Tag Archives: Violet Howson

HOW TO SURVIVE YOUR MOTHER

★★★

King’s Head Theatre

HOW TO SURVIVE YOUR MOTHER at the King’s Head Theatre

★★★

“there are some lovely moments, and some laudable dialogue between Maitland and his wife”

How to Survive Your Mother is the newest play from playwright and former journalist Jonathan Maitland, dramatising the work of his 2007 memoir of the same name. Working with director Oliver Dawe, this play explores Maitland’s relationship with his mother, throughout his childhood and early adulthood, as she hot desks her way through different men, and opens up Britain’s first ever gay hotel (this definitely didn’t get enough attention).

Whilst the piece is strewn with moments of humour and astute observation, it was let down by a distinct lack of theatrical action. And by this, I mean a narrative arc; a dramatic structure; a climactic rise and fall, punctuated by catharsis. A play needn’t be a tragedy to necessitate such structures. Perhaps Maitland is jarred by his journalistic instincts, veering into the realm of witty and engaging reporting, but at the expense of theatrical flow. Thus, in lacking direction, the play also lacked pace, making the 90 minutes – sans interval – drag somewhat.

The work lacked that je ne sais quoi that electrifies theatre into life. It felt more like a loose montage of memories of Maitland’s mother’s outrageous displays of narcissism and abuse, than a constructed account of his mother and their relationship. So perhaps, actually, I do sais quoi, and it is the pressing lack of a coherent narrative.

Whilst both play and staging did feel overly busy at times, the set design (Louie Whitemore) and use of props were accomplished and inventive. I especially enjoyed a birthday cake’s transformation into a steering wheel, and shortly after, an airbag.

Within the small cast, majority were multi-rolling, and excellently so, interspersing humour and subtlety into their every character. Personally and perhaps unfairly, I have a long-held vendetta against child actors, and the inclusion of a child (Brodie Edwards and Howard Webb, alternately) in this play did not help to dispel my prejudice.

Maitland has his own role on stage: he appears as himself in the present day action, addressing the audience, and sometimes his wife. At other times, he just circles the stage, or plops himself down in the audience for long stretches. Whilst his self-effacing commentary on both this choice and his lack of acting ability is amusing – and fascinating on a meta-theatrical level – it undermines the dramatic action, detracting focus from the scene itself.

The play, as one would assume, revolves around Maitland’s mother. And whilst he does point out that he has written ‘a play, not a diagnosis’, his mother dabbles in all sorts of textbook narcissism. The problem with narcissists, though, is that they often straddle charisma and malice simultaneously (PSA: I’m not a psychiatrist). The problem with the portrayal here is that, as effervescent as Emma Davies is, Maitland’s mother is consistently selfish, nasty, and completely objectionable. And with the absence of a narrative arc compelling us to her, it’s hard to develop a strong enough interest in both her and her relationship with her son.

It is the lack of coherence and narrative that lets this play down. Despite this, there are some lovely moments, and some laudable dialogue between Maitland and his wife, largely deliberating on the nature of The Female Middle Age Crisis to Trained Therapist pipeline.

Oedipus did a great job of sparking our collective obsession with mother-son relationships, and Maitland’s new play is an interesting addition. But Oedipus also excelled in its very story, without which there is little appeal. How to Survive your Mother, whilst entertaining, needs this appeal if it is to also be affecting.


