2nd September

 

 

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Review of The Scar Test -5 Stars


Scar Test Rob O'Kelly

The Scar Test

Soho Theatre

Reviewed – 6th July 2017

 

⭐️⭐️⭐️⭐️⭐️

 

 

“an urgent and important message that everyone should hear”

 

 

The Scar Test presented by Untold Arts and directed by Sara Joyce was a fantastically honest production reflecting how refugees are treated from individual female perspectives. Written by Palestinian-Irish playwright Hannah Khalil the production was centred around verbatim interviews with women detained in the Yarlswood Immigration Removal Centre. The play explored the injustices and humiliation faced by refugees and portrayed an important message. The narrative consisted of snapshots of different stories and the frustrations faced by innocent women trapped in the system.

The characters were personable, often incorporating humour to emphasise their relatability. Rebecca Omogbehin’s performance was distressing and powerful. She played a woman who fled her country after suffering unspeakable abuse whilst trying to maintain dignity and pride. She poignantly captured the sense of shame the woman felt by having to reveal her scars and waiting to find out whether the physical and emotional damage would be deemed sufficient evidence to grant her asylum in the UK. Shazia Nicholls displays seamless versatility in her portrayal of a wide array of characters, notably a frustrated and exhausted solicitor desperately trying to assist these struggling women who desperately need help and legal representation.

The set was minimal with the presence of four ceiling mounted CCTV cameras, never allowing the audience to forget that the detainees were always being watched and gave it a prison like feel. The use of costume by Amelia Jane Hankin was also effective, with the whole cast in grey giving a sense of institutionalised uniformity and the lack of individual identity felt by the detainees. All the performers wore hoods that were put up when playing the role of security, the faceless, insensitive representation of the system.

The production was a moving and harrowing insight into the emotional turmoil faced by female refugees. The performances were extremely emotionally charged and at times distressing but it was a sensitive, hard-hitting production that successfully communicated an urgent and important message that everyone should hear.

Reviewed by Olivia Ellison

Photography by Rob O’Kelly

 

Soho Theatre thespyinthestalls

 

THE SCAR TEST

is at The Soho Theatre until 22nd July

 

 

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