Tag Archives: The Vaults

Trainspotting Live – 5 Stars

Trainspotting

Trainspotting Live

The Vaults

Reviewed – 29th March 2018

★★★★★

“audience members are climbed over, shouted at and showered with the contents of ‘The Worst Toilet in Scotland’”

 

Opiate abuse has crept back onto the media agenda of late as drug overdoses claim to be the leading cause of death for Americans under fifty. Overdoses from Fentanyl, a prescription painkiller, have soared over the last five years, with some areas being so badly affected it’s been called an epidemic. A similar social environment of high unemployment and easily accessible opiates were present in Edinburgh thirty years ago, most frankly portrayed in Irvine Welsh’s breakout novel Trainspotting.

Originally adapted for the stage by Harry Gibson only a year after the publication of the novel, Trainspotting Live actually predates the much loved Danny Boyle film. All the most infamous scenes are here in this immersive production by In Your Face Theatre, but presented using the multiple narrative style of the book, rather than a necessarily linear plot, to open a window to the drug addicted, despairing youth of 1980s Edinburgh.

A glowstick gains you entry to the appropriately atmospheric venue under the arches of Waterloo train station where Sick Boy, Begbie, Renton and the rest of the cast are dancing to rave classics and engaging with the audience. This is only the beginning, as audience members are climbed over, shouted at and showered with the contents of ‘The Worst Toilet in Scotland’ all to raucous laughter. It’s shocking stuff. But as with Welsh’s original book and the film, it’s meant to make you squirm. As the hilarity slowly gives way to degeneracy, the sense of loneliness and isolation is stark and it can be seen as both the cause and effect of the bleak circumstances the characters face.

The seven strong cast is made up of veterans having honed their roles since 2013 and some more recent additions; the stand out of which is Frankie O’Connor as the charmingly disaffected Renton. It’s an intense production, requiring the highest energy levels and stamina from the cast who are all utterly absorbing to watch.

Whilst this is a completely immersive production and best enjoyed as such, you can watch without fear of full frontal nudity directly in your face if you opt for allocated seating, although this privilege does come at a premium to the general admission seats.

Sure, nudity and audience participation are easy ways to get a laugh, but it’s the shock factor that really drives home the lengths to which addiction can drive a person. Trainspotting Live was one of the most exciting and engaging pieces of theatre I have seen this year so far. A spectacle not to be missed.

 

Reviewed by Amber Woodward

Photography by Geraint Lewis

 


Trainspotting Live

The Vaults until 3rd June

 

 

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Teddy – 5 Stars

Teddy

Teddy

Watermill Theatre

Reviewed – 15th January 2018

★★★★★

“a toe-tapping re-invention of the spirit of the era, interwoven with zippy and witty dialogue”

 


If, like me the music of the fifties is pretty much a closed book to you, but you’ve noticed the energy and appeal of classic numbers like ʽBlue Suede Shoes’ and ʽThat’ll be the Day’, then can I recommend a rocking show at the Watermill in Newbury which will really knock your socks off?

Dedicated fans of the music of the era should also go and see this compelling show, which is enthusiastically presented by a talented and vibrant young cast in the intimate and atmospheric old mill.

Described as ʽa story of teenage rebellion and the birth of a new musical era’, Teddy had its debut at the Southwark Playhouse in 2015 when it won Best New Musical at the Off West End Awards. It was written by Tristan Bernays with music by Dougal Irvine. In this fizzing revival, cast member Harrison White provides musical direction.

The show’s title refers both to the Teddy boys of the post-war era and to one of two central characters, who is named Teddy (George Parker). He and Molly Chesworth as Josie provide the dramatic focus for the piece, with the plot interweaving music and action provided by Andrew Gallo (drums), Freya Parks (bass guitar), Harrison White (lead guitar and keyboard) and Dylan Wood as the heart-throb vocalist Johnny Valentine.

The Teddy boys were Britain’s own response to American rock ʽn’ roll of the fifties. Their fashion style was inspired by a revival of Edwardian looks, and it was the Daily Express that first shortened the word Edwardian to Teddy.

But this show is more than just a nostalgia trip to the smoke-filled nightclubs and grim bomb sites of post-war London, with soundtrack to match. The music is a toe-tapping re-invention of the spirit of the era, interwoven with zippy and witty dialogue that has a real rhythmic poetry all of its own.

If Judy, the other name for the Teddy girls, was better known, ʽTeddy’ could almost be re-named after them, since it’s Molly Chesworth’s character that often takes centre stage. She and bassist Freya Parks have some witty riffs on the theme of women taking no nonsense from men.

An evocative split-level set-design by Max Dorey is complemented by moody lighting from Christopher Nairne. There’s a great dance number, and some brilliant music that will send you out humming. A great show not to miss.

 

Reviewed by David Woodward

Photography by Scott Rylander

 


Teddy

Watermill Theatre Newbury until 10th February

ahead of UK tour

 

 

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