Tag Archives: Above the Stag

Fanny and Stella

Fanny and Stella: The Shocking True Story
★★★★

Above the Stag

Fanny and Stella

Fanny and Stella: The Shocking True Story

Above The Stag

Reviewed – 10th May 2019

★★★★

 

“a fantastic romp through the Victorian world, in all its pomposity, hypocrisy and raw authenticity”

 

From the moment we enter the theatre we know we are in for a night of Victorian entertainment – part musical, part pantomime, part courtroom drama. Glenn Chandler’s ‘Fanny & Stella’ transports us, via Bermondsey Working Men’s Club, to the drama of a pair who describe themselves as ‘he-she ladies’. It is a fantastic romp through the Victorian world, in all its pomposity, hypocrisy and raw authenticity.

The drama takes them through their turbulent love life, through to their time of arrest and trial for dressing as women and ‘conspiring and inciting persons to commit an unnatural offence’. Much of the action is beautifully portrayed through the songs, with standout performances from Tobias Charles as Fanny, and Kieran Parrott as Stella. The music underscores the action, telling the story and giving us an insight into the joys and sufferings of the characters. Chandler’s lyrics are witty and in some cases vulgar. The formal music hall tunes (score by Charles Miller), with four part harmonies are punctured with risqué references, much to the amusement of the audience.

The set equally plays its part, with two closets involved. It is no coincidence that entrances and exits are made through these – part of director Steven Dexter’s nimble work in bringing out moments of commentary alongside the farce. Sometimes however some parts lacked subtlety, Fanny and Stella recount their own tale in a deliberately elaborate manner, yet at points this staging of their story feels over-egged.

This is a minor quibble. There is potential for a play like this to be a heavy-handed vehicle to comment on today’s gender and sexual politics. However, Charles and Parrott allow the characters to speak for themselves and for the story to breath. In this ambitious play it is left to us to make the connections, and draw our own conclusions, and it’s all the better for it.

As an audience, we are sucked into the old forms of melodrama and music hall, with top hats and jazz hands galore. What makes this show special is that it has a twist in the tail. In the end, it is the clever knowing quality of the songs that really stand out creating a new, more relevant form of pantomime.

 

Reviewed by Emily Morris

 

Fanny and Stella

Fanny and Stella: The Shocking True Story

Above the Stag until 2nd June

 

Previously reviewed at this venue:
Title Of Show | ★★★★ | February 2019
Goodbye Norma Jeane | ★★ | March 2019
Romance Romance | ★★★★ | March 2019
Queereteria TV | ★★ | April 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

Queereteria TV
★★

Above the Stag

Queereteria TV

Queereteria TV

Above the Stag

Reviewed – 12th April 2019

★★

 

“a musical comedy that needs to be stripped back and developed to make it into something that delivers the potential of its narrative”

 

‘Queereteria TV’ takes us post-apocalypse, as a group of gay men take over a TV station, that was the previous site of gay cruising club, Club Queereteria. It’s a queer comedy complete with music, dance and drag, and is the third in a trilogy of shows that follow Torsten’s journey (played by Andy Bell, Erasure), each accompanied by a concept album.

As we enter Above the Stag’s new and improved auditorium, it is clear that this is a beautiful space. David Shields’ set design compliments it well. Curved screens are used effectively throughout the play, particularly in the second half of the show, where we are placed in a kitchen, in the House of Commons and in an episode of Dragon’s Den. These sketches are also some of the strongest moments of the show, which unfortunately fails to deliver or develop much of a narrative that an audience can emotionally engage in.

The script, written by Barney Ashton-Bullock, is overwritten and overindulgent, and because of this it is frequently inaccessible. It is full of big ideas and aims to explore some vital topics including queer sexuality, fetish, gender conformity, the power of the media, societal pressure and conformity, however they fail to come together. Whilst it might work in a shorter format, a full length play where every other sentence is an innuendo quickly becomes repetitive, as there is no nuance to the humour. Unfortunately as a result, the whole play is one note. The fun and potential within the script could be condensed into an hour and be considerably more entertaining and investigative than the current product.

Ashton-Bullock also appears in the play as Torsten’s lover, Daniel. Unfortunately his acting is no better than his writing, and there is no chemistry between him and Bell. Torsten is consistently wooden and ultimately this feels like a glorified showcase for Bell’s singing. Tom Mann can clearly act but his dancing is sadly out of time, whilst William Spencer, who is also the choreographer, is a competent and stylish dancer, who struggles with his acting. There are certainly issues that director, Robert McWhir, should’ve ironed out to streamline these performances.

On a stronger note, Matthew Baldwin plays Lady Domina Bizarre and brings a fantastic energy to the stage. Baldwin is funny and vivid, and the best performance of the show. Peter Straker also delivers some lovely moments, finding a level of honesty and truth in a play that otherwise loses this in melodrama and overwriting.

This is a musical comedy that needs to be stripped back and developed to make it into something that delivers the potential of its narrative, and entertains with nuance.

Reviewed for thespyinthestalls.com

Photography by PBG Studios

 

Above The Stag Theatre

Queereteria TV

Above the Stag until 28th April

 

Previously reviewed at this venue:
Title Of Show | ★★★★ | February 2019
Goodbye Norma Jeane | ★★ | March 2019
Romance Romance | ★★★★ | March 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com