Tag Archives: Alasdair Harvey



Charing Cross Theatre



Charing Cross Theatre

Reviewed – 8th May 2019



“there is a joy in seeking out the satirical bites beneath the whimsical coating”


Michel Legrand, who sadly passed away at the beginning of the year, was a prolific composer who, having written over two hundred film and television scores, only made his theatre debut in his late sixties with his musical fantasy, “Amour”, as it has come to be called. Bearing all the hall marks of a labour of love, it started life as a bijou musical based on the short story, “Le Passe Muraille”, by Marcel Aymé. A hit in Paris, it unfortunately didn’t travel well when it was given the Broadway treatment. Despite Jeremy Sams’ reshaping of the operetta, its modesty and style couldn’t really cope on Broadway and it closed after two weeks. It is essentially a chamber piece, and still remains so, which is why its Gallic charm fits perfectly under the arches of Charing Cross Station.

It is beautifully staged here by director Hannah Chissick and it certainly recaptures the show’s original dreamlike and wistful atmosphere. Sung through entirely, we rely on Sams’ libretto for the story, in which an unassuming office worker becomes a modern day ‘Robin Hood’ folk hero. Arriving home after work one evening, Dusoleil (Gary Tushaw) discovers he can walk through walls. Although initially seeking a cure for this from his doctor, he decides to use his powers to his advantage; stealing bread and jewels to give to the whores and street vendors of the town, but ultimately to win the heart of his beloved Isabelle (Anna O’Byrne).

The surreal and fairy-tale atmosphere is matched by Legrand’s hypnotic melodies while Sams’ lyrics are crafted to perfection; bristling with internal and external rhymes. But just when you think you are getting too much tongue-twisting cleverness, we are soothed by the legato of a love song. Tushaw leads the show with a presence that has hints of Chaplin and Tati, yet his voice has its own character entirely, simultaneously clear as cut-glass but smooth as an oak-cask single malt. Similarly, O’Byrne’s soprano is the perfect accompaniment. Although essentially the story of the man who walks through walls, Tushaw generously doesn’t pull focus, and the ensemble nature of the show lets us have a taste of each character; from Claire Machin’s tart-with-a-heart through to Alasdair Harvey’s chief prosecutor with a shady past; Jack Reitman’s dodgy doctor and, of course, the Gendarmes. Like the story that, thankfully, avoids a predictable ending, the medley of stock characters avoid caricature – testament to the uniformly strong and nuanced performances.

On the surface this could appear overly lightweight, yet there is more to it than meets the eye and there is a joy in seeking out the satirical bites beneath the whimsical coating. It is an engrossing production, with definite surreal touches, enhanced by Adrian Gee’s set and costume design that befittingly evokes a Magritte painting. Yet as witty and thought provoking as it is, the underlying love story doesn’t quite pull at the heart strings quite as it should, although the endearing qualities of this mad cap musical certainly warm the heart.


Reviewed by Jonathan Evans

Photography by Scott Rylander



Charing Cross Theatre until 20th July


Previously reviewed at this venue:
Harold and Maude | ★★★★ | February 2018
It Happened in Key West | ★★ | July 2018
Mythic | ★★★★ | October 2018
Violet | ★★ | January 2019


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Mamma Mia! – Casting






Joining the previously announced Sara Poyzer, Kate Graham, Jacqueline Braun, Richard Trinder, Alasdair Harvey, Dugald Bruce-Lockhart, Georgina Castle, Christopher Jordan-Marshall, Bobbie Little, Harriet Bunton, Damian Buhagiar, Nye Rees and Caroline Deverill in the global smash hit musical MAMMA MIA! at London’s Novello Theatre from Monday 12 June 2017, will be Alishia-Marie Blake, Stuart Hickey, Mark Isherwood, Matt Jordan-Pidgeon, Tyler Kennington, Madeleine Leslay, Natasha O’Brien, Alice O’Hanlon, Alexanda O’Reilly, Adam Paul-Robertson, Oli Reynolds and Katy Stredder. They will be joining Tabitha Camburn, Adam Clayton-Smith, Katy Day, Katy Hards, Jennifer Hepburn, Robert Knight, Stacey Leanne Mills and Robbie Scotcher, who are already in the Ensemble.

From West End to global phenomenon, MAMMA MIA! is Judy Craymer’s ingenious vision of staging the story-telling magic of ABBA’s timeless songs with an enchanting tale of family and friendship unfolding on a Greek island paradise. To date, it has been seen by over 60 million people in 50 productions in 16 different languages grossing more than $2 billion at the box office. In 2011, it became the first Western musical ever to be staged in Mandarin in the People’s Republic of China. MAMMA MIA! is currently on its first ever UK Tour, receiving great critical and public acclaim.

MAMMA MIA! originally opened in London at the Prince Edward Theatre on 6 April 1999, before transferring to the Prince of Wales Theatre in 2004. The musical re-opened at the Novello Theatre in 2012, where it recently celebrated its London 18th birthday on 6 April 2017.

The London production of MAMMA MIA! has been seen by nearly 8 million people, played over 7,500 performances and has broken box office records in all three of its London homes.

Produced by Judy Craymer, MAMMA MIA! The Movie, starring Meryl Streep and Pierce Brosnan, is the highest grossing live action musical film of all time.

With music & lyrics by Benny Andersson & Björn Ulvaeus, MAMMA MIA! is written by Catherine Johnson, directed by Phyllida Lloyd and choreographed by Anthony Van Laast. The production is designed by Mark Thompson, with lighting design by Howard Harrison, sound design by Andrew Bruce & Bobby Aitken, and musical supervision, additional material & arrangements by Martin Koch.

MAMMA MIA! is produced by Judy Craymer, Richard East & Björn Ulvaeus for Littlestar in association with Universal.