HOW TO SURVIVE YOUR MOTHER at the King’s Head Theatre

Reviewed on 28th October 2024

by Violet Howson

Photography by Charles Flint

 

 

 

 

 

 

 

Previously reviewed at this venue:

TWO COME HOME | ★★★★★ | August 2024
THE PINK LIST | ★★★★ | August 2024
ENG-ER-LAND | ★★★ | July 2024
DIVA: LIVE FROM HELL! | ★★★★ | June 2024
BEATS | ★★★ | April 2024
BREEDING | ★★★★ | March 2024
TURNING THE SCREW | ★★★★ | February 2024
EXHIBITIONISTS | ★★ | January 2024
DIARY OF A GAY DISASTER | ★★★★ | July 2023
THE BLACK CAT | ★★★★★ | March 2023
THE MANNY | ★★★ | January 2023
FAME WHORE | ★★★ | October 2022

HOW TO SURVIVE YOUR MOTHER

HOW TO SURVIVE YOUR MOTHER

Click here to see our Recommended Shows page

 

HIJINKS & CAVIAR

★★

New Wimbledon Theatre

HIJINKS & CAVIAR at the New Wimbledon Theatre

★★

“In defence of the actors, they lacked nothing in energy and commitment, which they maintained throughout”

The best way, perhaps, to understand Hijinks and Caviar – a piece of new writing from duo Moody & Moody of Fluffy TOP Productions – is to see it as an approximation of an Agatha Christie period piece, but, alas, with none of the charm, intellect, or indeed, mystery. The play opens in mid 1920s England with the ambiguous death of Lady Mary (not of Downton Abbey fame, thankfully), whose husband has rudely read her diary and believes she was murdered (she had a long list of lovers/enemies). He quickly enacts a plan to invite all these people over to dinner and identify the murderer. Part of this identification seems to hinge upon someone having a flower tattooed on their thigh. I really can’t explain that bit further.

The guests gather, and their host never shows up (you’ll never guess why) whilst the three members of staff waddle about being confused. I don’t really know what happened for the next hour and a half, but people marched around with torches, and there was lots of bickering. But when they weren’t bickering or making asinine (and repetitive) remarks, they were singing. And dancing. Which I don’t think Agatha was quite as hot on.

A musical number, and indeed a musical, can be wonderful. But I don’t think even Les Mis, or Jesus Christ Superstar – which are entirely sung-through– had as many songs as Hijinks and Caviar. There were ten principal cast members in total, and each one had at least two solo pieces, as well as multiple ensemble numbers. And, as with a lot of new writing, the musical numbers are nothing special, and all blur into one monotonous chorus. This was no exception. There were just so many songs, and they did nothing to advance the plot. Or maybe they did, but I really couldn’t follow the plot, so I wouldn’t know.

The dialogue itself was not much better. It had about three gags which were regurgitated throughout. Every character was reduced to a lazy caricature of a 1920s Christie-esque figure. Each one seemed only to have one facet, and stuck to it throughout: for example, Lady Longfeather (Hayley Pettitt) is obsessed with etiquette yet only speaks in order to demand another drink, and thus gets progressively sloshed. Then she has to sing a song whilst sloshed. Mr Benny Factor (Danny Da’Val), on the other hand, is characterised as a dandy, but just makes continuous lude remarks to every female character. In defence of the actors, they lacked nothing in energy and commitment, which they maintained throughout. And no one looked like they envied the corpse, which was a relief.

Without revealing whodunnit, the ending seemed to me a frankly bizarre knock-off of Christie’s The Mousetrap, which remains London’s (in fact the world’s) longest running play for a reason.

Hijinks and Caviar is a new piece of theatre, and it is intended to be ridiculous. Unfortunately, it wasn’t clever enough to pull off absurdism, nor was it organised enough to pull off murder-mystery. There was definitely some fun in it, and occasionally, some decent humour. Perhaps its silliness does appeal to some, but its faltering structure, endless singing, and unoriginal dialogue, makes this a bit implausible.

 

HIJINKS & CAVIAR at the New Wimbledon Theatre

Reviewed on 21st October 2024

by Violet Howson

 

 

 

 

 

 

 

Previously reviewed at this venue:

PLEADING STUPIDITY | ★★★ | October 2024
AN OFFICER AND A GENTLEMAN | ★★ | April 2024

HIJINKS & CAVIAR

HIJINKS & CAVIAR

Click here to see our Recommended Shows page