Tag Archives: Alice Merivale

SH!T-FACED SHOWTIME: A PISSEDMAS CAROL

★★★★

Leicester Square Theatre

SH!T-FACED SHOWTIME: A PISSEDMAS CAROL

Leicester Square Theatre

★★★★

“chaotic and gloriously daft”

If there was a drunk actor on the stage in any other production, it would be an ugly cautionary tale about the perils of fame. But in A Pissedmas Carol, it’s contractually obligated. Sh!t-faced Showtime bring us the classic tale of miserable Scrooge’s redemption forced by paranormal visitors on Christmas Eve, spiced up with the addition of copious amounts of alcohol. It’s just one actor in the cast who gets inebriated, leaving the rest to respond to the chaos and push the drunkard onto his marks, with predictably hilarious results. In our case, it was Ashley Gerlach as Scrooge, who complained about how loud the singing was, squared up to Bob Cratchit and asked where the mandem was when he arrived at his old school.

Written by Lewis Ironside and adapted for the stage by James Murfitt, this production holds firmly to the pillars of Dickens’ tale. The key characters are all here, and chunks of the original script are attempted, with obvious interruptions and digressions from our tipsy player. Lucy Fowler’s costuming is committed to the original era, with the women donning bonnets and the men waistcoats, all of which only serves to make the bumbling Scrooge’s antics and confusion funnier. When he suddenly complains that his Victorian nightgown doesn’t have pockets, it triggers a hilarious argument as others beg him to please just act like there are. The ghost of Jacob Marley is adorned with the expected shackles and chains, but still poked fun at by way of the two poorly disguised actors draped in black whose job it is to wave the chains spookily in the air behind him.

The Victorian story and setting are hit with all the non-negotiable decorations of festive theatre. There’s audience interaction – one attendee has to ring a set of bells if they feel the actor needs another drink, and another gets a sick bucket. There’s bawdy humour and innuendos, but it stays the right side of eye-roll-inducing. And of course, there are copious Christmas songs. It’s all very silly and the atmosphere is generously lively. There are a few lazier parts which rely on pantomime tropes, which just don’t feel necessary when the cast is as charming and competent as they are. The show really can be bothered, so it leaves the drunk actor free to just be funny and curious and incendiary. Even the lighting and Nicola Jones’ set design says: this is a real show with budget! Get drunk with us!

The only reason watching a drunk actor can be this funny though, is if they are propped up by a genuinely talented and quick-witted cast, directed by Katy Baker. There are solid comic performances from Hal Hillman and Daniel Quirke, with Daniel in particular getting huge laughs in solo scenes as Mrs. Fezziwig and the child who picks Scrooge’s turkey. Musical director Charlotte Brooke holds everything down on the piano at the back of the stage, constantly adapting to soundtrack the show as it stumbles about, so that the audience really can just sit back and enjoy the chaos. Vocals are largely led by Issy Wroe Wright and Alice Merivale, who flip from ghostly operatic lullabies to the Wham! crooner with impressive range. The whole debacle is kept in check by a sequin-suited Dickens who acts as a ringmaster when things get really off the rails.

If you’ve never heard of A Christmas Carol, this would be a truly terrible way to introduce yourself to Dickens’ genuinely moving story of redemption and community. But if, like me, you’ve seen a thousand iterations of the story, and can sing all the ensemble parts in the Muppet version, then this might be the only production that holds something new for you. It’s chaotic and gloriously daft – you’ll be laughing about it long after last orders.



