Tag Archives: Waterloo East Theatre

Liberty Rides Forth! – 5 Stars

Liberty

Liberty Rides Forth!

Waterloo East Theatre

Reviewed – 4th October 2018

★★★★★

“as an audience member, you let yourself go along with the madness, it’s thoroughly entertaining”

 

The riotous Liberty Rides Forth! is likely not what you would expect in a musical, combining elements of Greek theatre and drag to offer a slightly bonkers hour and a half of escapism.

Three trainee muses representing poetry, comedy and romance are on a mission to inspire aspiring novelist Trevor Rowbottom, a timid and nerdy guy who is hopelessly in love with his colleague, Susie. He’s pretty sure she doesn’t know he exists, and so to change that, Trevor has tried everything to write the next best-seller so that Susie will notice him and fall madly in love. But he needs help, a lot of help. So much help that he he claims he would do anything to achieve his goals. And that’s when Liberty, the fabulous drag spirit bursts into his life causing havoc for both him and the muses.

Book, music and lyrics are all by David Kent, for whom Liberty Rides Forth! marks his first musical. It’s an ambitious project; most strikingly for its bizarre plot which is at first set up as if to be a satirical take on the structures of plot in novels and theatre (Muses on a Mission, The Formula for Love), but turns out instead to be a complete farce that’s almost impossible to pin down. If, as an audience member, you let yourself go along with the madness, it’s thoroughly entertaining.

The musical numbers vary from sweetly harmonious tunes from the Greek chorus, through pining ballads of unrequited love, to the more stomping and traditionally theatrical numbers characteristic of Liberty herself. The music is accompanied by some excellent imagery, a personal favourite in More than She’ll Ever Know came with Trevor declaring how much he would love to be Susie’s cup of Earl Grey tea, if only to be held by her and brought to her lips.

The cast really bring this piece to life and give it the kind of madcap energy it requires to draw the audience in to its unconventional plot. The three muses (Chloe Rice, Emma Scott and Georgie Faith) complemented each other beautifully, singing with a gorgeously bright tonality that set a high bar right from the opening number. William Hazell as Trevor is also superb, striking a balance between pathetic but endearing incompetence who grows in self-confidence throughout the piece. And of course the titular character herself, Lady Liberty, was played with much pomp and pizzazz by Dereck Walker.

The lighting on the whole involved subtle enough changes to suit the mood of the musical numbers, yet also heightening the drama in the more climactic scenes. Jasmine Davies’ numerous costumes for Liberty all conveyed the glamour of this femme fatale, particularly a red jewel-encrusted corset paired with an ostrich feather skirt. Heavenly.

Liberty Rides Forth! is a rompingly camp whirlwind of a show that’s best enjoyed with friends, a glass of wine, and an openness to all possibilities.

 

Reviewed by Amber Woodward

Photography by Mark Turner

 

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Liberty Rides Forth!

Waterloo East Theatre until 21st October

 

Previously reviewed at this venue:
Doodle – The Musical | ★½ | January 2018
Unburied | ★★★★★ | March 2018
Romeo & Juliet | ★★ | June 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

 

Romeo & Juliet – 2 Stars

Chaos

Romeo & Juliet

Waterloo East Theatre

Reviewed – 28th June 2018

★★

“an immense lack of energy from the performers, which rendered the beautiful words they were speaking almost useless”

 

When facing the prospect of going to see any production of ‘Romeo and Juliet’ – arguably Shakespeare’s most universally-known play – the first question that pops into my head is how will this production be different from all the other Romeo and Juliets that have either been done or are running now? Upon entering the theatre at Waterloo East for Controlled Chaos’ crack at this timeless tale of love and heartache, my hopes were high. Disco lights, high-energy club music and the cast huddled together in centre stage draped in rainbow flags. The setting was a gay club, aptly named ‘Capulets’, during pride, and for this brief moment in between entering the theatre and the start of the play, there was a genuine excitement for a potentially fresh and unusual approach to Romeo and Juliet. This excitement, unfortunately, ended with the first words of the play. From then on, the audience were presented with yet another amateur Shakespeare production lacking originality or conviction.

There was an immense lack of energy from the performers, which rendered the beautiful words they were speaking almost useless. There were numerous occasions where lines were too quiet, or actors were facing with their back to the audience. This and other issues were clear examples of a show that was lacking clear direction. This was particularly evident in the many pivotal scenes between Romeo and Juliet (both of whom were women in this production). All of the subtleties and deftness of Shakespeare’s language in these scenes were replaced with tiresome snogging and aimless wandering on stage. Thankfully Kevin Kamara and Olivia Thompson provided some much needed moments of energy and purpose as Mercutio and Nurse respectively.

What was perhaps most disappointing was that the production promised something very different to what was actually presented. The play took place during gay pride, and yet there was only one gay couple in the whole piece. The company stated in the programme that one of their goals was ‘to give women a chance to take centre stage in the male dominated classics’. Apart from making Romeo a woman, the show remained heavily dominated by men. These two stylistic choices appear to have been thought of, but not completely carried out. This means that what could have been a unique production has simply fallen into the category of uninspiring Shakespeare shows that you will undoubtedly find in other theatres this summer. On a night where the English football team failed to beat Belgium to top their group, this was also a flat and uninspiring performance.

 

Reviewed by Joseph Prestwich

Photography by Florence Odumosu

 


Romeo & Juliet

Waterloo East Theatre until 30th June

 

Related
Previously at this venue
Three Mothers | ★★★★ | October 2017
Doodle the Musical | ★½ | January 2018
Unburied | ★★★★★ | March 2018

Click here to see more of our latest reviews on thespyinthestalls.com