Tag Archives: Stephan Boyce

United Queendom

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Kensington Palace

United Queendom

United Queendom

Kensington Palace

Reviewed – 2nd March 2020

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“a fabulous and thoroughly enjoyable journey”

 

If you are lucky enough to have a ticket for this sold out show you are in for a treat. If you don’t have a ticket try and get a return.

Kensington Palace is the venue and, when you arrive, you will discover that you have been invited to the birthday party of King George the Second. A feast of delights awaits you! Will you meet the King? Or maybe Queen Caroline? You will definitely see them, and you will also see Henrietta Howard, the Queen’s mistress, and a host of characters from the Georgian court. The Necessary Woman, played by the irrepressible Christina Ngoyi, will escort you to the entrance to the palace. She will probably explain that her job is emptying the many chamber pots that are scattered around. She will be shooed away by Deven Modha, as the Lord Chamberlain, the most important of the King’s staff, as he will no doubt inform you. You’ll pick up a glass of wine, and the revels will begin. At the bottom of a grand staircase you will suddenly by surrounded by a flurry of skirts and wigs as courtiers appear and mingle with the crowd. You will be taught how to bow or curtsy, and maybe hear some hints of scandal. Senesino, the renowned court musician and composer will play virtuoso violin and, later, you will hear his beautiful counter tenor as he sings an aria that echoes and floats down the King’s staircase. James Hastings plays him with such sublime talent, and such wonderful theatricality, that you won’t want the music, to stop. Some of you will be given a golden envelope and ushered away to visit the King’s inner apartments. I don’t know what will happen to the rest of you, as there are two β€˜tracks’ to the show and two different experiences. One thing is certain; you will have a fabulous time, whichever way you go.

We were treated to some hilarious court mischief, exposed to factions supporting the King or the Queen, and invited to a salon, where the women of the court hosted such great thinkers as Isaac Newton to talk. Deborah Tracey’s vibrant Salonnieres and the fusty old fashioned Duke of Newcastle, brilliantly played by Richard Holt, disagreed about whether the earth is round of flat. On the way round the palace we come across the Countess of Hertford, a supporter of the Queen, who wears men’s clothing and raps up a storm. Lucy Reynolds clearly has fun playing her, and is a joy. We discovered that Lord Harvey is rather a naughty boy, especially when he is with Miss Vane – Stephan Boyce and Nadia Sohawon really are deliciously scandalous in these roles. And yes, we met the King and Queen and, of course, Henrietta Howard. Lavinia Co-Op is archly camp George II, and Miranda Heath and Yasmin Keita, as the two women central to this story clash and face off like two birds of paradise in a sparkle of jewels and a ruffle of feathers. But is it possible that this β€˜Queendom’ could be united? is there, perhaps, another way of doing things? You’ll just have to go and see it to find out. If you can get a ticket.

The costumes are glorious, the wigs and make-up a flamboyant delight. And the music is divine. Susan Kulkarni, Victoria Stride and Patrick Neil Doyle respectively are a dream team of creatives. Nadia Sohawon’s choreography adds to the mix, which manages to be both historically accurate and contemporarily relevant, lit with touch of magic by Pablo Fernandez Baz. And all brought together into a fabulous and thoroughly enjoyable journey through one night in the Georgian court by director Christa Harris. Amid all the uproarious glee we learned a lot too. Unmissable.

 

Reviewed by Katre

Photography by Gail Harland

 


United Queendom

Kensington Palace until 30th March

 

Last ten shows reviewed by Katre:
The Legend Of The Holy Drinker | β˜…β˜…Β½ | The Vaults | January 2020
Beige | β˜…β˜…β˜…β˜… | The Vaults | February 2020
Gypsy Flame | β˜…β˜…β˜… | Network Theatre | February 2020
In My Lungs The Ocean Swells | β˜…β˜…β˜…β˜… | The Vaults | February 2020
Killing It | β˜…β˜…β˜…β˜… | Network Theatre | February 2020
La Cage Aux Folles | β˜…β˜…β˜…β˜… | Park Theatre | February 2020
Life And DeathΒ  Of A Journalist | β˜…β˜…β˜… | The Vaults | February 2020
Spree | β˜…β˜…β˜…β˜… | The Vaults | February 2020
The Upstart Crow | β˜…β˜…β˜…β˜…β˜… | Gielgud Theatre | February 2020
Time And Tide | β˜…β˜…β˜… | Park Theatre | February 2020

Click here to see our most recent reviews

 

Captain Flinn and the Pirate Dinosaurs

Captain Flinn And The Pirate Dinosaurs: The Magic Cutlass

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Christmas in Leicester Square

Captain Flinn and the Pirate Dinosaurs

Captain Flinn And The Pirate Dinosaurs: The Magic Cutlass

Christmas in Leicester Square

Reviewed – 10th December 2019

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“a colourful and creative hour which contains enough energy, adventure and poop deck jokes for the little ones without them getting restless”

 

Dastardly dinosaurs creating swashbuckling mayhem on the ocean deep can only mean another popular children’s story is translated from book to stage as part of Leicester Square’s Christmas activities.