SH!T-FACED SHOWTIME: A PISSEDMAS CAROL

Leicester Square Theatre

Reviewed on 11th December 2025

by Jessica Hayes

Photography by Andrew AB Photography


 

Previously reviewed at this venue:

SH!T-FACED A MIDSUMMER NIGHT’S DREAM | ★★★★ | July 2024
RACHEL PARRIS: POISE | ★★★★ | June 2024
SH!T-FACED SHOWTIME: A PISSEDMAS CAROL | ★★★★★ | November 2023
THE AYES HAVE IT! THE AYES HAVE IT! | ★★★★ | November 2023
SH!T-FACED SHAKESPEARE®: MUCH ADO ABOUT NOTHING | ★★★★★ | July 2023
SHIT-FACED SHAKESPEARE: ROMEO & JULIET | ★★★★ | July 2022
A PISSEDMAS CAROL | ★★★★★ | December 2021
SH!T-FACED MACBETH | ★★★★★ | July 2021

 

 

SH!T-FACED SHOWTIME

SH!T-FACED SHOWTIME

SH!T-FACED SHOWTIME

FFS! (A Feminist Fable Series)
★★★★

The Space

FFS! (A Feminist Fable Series)

FFS! (A Feminist Fable Series)

The Space

Reviewed – 6th March 2019

★★★★

 

“All three pieces are written with wit, nuance and understanding”

 

With International Women’s Day just around the corner, the question remains: how do we deal with the problems facing women today? How do we tackle everyday sexism, unspoken fears and societal pressures? Wonderbox have the answer – to discuss them frankly and honestly whilst also finding the funny side. And that’s exactly what every piece in their show Feminist Fable Series does.

The first piece, StilettNO!, tackles workplace double standards. Jac (Carla Garratt) is an office temp whose boss, Jack (Jack Westgate), tells her that female employees are required to wear heels. For some reason, Jac objects. ‘Why?’ Jack wonders. Luckily, the narrator (Danica Corns) is on hand to guide the bewildered Jack through this difficult situation. Corns’ gently acerbic narration is the highlight of this play, which is well-written if a little abrupt in its ending.

The Night is without question the funniest of the three. Jessica (Corns), Gemma (Garratt), and Liz (Alice Merivale) need to get home after a house party. Walk? No way. Night bus? Not after last time. Taxi? Didn’t know you were up for getting kidnapped. As the girls figure out what to do, their conversation moves beyond the problem with men and onto their problems with each other. The three actors have great chemistry; they are a very recognisable group of friends in a sadly relatable situation. Merivale deserves special mention for her fantastic performance as ‘sexless punchbag for Ofsted’ Liz, a primary school teacher who just wants to let go.

Sixth formers Stacey (Corns) and Harri (Garratt) are the focus of Category: Teen. Stacey has a boyfriend, Luke (Westgate), whose obsession with porn means he’s always up for sex. Which is great… except it’s only him that enjoys it. Harri wants a girlfriend, but is too shy to approach her crush. She could try and get sexual fulfilment through lesbian porn. Which would be great… except it seems that it isn’t actually for lesbians. The two friends must navigate these problems together – but how? This is by far the most complex and intriguing piece from FFS! Not only does it show pornography’s effects on young women, it also examines its impact on male behaviour and self-esteem. The sensitive acting of the ensemble is particularly striking. They carefully balance the light and serious moments, leading to a satisfying and heart-warming conclusion.

All three pieces are written with wit, nuance and understanding by Claire Rammelkemp, with Holly Bond as co-writer for The Night. The ensemble bring their words to life brilliantly, making the debates feel real and relevant. As a production it is a little clunky: set changes take quite a long time, and the use of large tables and chairs seems a little impractical. This does pay off for The Night, however, which set in a bathroom full of little details and surprises.

FFS! is the perfect response to female frustration: speak up, share your stories and, most importantly, find the humour in everything. Claire Rammelkemp was right. Feminists are hilarious.

 

Reviewed by Harriet Corke

Photography by Bethany Blake

 


FFS! (A Feminist Fable Series)

The Space until 9th March

 

Last ten shows reviewed at this venue:
Fleeced | | September 2018
Little Pieces of Gold | ★★★★★ | October 2018
Love is a Work In Progress | ★★★★ | October 2018
The Full Bronte | ★★★ | October 2018
Woman of the Year | ★★★ | October 2018
Little Women | ★★★½ | December 2018
Brawn | ★★★ | January 2019
Laundry | ★★★ | January 2019
The Dip | ★★★★ | February 2019
The South Afreakins | ★★★★★ | February 2019

 

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