Tag Archives: Tim Mitchell

Pressure – 4 Stars

Pressure

Pressure

Park Theatre

Reviewed – 3rd April 2018

β˜…β˜…β˜…β˜…

“meticulously researched”

 

Operation Overlord was a planned invasion of Normandy by allied troops which began on June 6th and is better known as D-Day. The invasion was one of the largest amphibious military assaults in history that required extensive planning with 350,000 lives depending on what was arguably the most important weather forecast of all time.Β Eisenhower initially selected June 5th as the date for the invasion, however bad weather on the days leading up to the operation caused it to be delayed for 24 hours.

Much has been recorded on film, page and stage about the invasion. Less has been featured about why the delay was agreed to and the vital role weathermen played in the historic event. However this is rectified by the meticulously researched Pressure, written by and starring David Haig.

He plays Group Captain James Stagg, a dour Scottish Royal Air Force meteorologist seconded to the Supreme Headquarters of the Allied Expeditionary Force in Portsmouth.Β The play begins with his energetic arrival on June 2nd and moves forward in periods of time reflected by the changing weather maps he uses to give Eisenhower the best possible weather forecast for the invasion.

Initially he is shocked by how badly prepared his operation room is and that he has to share it with the confident and ultimately compassionate Lieutenant Kay Summersby (Laura Rogers). He doesn’t improve the initial tension between them both by dumping her correspondence from her desk that he has chosen to be his.

The set itself is fairly bare leaving room for the floor to ceiling weather maps the cast and audience follow as the play progresses. The French windows enable us to experience black outs and the unpleasant English weather outside. The wind and rain effect created was especially impressive.

Eisenhower, commands the stage with his towering authority, played expertly by Malcolm Sinclair. The interaction between him and Stagg takes many stances but includes several humorous moments, particularly when the rules of rugby are explained.Β The initial conflict in the play is between Stagg and the American weatherman Colonel Krick (Philip Cairns) who takes a contrary viewpoint as to what the weather conditions are likely to be. Eisenhower initially sides with his countryman but slowly begins to accept that Stagg has a far better scientific and strong instinct approach to the English Channel’s notoriously changeable weather conditions.Β As the story unfolds we also learn of further pressures on Stagg’s shoulders, we see his stress levels rise to almost breaking point.

Haig has written an engrossing drama that gives a good sense of the war being fought in real time and the difficult decisions that people had to make with thousands of lives at stake.Β The casting is spot on and Haig, is ably supported by ten excellent actors. The direction from John Dove keeps the action moving well throughout and the overall experience is enhanced by Colin Richmond’s simple but effective stage design. Lighting from Tim Mitchell recreates the feeling of the period as does the sound from Philip Pinsky. The video work from Andrzej Goulding enables the audience to keep in touch with events as the timeline unfolds.

This wonderful production pays homage to Group Captain James Stagg who was appointed an OBE for his valuable services during the planning of D-Day, an event that changed the course of history. AΒ fabulous play that remains in the mind long after curtain call.

 

Reviewed by Steve Sparrow

Photography by Robert Day

 


Pressure

Park Theatre until 28th April then transfers to the Ambassadors Theatre from 6th June until 1st September

 

 

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The Exorcist – New Stage Adaptation

Exorcist

BILL KENWRIGHT

presents

THE EXORCIST

THE CHILLING BEST-SELLING NOVEL … THE SHOCKING OSCAR-WINNING FILM …Β AND NOW … THE NEW
STAGE PRODUCTION …

 

INSPIRED BY TRUE EVENTS

β€œI’m telling you that β€˜thing’ upstairs isn’t my daughter…”

Forty-five years after William Peter Blatty’s best-selling novel terrified an entire generation, The Exorcist will be unleashed onto the West End stage for the very first time in a uniquely theatrical experience directed by Sean Mathias and adapted for the stage by John Pielmeier.

The Exorcist will play a strictly limited run at the Phoenix Theatre from 20 October 2017 to 10 March 2018. Tickets will go on general sale at 4pm on Friday 11 August.

Widely considered the scariest movie of all time, the film adaptation of The Exorcist sparked unprecedented worldwide controversy when it was released in cinemas in 1973. Winner of two Academy Awards, William Friedkin’s masterpiece saw audiences petrified to the point of passing out and went on to become one of the top ten highest grossing films of all time.

β€œOh please, Mother, make it stop! It’s hurting.”

When the medical profession fails to provide answers to young Regan’s strange symptoms her desperate mother Chris turns to a local priest for help. But before Father Damien can tackle what’s before him, he must overcome his own shaken beliefs, as this fight is for more than just one girl’s soul…

Sean Mathias has worked at the Royal National Theatre and many times in the West End and on Broadway, as well as extensively internationally. In 2009/2010 Sean’s production of Waiting For Godot played two seasons at the Theatre Royal Haymarket and toured the UK and internationally. In 2013 Godot played Broadway along with his production of Pinter’s No Man’s Land, the latter transferring to Wyndham’s Theatre in October 2017 starring Ian McKellen and Patrick Stewart, and won Best Revival at the Evening Standard Theatre Awards 2016.

The Exorcist is designed by Olivier Award-winning Designer Anna Fleischle (Hangmen) with lighting by Tim Mitchell (RSC/Guys and Dolls), composition and sound design by Adam Cork (London Road) and illusion design is by Ben Hart (Impossible).

CASTING TO BE ANNOUNCED


Bill Kenwright presents

THE EXORCIST

A play by John Pielmeier.
Adapted from the novel by William Peter Blatty.
Directed by Sean Mathias.

By Special Arrangement with Ben Sprecher and Stuart Snyder
In Association with Birmingham Repertory Theatre

Phoenix Theatre

20th October 2017 – 10th Macrh 2018

 

PLEASE NOTE this production contains material which may shock and offend. Recommended age guidance 18+.
Monday – Thursday 8pm

β€˜Friday is Fright-Night’

6pm evening and β€˜Fright Night late show’ 9pm
Saturday 4pm and 8pm

CLICK HERE FOR TICKETS IF YOU DARE

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