Tag Archives: Tom Morris

WAR HORSE

★★★★★

UK Tour

WAR HORSE at The Lowry

★★★★★

“Every part is played with truth and passion, the cast make us feel, even cry at times”

The National Theatre’s new production based on the well known, much loved book by author Michael Morpurgo, is compelling viewing. A powerful indictment of conflict and the utter chaos of war, War Horse interrogates the things which test us and allow us to grow in understanding, albeit through unimaginable suffering. It is at once, both devastating and a powerful, life changing, piece of theatre.

Albert Narracott, a sixteen year old farmer’s boy living in rural Devon, is given the task of training up young Joey, a beautiful, feisty horse who had been bought in a bad-tempered bidding war by Albert’s quarrelsome, drunk father. Albert’s task is to turn Joey into a working horse. Their growing bond and successes in the face of adversity, are joyous.

When war comes, the peace of farm life is broken, men enlist and good, strong horses are bought by the army to work in the fields of war. Albert’s beloved Joey is sold by his father, betraying his promise to Albert. Albert cannot bear the loss of his best friend Joey and undertakes a journey into war, with the aim of safely bringing him back home. The parallel, integral story of the horses Joey and Topthorn, a thoroughbred mount, as they are compelled to serve first British, then German forces, mirrors the violent conflict faced by troops, alongside the power of friendship amongst men and animals. When we see war through the horses’ eyes, we see more clearly.

Albert (Tom Sturgess) holds the stage, as he wrestles challenges with bravery, gentleness and single minded determination. From bullied son and gentle companion of Joey, to vulnerable yet emboldened soldier, he captivates throughout. He is our son, our future too.

Joey and Topthorn are awesomely commanding full size puppet horses from The Handspring Puppet Company and are undoubtedly a core part of the success of the production. Puppetry Director Matthew Forbes and the puppeteers who perform in rotation, succeed in portraying the non verbal communication of the horses. The skilled and enthralling puppetry shows them as both warriors and victims, alongside the men at war and the women left behind. The poignance of both horses setting their rivalry aside and settling down to chew the grass side by side, is matched with jaw dropping moments of pure theatre, with both horses involved in the full thrust and horror of war.

Every part is played with truth and passion, the cast make us feel, even cry at times. The nuanced gentleness and ‘stiff upper lip’ of Lieutenant Nicholls (Chris Williams), the comedic banter and potted French of Sergeant Thunder (Gareth Radcliffe), and the gallows humour and bitter-sweet comradeship of David Taylor (Ike Bennett) are examples of the talent on display.

Safe in the directorial hands of Tom Morris and Katie Henry, the work retains its magical spectacle of puppetry, filmic, visceral storytelling, animation and music. The songs, written by John Tams and performed with gritty soulfulness by Sally Swanson and the cast, offer the best of the English folk tradition: memorable, simple and stirring. They complement the power of Adrian Sutton’s orchestral soundtrack, without which the full power and experience of War Horse could not be realised.

The simple, suspended sets (a frayed paper drawing page, where the light edges in) allow our imagination to combine with the creative drawings (Rae Smith) and animations, to immerse us evermore. The highly effective use of lighting zones (Rob Casey), where animals and cast move into and out of view, adds spine tingling perfection when the cast appear from the dark, or a horse rears into view.

Although some of the scenes are disturbing, they are totally necessary in bringing Morpurgo’s work to life and portraying the full horror of war. Touching and moving, War Horse is a must-see experience.

 


WAR HORSE at The Lowry then UK tour continues

Reviewed on 22nd September 2024

by Lucy Williams

Photography by Brinkhoff Moegenburg

 

 

 

 

 

 

More five star shows from this month:

GUYS & DOLLS | ★★★★★ | BRIDGE THEATRE | September 2024
THE PLAY THAT GOES WRONG | ★★★★★ | DUCHESS THEATRE | September 2024
THE BELT | ★★★★★ | THE CORONET THEATRE | September 2024
JAZZ CONVERSATIONS | ★★★★★ | THE PLACE | September 2024

WAR HORSE

WAR HORSE

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The Flying Lovers of Vitebsk

The Flying Lovers of Vitebsk

★★★★

Online

The Flying Lovers of Vitebsk

The Flying Lovers of Vitebsk

Bristol Old Vic via bristololdvic.org.uk

Reviewed – 4th December 2020

★★★★

 

“as vibrant as Chagall’s paintings but made more enchanting by the truly endearing performances”

 

Although Marc Chagall is often referred to as the ‘quintessential Jewish artist of the twentieth century’, Chagall preferred to see himself as representing “not the dream of one people but of all humanity”. A bold claim from one who was raised and immersed in his Jewish culture, but one that is justified. His work transcended the canvas and the artistic movements he helped shape, as he became involved in theatre, set and costume design; even painting the ceiling of the ‘Opéra Garnier’ in Paris. But he is best known for his varied repertoire of images that include melancholy clowns, flying lovers, fiddlers on roofs, circus performers and musicians. They are flights of fancy, which is why a dramatic celebration and portrayal of his life is such an attractive challenge for Emma Rice.

When it opened at the Bristol Old Vic in 2016, “The Flying Lovers of Vitebsk” was Rice’s swansong for ‘Kneehigh’, although her love affair with the show goes back much further. And it is to the Old Vic that it returns, in association with both Kneehigh and ‘Wise Children’. A two-hander, although frequently supplemented by the musicians, it is as vibrant as Chagall’s paintings but made more enchanting by the truly endearing performances from Marc Antolin (as Chagall) and Audrey Brisson as his muse and wife, Bella. Antolin and Brisson together capture both the ecstasy and the cracks in their life together. They are not just flying lovers but fleeing lovers too – escaping the anti-Semitism that swept through Europe. Yet it avoids the panoramic perspective and focuses more on the intricate brush strokes of the lovers’ lives, and the personal sacrifices they make for each other.

The piece is a wonderful amalgam of dialogue, reflection, music and movement; and they all work beautifully together. Daniel Jamieson’s script is peppered with intimate detail that can reveal a lifetime of emotions within a few short words, accentuated by Rice’s inventive staging. Ian Ross’s heart-rending score is a constant undercurrent that bursts to the surface with its leitmotifs; seamlessly taking over when words alone are not enough. Yet it is the central performances of the two actors, and their onstage chemistry, that draw us in. Like Pierrot and Columbine their physicality becomes an extra language, to say nothing of their gorgeous singing voices.

This is a rare gem of a piece of theatre. Seldom does humour and magic sit so comfortably alongside poignancy and heartache. Chagall’s success in Berlin and Paris is shadowed by wartime persecution of the Jews: their culture is celebrated here, but we are also reminded of the fact that we are witnessing a culture that was ravaged. But above all, we are sharing a love story and this show is a celebration of that, as well as the artist. More than uplifting; you can see why these lovers are flying.

 

 

Reviewed by Jonathan Evans

Photography by Steve Tanner

 

Bristol Old Vic

The Flying Lovers of Vitebsk

Live broadcasts from Bristol Old Vic until 5th December then streaming from 11th – 18th December via bristololdvic.org.uk

 

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What a Carve Up! | ★★★★★ | Online | October 2020
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