The Mill at Sonning is a jewel of a theatre unlike any other. A picturesque and very derelict watermill was converted into a playhouse some 40 years ago and the same family run it to this day, serving up a sustaining combo of buffet dinner in the restaurant followed by good old-fashioned theatrical entertainment in the newly airconditioned 215 seat theatre. Itβs little wonder audiences are so enthusiastic and loyal.
Neil Simonβs romantic comedy βBarefoot in the Parkβ was a hit for Robert Redford when it opened on Broadway in 1963. Set in a flakey fifth floor apartment at the top of a New York brownstone, the playβs theme is young love and what happens when opposites attract.
Buttoned-up newbie attorney Paul Bratter (Jonny Labey, Eastendersβ Paul Coker) thinks that slipping into a less formal tie while he works on his legal papers is the perfect way to spend the evening. His wife of six days Corrie (Hannah Pauley) has other ideas. A boozy Albanian dinner setting up her mother with a Hungarian lothario (splendidly flamboyant James Simmons)? No problem. The cracks in this new relationship begin to show just as soon as the newly weds attempt to settle into their less than ideal new apartment.
Labey is well-cast in the role of Paul. He has excellent characterisation and delivery, and a fire-cracker turnaround in the final scene. Hannah Pauley fizzes with charm as his mismatched wife Corrie Bratter. Rachel Fielding as her mother has some scene-stealing moments as she has her own little epiphany in the second half. Thereβs a nicely delivered running gag about the inaccessibilty of the apartment and some witty repartee from Oliver Stanley as the repairman Harry Pepper.
“The script is delightfully playful and does not take itself too seriously”
Overlooking the banks of the River Thames, The Mill at Sonning is the UKβs only permanent dinner theatre. Wooden beams and a working water mill decorate the bar and restaurant and beautiful grounds surround this impressive venue. The theatreβs out-of-the-way location makes it the perfect backdrop for a murder mystery to unfold β¦
Towards Zero is a detective novel by the Queen of Crime Agatha Christie and is thus packed with suspense, atmosphere and unexpected twists and turns. Adapted for the theatre in 1956 by Gerald Verner, The Mill at Sonningβs production is no doubt aided by its director Brian Blessedβs friendship with Christie as a young actor at Nottingham Repertory Theatre.
The play is quintessential Christie. Elderly matriarch Lady Tressillian (Hildegard Neil) has invited her wards for their annual visit to her home at Gullβs Point. There is cause for celebration: Thomas Royde (Patrick Myles) has just returned from a seven-year stint overseas. However, Nevile Strange (Rob Heanley) creates tension by inviting both his ex-wife Audrey (Kate Tydman) and new wife Kay (Bethan Nash) to join him, the latter of whom retaliates by socialising with old flame Ted Latimer (Duncan Wilkins). The visit soon takes a horrifying turn when Lady Tressillianβs ill-treated dogsbody companion Mary Aldin (Rosalind Blessed) is found passed out and a dead body discovered soon after. With no possible motive, Superintendent Battle (George Telfer), his nephew Inspector Leach (Chris Pybus) and criminology enthusiast Matthew Treves (Noel White) must put their heads together to solve the most confusing of cases.
Each ticket includes a two-course meal in the restaurant before the show. The audience is spoiled for choice with a delicious main course buffet before the tantalising dessert is brought to the table. After a leisurely lunch, guests can wander around the grounds or enjoy a drink in the bar before showtime.
The theatre is surprisingly intimate, and the semi-round stage allows the audience to feel involved in the performance. The set (Dinah England) consists of an intricately designed living room with doors to the left and right of the stage. A raised platform and bay windows form the backdrop. Seating arrangements and a drinks trolley decorate the space. The lightingΒ (Matthew Biss)Β and pale-coloured furniture are successful in making the room appear airy and that of a summer home. Lighting is also used well elsewhere to spotlight and cast suspicion on different characters.
The script is delightfully playful and does not take itself too seriously. There are some wonderfully self-referential moments within the production such as when Royde turns on the radio to list to a show entitled βRed Herringβ shortly after the audience sees an argument between two individuals. Royde also quips that the Edgar Wallace novel he is reading is βnot as good as Christieβ much to the amusement of the audience. The costumes (Natalie Titchener) are pleasingly fitting with Nashβs poppy dress of particular note.
Neil is the standout star and commands the stage and her fellow actors. White comes into his element in the second half of the play and brilliantly describes the concept of βZero Hourβ β the time of the murder which is a culmination of many different circumstances converging at one point β which underlines the playβs premise. Pybus is given most of the playβs most humorous lines and delivers them well.
The beautiful grounds, scrumptious pre-show lunch and wonderful theatre makes Blessedβs production of Towards Zero a winning combination. Visiting The Mill at Sonning is much more than just seeing a play, it is a unique experience and is a definite βmustβ for every theatregoer.