Tag Archives: Susie Blake

The Mirror Crack'd

The Mirror Crack’d

★★★

Royal and Derngate Theatre

THE MIRROR CRACK’D at the Royal and Derngate Theatre

★★★

 

The Mirror Crack'd

“Special mention goes for Ward’s restrained performance as the softly spoken starlet”

 

Original Theatre has assembled a first-rate cast for this new adaptation by Rachel Wagstaff of Agatha Christie’s classic novel.
The action is set somewhere in the 1950s, a time when supermarkets and showers are new commodities, and the death penalty is still a deterrent. It’s not too much of a spoiler to report that a murder is committed for which there are a number of prime suspects. From out of town, and whose arrival is causing so much excitement in the sleepy village, are Hollywood legend Marina Gregg (Sophie Ward) with protective husband and film director Jason Rudd (Joe McFadden), co-star Lola Brewster (Chrystine Symone) and amongst their faithful entourage are waiter Guiseppe (Lorenzo Martelli) and secretary Elia (Sarah Lawrie). From within the village are the wealthy Dolly Bantry (Veronica Roberts), the down-to-earth Leighs (Jules Melvin & David Partridge) and Miss Marple’s home-help Cherry Baker (Mara Allen). A variety of personages with colourful accents – some of them over-played – verges close to pantomime on occasion. But as crucial scenes are re-enacted with different interpretations – bravo Jules Melvin – generally the performances are honest and rise above the caricature.

Special mention goes for Ward’s restrained performance as the softly spoken starlet, and Roberts’ bustling Dolly who appears to be the real village gossip.

Director Philip Franks moves this large cast of twelve naturally around the stage. Often in frieze positions whilst action is highlighted elsewhere, occasionally unwelcome shadows are cast from the otherwise effective side lighting (Emma Chapman). Frank’s insightful direction provides a line-up of suspects for us to learn who is who which aids the interval fun of making a guess as to whodunnit.

A central revolving structure (Designer Adrian Linford) provides the imposing backing for both Miss Marple’s living room and the film studio with large French windows and sliding glass doors showing a mirror reflection of the action. An almost constant background of effective incidental music going on behind much of the dialogue (Max Pappenheim) enhances the suspense but also evokes the comfortable feeling of watching something familiar on Sunday evening TV.

For much of the first act, Miss Marple (Susie Blake) sits on a central winged armchair, her bandaged sprained ankle raised, whilst snatches of action take place in front of her. The humorous repartee between her and Chief Inspector Craddock (Oliver Boot), as Miss Marple subtly takes over the questioning of suspects, is well done. Boot, despite a stereotypical moustache and much pacing, holds his own amid the laughter.

As Miss Marple takes to her feet with the aid of crutches, and then a walking stick, the plot moves closer to a denouement. We hear backstories about key players but an effort to provide some gravitas by writer Rachel Wagstaff by tying things together within a common theme of personal loss doesn’t really hit home.

This audience shows that the character of Miss Marple is well-loved and Susie Blake’s reliable and sympathetic portrayal of her steals the show. Who would have thought that this amiable old spinster’s first word on waking up from a dream at the start of the play would be “bugger”?

 

Reviewed on 31st October 2022

by Phillip Money

Photography by Ali Wright

 

 

For the full details of the UK Tour click here

 

Previously reviewed at this venue:

 

Animal Farm | ★★★★ | Royal & Derngate | May 2021
Animal Farm | ★★★★ | May 2021
Gin Craze | ★★★★ | Royal & Derngate | July 2021
Gin Craze | ★★★★ | July 2021
Blue / Orange | ★★★★ | Royal & Derngate | November 2021
Blue / Orange | ★★★★ | November 2021
The Wellspring | ★★★ | Royal & Derngate | March 2022
The Wellspring | ★★★ | March 2022
Playtime | ★★★★ | Royal & Derngate | September 2022
Playtime | ★★★★ | September 2022
The Two Popes | ★★★★ | Royal & Derngate | October 2022
The Two Popes | ★★★★ | October 2022

 

Click here to read all our latest reviews

 

Some Mothers do ‘Ave ‘Em – UK Tour

Do 'ave 'em

Joe Pasquale will star as the loveable but accident-prone Frank Spencer in the first ever stage production of the classic 1970s TV comedy, Some Mothers Do ‘Ave ‘Em. Sarah Earnshaw will play his long-suffering wife Betty and Susie Blake his disapproving mother-in-law, Mrs Fisher. The stage adaptation has been written by Guy Unsworth, based on the original TV series by Raymond Allen. Guy Unsworth will also be directing, with design by Simon Higlett.

The UK Tour of Some Mothers Do ‘Ave ‘Em will open at the Wyvern Theatre, Swindon on Wednesday 21 February 2018. 

Mothers

Comedian Joe Pasquale has delighted audiences with his live stand-up tours for over 20 years and made his theatrical debut in 1999 in Larry Shue’s The Nerd, followed by the touring productions of Tom Stoppard’s Rosencrantz and Guildenstern Are Dead, Mel Brooks’s The Producers, The Wizard of Oz and, more recently, the West End and touring productions of Spamalot, as King Arthur. In addition, Joe was crowned ‘King of the Jungle’ in ITV’s I’m a Celebrity… Get Me Out of Here! in 2004, and hosted the long-running television series The Price is Right for ITV.

Sarah Earnshaw will be starring as Jennifer Lore in the UK Tour of Nativity – The Musical this autumn, and other theatre credits include Travels With My Aunt (Chichester Festival), The Lady of the Lake in Spamalot (West End and UK Tour) and the original London cast of Wicked.

Susie Blake regularly appeared in the TV series and comedy specials of Victoria Wood, Russ Abbot and Stanley Baxter, and is perhaps particularly loved as the Continuity Announcer in Victoria Wood: As Seen on TV. More recently, she played regular Bev Unwin in Coronation Street from 2003 – 2006 and then made a comeback in 2015, and regular Hillary Nicholson in Mrs Brown’s Boys. Her films include Fierce Creatures and Nativity 3: Dude, Where’s My Donkey?!. Her theatre credits include Grumpy Old Women Live 2 & 3, When We Are Married (West End), Pygmalion (Chichester Festival Theatre), Madame Morrible in Wicked (West End) and Belinda Blair in Noises Off (National Theatre).

The UK Tour will be produced by Limelight Productions.

 

www.SomeMothersDoAveEm.com

 

 

2018 TOUR SCHEDULE

21 – 24 February Wyvern Theatre, Swindon

27 February – 3 March Opera House, Buxton

12 – 17 March Churchill Theatre, Bromley

19 – 24 March New Theatre Royal, Portsmouth

2 – 7 April Lyceum Theatre, Crewe

9 – 14 April His Majesty’s Theatre, Aberdeen

16 – 21 April Devonshire Park Theatre, Eastbourne

8 – 12 May Orchard Theatre, Dartford

15 – 19 May Grand Theatre, Wolverhampton

25 – 30 June New Theatre, Hull

 

Photography by Michael Wharley

 

 

 

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