Tag Archives: Tom Williams

SH!T-FACED A MIDSUMMER NIGHT’S DREAM

★★★★

Leicester Square Theatre

SH!T-FACED A MIDSUMMER NIGHT’S DREAM at Leicester Square Theatre

★★★★

“With the actors all multi-rolling throughout the run, each performance feels fresh – packed with improv and lightning quick reactions”

Sh!tfaced Shakespeare is, by now, a well-known commodity. This year marks their eleventh year at Edinburgh Fringe, their fourteenth year as a company and firms them as a staple of the Leicester Square Theatre. I’ve been to several of these shows and they’re always a riot. It’s silly and hyper-sexualised and sometimes barely Shakespeare but it’s always a great night out.

A Midsummer Night’s Dream works well paired with chaotic drunken energy and lustful thrusting. It’s what the Bard would’ve wanted.

The concept is simple. It’s a straight(ish) Shakespeare play, but one actor is very drunk. Chaos and hilarity ensues.

It doesn’t rely entirely on the gimmick. There were laughs beyond the drunken actor, with quick improv and some clever word play in the scripted moments. Though obviously the most fun is had with the person who’s ‘sh!tfaced’.

What stops these shows from being unbearably cringey is the chemistry between the performers. There’s real love there, and this felt particularly true for this performance. Beth Louise Priestly was drunk, and consistently slipped into using the actors’ real names, usually to say how much she loved them. They feel like a group of loving pals, whom it’s fun to watch have fun. They’re also all very funny.

With the actors all multi-rolling throughout the run, each performance feels fresh – packed with improv and lightning quick reactions. Julia Bird doesn’t lean too much into the pixie realm as Puck, she is full of laddish energy and bawdy one-liners. Stacey Norris is a hilariously tragic Helena and James Murfitt is a gloriously mischievous Oberon. Charlie Keable can barely keep a straight face as he whips out pun after pun and Eugene Evans plays a delightfully strait-laced Demetrius with an impressive codpiece. Natalie Boakye holds it all together as a joyous and energetic compare – who still manages to have an eye out for health and safety (and the run time).

With a show that’s different every night, packed full of ridiculous over the top fun, you could go to this every night and not get bored.


SH!T-FACED A MIDSUMMER NIGHT’S DREAM at Leicester Square Theatre

Reviewed on 18th July 2024

by Auriol Reddaway

Photography by Andrew AB Photography

 


 

 

Previously reviewed at this venue:

RACHEL PARRIS: POISE | ★★★★ | June 2024
SH!T-FACED SHOWTIME: A PISSEDMAS CAROL | ★★★★★ | November 2023
THE AYES HAVE IT! THE AYES HAVE IT! | ★★★★ | November 2023
SH!T-FACED SHAKESPEARE®: MUCH ADO ABOUT NOTHING | ★★★★★ | July 2023
SHIT-FACED SHAKESPEARE: ROMEO & JULIET | ★★★★ | July 2022
A PISSEDMAS CAROL | ★★★★★ | December 2021
SH!T-FACED MACBETH | ★★★★★ | July 2021

SH!T-FACED

SH!T-FACED

Click here to see our Recommended Shows page

 

A brand new version of the Tim Rice musical comedy Blondel, which follows the trials and triumphs of an ambitious minstrel in King Richard the Lionheart’s court, will get its London premiere at the Union Theatre from Wednesday 21 June – Saturday 15 July.

Blondel has lyrics by Tim Rice and music by Stephen Oliver. The book is by Tim Rice and Tom Williams, and additional music by Mathew Pritchard.

Tim Rice said:

“I’m delighted Blondel is returning to the stage. It was one of the most enjoyable projects of my career, and I’ve always felt Stephen Oliver’s wonderful music deserved a larger audience than it reached back in 1983 when the show first ran. I hope this new production at the terrific Union Theatre will please old fans and find some new ones.”

 

When King Richard announces that he’s off on a Middle East Crusade to give Saladin a piece of his mind (and sword), the struggling court musician Blondel is forced to stay behind to write songs in praise of the King’s evil – and ambitious – brother, Prince John. Worse still, Blondel is separated from his sweetheart Fiona, who has been press-ganged into the King’s official crusade dry cleaning dept. However when Richard is captured by the murky – and rather cunning – Duke of Austria (just before the interval), Blondel decides to embark upon a pan-European adventure to save his King, Fiona, and England. An irritable assassin, a proto-Robin-Hood and a quartet of monks all aid and/or hinder Blondel’s efforts to write himself both a place in history and love song to dedicate to Fiona.

Blondel premiered in the West End starring Paul Nicholas in 1983. It was the first musical Tim Rice wrote with a composer other than Andrew Lloyd Webber, following hits with Joseph and his Technicolor Dreamcoat, Jesus Christ Superstar and Evita. Tim first had the idea for a show about the Crusades in the early days of his partnership with Andrew. They initially worked on it together, with the project titled Come Back Richard Your Country Needs You. That work was performed as an oratorio at the City of London School in 1969, and a single of the title song was recorded with Tim as lead vocalist. However their idea for a musical about the last seven days in the life of Jesus Christ took precedence. Then the idea for a musical about the Crusades sank into obscurity. Tim met Stephen Oliver, the distinguished classical and operatic composer, when they both served on a panel at the Sydney Arts Festival in 1977. In 1982 they began collaborating to bring the idea of a musical about King Richard into a reality. Now titled Blondel, the show centred around Richard’s minstrel, Blondel, who embarks on a quest to find his missing King.

Cast to be announced

Creative team: Director Sasha Regan. Choreographer Chris Whittaker. Musical Director Simon Holt. Designer Ryan Dawson Laight. Lighting Designer Iain Dennis. Music Co-ordinator Pete Hobbs. Assistant MD Oliver George Rew. Casting Adam Braham Casting.

Producers Aaron Rogers & Sasha Regan for Union Theatre, Donald Rice for Heartaches Limited


Tuesday – Saturday at 7.30pm

Saturday & Sunday matinees at 2.30pm

£25/£22.50 | £20 previews

book and lyrics by Tim Rice
music by Stephen Oliver
additional book by Tom Williams
additional music Mathew Pritchard

Directed by: Sasha Regan

Union Theatre
Old Union Arches,
229 Union Street,
London SE1 0LR

020 7261 9876

www.uniontheatrebiz