Tag Archives: Andrzej Goulding

Pressure – 4 Stars

Pressure

Pressure

Park Theatre

Reviewed – 3rd April 2018

β˜…β˜…β˜…β˜…

“meticulously researched”

 

Operation Overlord was a planned invasion of Normandy by allied troops which began on June 6th and is better known as D-Day. The invasion was one of the largest amphibious military assaults in history that required extensive planning with 350,000 lives depending on what was arguably the most important weather forecast of all time.Β Eisenhower initially selected June 5th as the date for the invasion, however bad weather on the days leading up to the operation caused it to be delayed for 24 hours.

Much has been recorded on film, page and stage about the invasion. Less has been featured about why the delay was agreed to and the vital role weathermen played in the historic event. However this is rectified by the meticulously researched Pressure, written by and starring David Haig.

He plays Group Captain James Stagg, a dour Scottish Royal Air Force meteorologist seconded to the Supreme Headquarters of the Allied Expeditionary Force in Portsmouth.Β The play begins with his energetic arrival on June 2nd and moves forward in periods of time reflected by the changing weather maps he uses to give Eisenhower the best possible weather forecast for the invasion.

Initially he is shocked by how badly prepared his operation room is and that he has to share it with the confident and ultimately compassionate Lieutenant Kay Summersby (Laura Rogers). He doesn’t improve the initial tension between them both by dumping her correspondence from her desk that he has chosen to be his.

The set itself is fairly bare leaving room for the floor to ceiling weather maps the cast and audience follow as the play progresses. The French windows enable us to experience black outs and the unpleasant English weather outside. The wind and rain effect created was especially impressive.

Eisenhower, commands the stage with his towering authority, played expertly by Malcolm Sinclair. The interaction between him and Stagg takes many stances but includes several humorous moments, particularly when the rules of rugby are explained.Β The initial conflict in the play is between Stagg and the American weatherman Colonel Krick (Philip Cairns) who takes a contrary viewpoint as to what the weather conditions are likely to be. Eisenhower initially sides with his countryman but slowly begins to accept that Stagg has a far better scientific and strong instinct approach to the English Channel’s notoriously changeable weather conditions.Β As the story unfolds we also learn of further pressures on Stagg’s shoulders, we see his stress levels rise to almost breaking point.

Haig has written an engrossing drama that gives a good sense of the war being fought in real time and the difficult decisions that people had to make with thousands of lives at stake.Β The casting is spot on and Haig, is ably supported by ten excellent actors. The direction from John Dove keeps the action moving well throughout and the overall experience is enhanced by Colin Richmond’s simple but effective stage design. Lighting from Tim Mitchell recreates the feeling of the period as does the sound from Philip Pinsky. The video work from Andrzej Goulding enables the audience to keep in touch with events as the timeline unfolds.

This wonderful production pays homage to Group Captain James Stagg who was appointed an OBE for his valuable services during the planning of D-Day, an event that changed the course of history. AΒ fabulous play that remains in the mind long after curtain call.

 

Reviewed by Steve Sparrow

Photography by Robert Day

 


Pressure

Park Theatre until 28th April then transfers to the Ambassadors Theatre from 6th June until 1st September

 

 

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Review of Kiki’s Delivery Service – 5 Stars

Kiki

KIKI’S DELIVERY SERVICE

Southwark Playhouse

Reviewed – 15th August 2017

 

⭐️⭐️⭐️⭐️⭐️

 

 

“Utterly enchanting …”

 

 

This story of a thirteen year old witch who has to leave home, accompanied only by her cat, to find a new town where she can be useful, is utterly enchanting. Kiki is played by Jennifer Leong, who is completely believable as an enthusiastic and not always competent young teenage witch. Her companion is Jiji the cat, a deceptively simple puppet brought to life by the skill of Thomas Gilbey. Although the puppet is much smaller than Gilbey we forget that Jiji is not real because he is given such personality through subtlety of movement and voice. Gilbey meows beautifully!

Kiki grows up a little during the play, finding her way through difficulties and excitement with the help of Charleen Qwaye’s Osono, a baker in the town. Qwaye’s warmth in this role is palpable and her patience and care for the young witch are touching. Apart from Leong, all the cast play multiple characters, and they do it with panache and an amazing ability to change both costume and character in seconds.

There are some deliciously camp moments such as Stevie Raine’s fashion designer really not liking Kiki’s dress, and a hilarious array of characters, including bitchy teens, a pompous mayor, an horrendous nephew and a florist with attitude. Matthew Durkan’s Tombo is a sweet boy who is fascinated by flying and who becomes Kiki’s firm friend. Tombo is instantly lovable and Durkan plays him with huge charm. Kiki’s parents, Kokiri and Okino, are played by Kanako Nakano and Stevie Raine. They are the background to Kiki’s adventure, reluctantly sending their daughter off on her new life. Nakano also plays the horrendous nephew with great glee. They are a hugely talented ensemble.

Kate Hewitt’s direction is pitch perfect and bold. She knits together puppetry, some great physical moments and seemingly dozens of characters with a lightness of touch that perfectly suits the story. She uses the space well, creating a believable world and allowing the actors to shine in all their roles. Robin Gulver, the movement and puppet director also deserves a mention here, as the results of his work are superb.

The framework for the action is the beautiful and adaptable set, designed by Simon Bejer. As soon as the audience walk into the theatre the atmosphere is established, with Japanese lanterns and a set that hints at a town, hills and a changeable yet stable landscape. Elliot Griggs’ lighting design is gorgeous and transforms the stage, creating a train, a rainy day and much more besides. The lighting interweaves with Max Peppenheim’s soundscape, making the world of the play vivid and alive. Add to this the simple and lovely video design by Andrzej Goulding and you have real magic.

The story was adapted from a novel by Eiko Kadono and is better known as a fantasy anime produced by Studio Ghibli. Kadono says that the story began when she saw a drawing by her daughter, showing a young witch on a broomstick, with a radio tied to it and music notes flying through the air. She looked at it and β€˜all at once Kiki was born.’ I am very glad that her daughter drew the picture, because this play is a delight. Only the most deeply cynical could fail to be charmed by this joyful, innocent tale and there can’t have been any cynics in the clapping, whooping audience this evening! Go and see it. Take the kids. Take your granny. Go with your mates. Enjoy the enchantment one evening in Southwark.

 

Reviewed by Katre

Photography by Helen Murray

 

 

KIKI’S DELIVERY SERVICE

is at The Southwark Playhouse until 3rd September

 

 

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