Tag Archives: Theatre Royal Windsor

Alone Together

Alone Together

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Theatre Royal Windsor

ALONE TOGETHER at the Theatre Royal Windsor

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Alone Together

“cleverly multi-layered”

 

Simon Williams’ satisfying new play Alone Together has already extended its run at theΒ  Theatre Royal Windsor. It is a nice companion piece to Frank and Percy: another recent Windsor premiere directed by Sean Mathias that also features a series of unlikely park bench meetings. The theme of Alone Together might, at first glance, seem less than inspiring. It’s about a couple’s failure to talk – and to love – in their tragically broken marriage. But there’s a lot more to this cleverly multi-layered piece than that, including plenty of laughs and more plot twists than a Cadbury’s Curly Wurly before all the strands are tied together in a sweet β€˜all’s well that ends well’ ending.

The writing is informed by William’s passion for the likes of Rattigan, Maugham and Coward. Characters swap cleverly literary quotations and talk about their embonpoint and being bouleversΓ© (or overwhelmed) by events. As the storyline becomes increasingly convoluted, the audience are kept involved by much use of dramatic irony (where we know what the character doesn’t). This well-crafted and somehow period writing is paired with a stylishly brittle-looking split level-set designed by Production Designer Morgan Large. Colourful columns of LEDs switch the action from one part of the stage to another and back panels change the mood in lighting design by Nick Richings. The sound design is also edgy with some menacing effects that didn’t seem to quite match the intimate and personal drama on stage.

As the laconic and philandering businessman Colin, Martin Shaw (television’s Judge John Deed and Inspector George Gently) gives an assured performance that easily belies his 78 years. At the centre of the drama, Jenny Seagrove gently underplays her role as the half-mad wife Angela, victim of a cheating husband and another awful and all too commonplace tragedy that I won’t reveal here. Josh Goulding is the sparky and engaging third member of the cast. He’s well chosen for his role as an aspiring playwright called Jonty who discovers he’s not the only puppet master pulling the strings.

After the interval, agile performances are again capably delivered as the pace ratchets up in the second half of this entertaining evening.

 


ALONE TOGETHER at the Theatre Royal Windsor

Reviewed on 16th August 2023

by David Woodward

Photography by Tom Daniels

 


 

 

 

 

Previously reviewed at this venue:

Blood Brothers | β˜…β˜…β˜…β˜…β˜… | January 2022
The Cherry Orchard | β˜…β˜…β˜…β˜… | October 2021

Alone Together

Alone Together

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Blood Brothers

Blood Brothers

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Theatre Royal Windsor | UK Tour

Blood Brothers

Blood Brothers

Theatre Royal Windsor

Reviewed – 14th January 2022

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“Niki Evans returns triumphantly to the lead role”

 

It’s over forty years since Willy Russell penned Blood Brothers as a school play. From that humble beginning, the show grew into one of the most successful musicals of all time with productions in the West End, Broadway and around the world. To this day, it still holds on to third place as one of the longest running musicals in West End history having ran for over 10,000 performances. Since 2019 the show has been travelling around the UK (with a few obstacles along the way ..!) and this opening night performance at the Theatre Royal Windsor marks the start of a further sixteen weeks of touring.

The show revolves around young Liverpool mother, Mrs Johnstone. Deserted by her husband, she becomes a housekeeper for the wealthy Lyons family in order to feed her seven children. She is soon shocked to discover she is pregnant again, this time with twins, and makes a heart-breaking decision that forms the plot of the show.

Niki Evans returns triumphantly to the lead role she last performed over a decade ago in the West End. Her stunning performance throughout shows she has slipped back into the part as if she’d never been away – magnificent vocals (notably in the iconic β€˜Tell Me It’s Not True’ and the recurring refrain of β€˜Marilyn Monroe’) and every inch the embodiment of the troubled Mrs Johnstone. Sean Jones returns as Mickey, in his final ever tour in the role accompanied by Joel Benedict as his twin brother, Eddie. Both actors deliver strong and nuanced characterisations as they play the boys across the years. The story as always is carried along by The Narrator, this time in the capable hands of Robbie Scotcher. Paula Tappenden is a believable, manipulative Mrs Lyons and Carly Burns as Linda (the twins’ childhood friend and Mickey’s wife) gives another standout performance.

Direction (Bob Tomson and Bill Kenwright) clearly guides the cast to make the most of the action and Andy Walmsley’s simple yet effective set, which feels perfectly suited to the Theatre Royal’s stage. Sound (Dan Samson) and lighting (Nick Richings) are suitably subtle but effective nonetheless. Musical Director Matt Malone ensures the shows unforgettable songs are delivered to perfection by the top notch band.

As the show draws to a close with the haunting melody of β€˜Tell Me It’s Not True’ it’s easy to understand why Russell’s masterpiece continues to delight audiences. It’s that rare perfect mix of a show that makes you laugh and cry in exactly the right proportions. This latest tour will not be the last for the Blood Brothers and it’s surely only a matter of time before it makes a well-deserved return to the West End.

 

Reviewed for thespyinthestalls.com

Photography by Robert Day (from previous production)

 


Blood Brothers

Theatre Royal Windsor until 29th January then UK Tour continues

 

Recently reviewed at this venue:
The Cherry Orchard | β˜…β˜…β˜…β˜… | October 2021

 

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