Captain Flinn and the Pirate Dinosaurs: The Magic Cutlass, one of Giles Andreae and Russell Ayto’s adventure series featuring the same lovable characters, is brought vividly to life by the Les Petits Theatre company in this fast-moving and fun adaptation by Oliver Lansley.

Jollier than the Jolly Roger and with as many ho-ho-ho’s as there are yo-ho-ho’s this show in the Spiegeltent blends imaginative set (Zoe Squire using items from a school gym, such as ladders, benches and a trampoline imaginatively) with awesome puppets and costumes (Max Humphries and Zahra Mansouri), catchy songs (Jack Graham Thomas) and lively performances from a tireless cast of four.

The company presented the first Captain Flinn book on stage six years ago so are familiar with the characters and prehistoric pirate puns already, adding energy and zest to this sequel.

Those familiar with the books will know about the kids at St Barnabas Primary School and their teacher Miss Pie who, as the show opens, are staging a low-cost drama about Captain Flinn and the pirates, complete with crash helmets, sieves and oven mitts as part of their dinosaur costumes.

But even as the budget-friendly T-Rex enters with a roar of, β€œWe’re a T-Rex from the last crustaceous period!” the pupils lose interest, recognising that real dinosaurs were β€œbigger and horribler.”

And so enter the β€œreal” dinosaurs as the fierce and vain Mr T the T-Rex kidnaps Flinn and his friends to help him find the magic cutlass which grants unlimited wishes to those who find it (though as Mr T has smudged the paper telling him about it, he is convinced he is hunting for unlimited fishes).

lt’s a colourful and creative hour which contains enough energy, adventure and poop deck jokes for the little ones without them getting restless (the recommended age is three years and above) but there’s also plenty to hold the attention of the adults, such as the DJ Rocktopus fishcotheque populated by rave jellyfish (an inventive use of bowls and fluorescent scarves) and the charming shadow puppetry.

Along the way there’s the ever-present threat of walking the plank or being tossed into the sausage machine, which provides the staple diet for the hungry pirate dinosaurs.

The four-strong cast must be exhausted with lots of racing around and efficient quick changes in what is presumably a relatively small backstage space, but the vivacity never once sags.

Mark Middleton gives the somewhat terrifying antagonist Mr T vulnerability and a personality one wouldn’t expect in such a larger than life dino costume. He also plays the schoolteacher Miss Pie, despairing as the production gets out of hand, and hoping to resolve the chaos by singing a tribute to her cat Harold.

Tom Myles is a fabulous Flinn, the young action hero with a stiff upper lip and a leadership verging on petulance, doubling up as Terrence the pterodactyl terror of the high seas. There’s a delightful tender moment when he loses his nerve and calls for mummy, which in turn leads to some careless wish-making and turns out to save the day.

Ellie Pawsey is both the brave Pearl and Tracy the triceratops, while Stephan Boyce is the nervous Tom and Stephen the stegosaurus. There isn’t much opportunity for individual characterisation, but the cast members work well together to keep the attention rapt, injecting some healthy silliness when things get a bit too scary for the wide-eyed young audience.

Director Hal Chambers ensures a rollicking pace, setting a boisterous level from start to finish.

There’s a picture to colour on the programme, but it’s worth checking out the Les Petits website, where you can also download a range of fun activities related to the show.

This X-tremely entertaining adventure marks the spot with a buccaneering holiday treat that is something to treasure.

 

Reviewed by David Guest

Photography by Gail Harland

 


Captain Flinn And The Pirate Dinosaurs: The Magic Cutlass

Christmas in Leicester Square until 5th January

 

Recently reviewed by David:
Bruised Fruit | β˜…β˜…β˜…β˜… | Drayton Arms | August 2019
Anna Bella Eema | β˜…β˜…β˜… | Arcola Theatre | September 2019
Room Service | β˜…β˜…β˜…β˜…β˜… | Bread & Roses Theatre | September 2019
The Hound Of The Baskervilles | β˜…β˜…β˜…β˜… | Abney Park Cemetery | September 2019
Homing Birds | β˜…β˜…β˜…β˜… | Tara Theatre | November 2019
The Arrival | β˜…β˜…β˜…β˜… | Bush Theatre | November 2019
Goldilocks And The Three Musketeers | β˜…β˜…β˜…β˜…β˜… | Battersea Arts Centre | December 2019

 

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