TAMBO & BONES
Royal & Derngate Theatre
★★★
“The energy expended by Samuel and Ward is exhilarating”
The Actors Touring Company revives its production of Dave Harris’s thought-provoking play from Stratford East two years ago with newcomer Clifford Samuel stepping into the role of Tambo alongside Daniel Ward’s original Bones. It’s a strange piece, certainly, with the opening scene revelling in its Beckettian absurdity. Tambo (top hat and tails) and Bones (waist coat and bowler) are minstrels in a fake world of painted scenery and cut-out trees (Set and Costume Designers – Sadeysa Greenaway-Bailey and ULTZ).
As the pair’s antics verge closely on clowning, the chemistry between the two actors is immediately evident. But there’s an edge in the comedy which splits this audience; some laughter from the stalls suggests it’s the funniest thing ever, whilst others are hearing the darker overtones. The pair discuss how they can escape their situation; Bones wants to perform cheap tricks for our money, whilst Tambo would like us to understand the history of the black person’s experience.
Moving forward, the pair are now hip-hop stars and the second scene is an extended live performance. The two men bid to out rap each other whilst a DJ at the back mixes the beats. Is it the director himself, Matthew Xia, in his persona of Excalibah behind the mask? Stage smoke and powerful lighting (Ciarán Cunningham) provide the stadium performance atmosphere. The energy expended by Samuel and Ward is exhilarating but for the predominantly white middle-aged audience, it’s also rather bemusing. If there is something to be learnt through the poetry, then we don’t get it.
The futuristic third scene with its Orwellian overtones shakes things up again. The stage is stripped bare and, in a brave piece of writing and direction, our two heroes passively narrate the story of the history of the new world whilst two white robots mime the action. Jaron Lammens and Dru Cripps as X-Bot-1 and X-Bot-2 provide the performance of the night. There’s surely never been a better choreographed and performed scene of robotic movement than this. Disappointingly, a final piece of action important to the ultimate meaning of the play and that should be devastating in its effect misses its punch.
Dave Harris’s play won’t be to everyone’s taste, with the long central hip-hop performance particularly divisive. But there is no questioning the commitment, versatility and brilliance of the performers.
TAMBO & BONES
Royal & Derngate Theatre then UK Tour continues
Reviewed on 11th March 2025
by Phillip Money
Photography by Jane Hobson