Tag Archives: Anna Clare

THE FIT PRINCE …

★★★★★

King’s Head Theatre

THE FIT PRINCE … 

King’s Head Theatre

★★★★★

“panto not just with bells on but with real balls attached”

A member of the audience makes their way to the stage. As he enters the coffin, he is now in-role as the dead King of the fictional European country – Swedonia. And thus begins a wonderfully camp parody of heteronormative holiday rom-coms and a joyous queer love story. Written by and starring Linus Karp and Joseph Martin, as the romantic leads, this is one hell of a festive joyride.

The unmarried Swedonian Prince (beautifully played by Linus Karp) is in line to the throne and must tie the knot soon or he will forfeit his right to the crown. His many suitors, mostly male – who make cameo appearances on large multimedia screens – are all hilariously unsuitable for a whole host of reasons. Yet there is one particular suitor, Aaron Butcher, a baker living in New York who is still getting over his callous ex-boyfriend. Boo! Encouraged by ever the optimist – friend, fellow baker and puppet – Jenny Puppetson – Aaron is commissioned to bake a cake for the prince’s imminent wedding and travels to Swedonia.

‘The Fit Prince’ is produced by Awkward Productions and King’s Head Productions. The puppetry alone merits a visit to this all-round incredible show. A darker fairy-tale element and note of absurdity is introduced with the entrance of the incredible ‘Gerta McMurder – a disturbing-looking, life-size puppet who runs a local orphanage in Swedonia. She is masterly operated by Joseph Martin who delivers her lines in a pitch-perfect Scottish accent!

And then there are the pop songs! The original music is by Golden Globe nominated writer and producer, Leland. The pop duo BAAB (a parody of ABBA) belt out numbers like ‘The Loser Gets Nothing’ and ‘Movement King’ to the sheer delight of the audience.

‘The Fit Prince’ is big on audience participation. I did somewhat squirm when I initially heard about this. However, it was often the audience members who stole the show as they ad-libbed, improvised and gave a fresh and unrehearsed delivery of the lines that appeared on autocue. The multimedia guest stars who made digital cameo appearances also helped to give a sense of a much larger-scale production. Kate Butch (from RuPaul’s Drag Race UK) as Angel Merkel, Tove Lo as the Prime Minister of Swedonia and Geri Allen as the Queen of England added even more sparkle, chaos and high campery to the twists and turns of the turbo-charged plot.

There is so much to enjoy here – including the delightful and hilarious sexy shenanigans that transpire in the sauna scene between the prince and the baker! The glorious design and costumes (Stella Backman, Wez Maddocks and Zack Pinset) and the choreography (Sam Carlyle) transform the show to another level. This, ladies and gentlemen, is panto not just with bells on but with real balls attached. ‘Fit Prince’ may be unashamedly queer, camp, and highly theatrical yet there is an element of social and political commentary that hits just the right note without ever threatening to overshadow the joy and festive good cheer. As Aaron the baker asks Jenny Puppetson if she thinks a puppet can end fascism, she retorts: ‘This is theatre!’ Point taken – it’s our job to do that in a world increasingly governed by authoritarian regimes!

If there is one panto you should go see this Christmas, it’s this one. Best panto EVER! And I mean that. ‘Fit Prince’ fully deserved the standing ovation last night. I wish all the creatives and your good selves a very Merry Christmas and Happy New Year.



THE FIT PRINCE (WHO GETS SWITCHED ON THE SQUARE IN THE FROSTY CASTLE THE NIGHT BEFORE (INSERT PUBLIC HOLIDAY HERE)) 

Reviewed on 8th December 2025

by Tim Graves

Photography by Anna Clare


 

Most recent shows reviewed at this venue:

FANNY | ★★★½ | October 2025
THE PITCHFORK DISNEY | ★★★★★ | September 2025
FOUR PLAY | ★★½ | July 2025
REMYTHED | ★★★★ | May 2025
THE GANG OF THREE | ★★★★ | May 2025
(THIS IS NOT A) HAPPY ROOM | ★★★ | March 2025

 

 

THE FIT PRINCE

THE FIT PRINCE

THE FIT PRINCE

LOVE QUIRKS

★★★

The Other Palace

LOVE QUIRKS

The Other Palace

★★★

“the energy truly kicks in as the quartet come together with some powerful harmonies”

Quirk (/kwəːk/): 1. A peculiar aspect of a person’s character or behaviour (noun) 2. (with reference to a person’s mouth or eyebrow) to move or twist suddenly, especially to express amusement or surprise (verb). “Love Quirks” – a new musical with music and lyrics by Seth Bisen-Hersh and book by Mark Childers – incorporates both the noun and the verb in its title. Indeed, ‘love’ is very much a fifth character in this intimate four-hander, complete with all the quirks imaginable. However, despite some genuinely funny moments, there are few twists and fewer surprises in what is essentially a song cycle rather than a fully-fledged musical.

There are eighteen numbers, spread evenly across two acts, that attempt to cover all aspects of love as experienced by four flatmates. Unrequited love is the dominant theme, but we are also offered insights and anecdotes exploring the minefield of dating, marriage, divorce, rejection, one-night-stands, sexuality, sex, romance, peer pressure and expectations. A mix of solos, duets and ensemble pieces, they are delivered with vigour and virtuosity by the cast and there are some beautifully tender moments. There is a tendency, however, to belt out the numbers; a technique that overflows into the dialogue. Moments of high emotion too often come across as mere shouting.

Flatmates Stephanie (Clodagh Greene) and Lili (Ayesha Patel) share their rented accommodation with gay best friend Ryan (Lewis Bear Brown). Although for Lili, Ryan is more of a best friend – she has harboured an unrequited crush on him since her schooldays. Ryan announces he is moving out and sublets his room to Chris (Tom Newland). Chris and Stephanie have history. They dated long ago, and Stephanie holds a bit of a grudge. Meanwhile they are both on the rebound: Stephanie is going through a divorce, and Chris is fleeing a girlfriend who cheated on him. Not wanting to be upstaged, Ryan too has his share of heartbreak. Only Lili is fancy free, although her freedom confines her in self-doubt and longing which steer her towards some dubious, drunken decisions. Basically, they are all pining for what they can’t have.

“It Never Works” – the opening number – sums this up and sets up the premise. It takes a while to warm up, but the energy truly kicks in as the quartet come together with some powerful harmonies. “Let’s Just Be Friends” continues the theme. The banter between songs verges on the inconsequential, and the characterisation lacks any real dimension. Childers’ script comprises chit chat rather than any real narrative, much of which is predictable. We know where it is going, and there are clear signposts leading us to the next song.

The songs themselves are well crafted (except that nearly all of the numbers end on the same base-note, staccato button). “Darling, I Loved You” shows Greene at her most tender in a song that subtly segues into “Who Knows Why?” during which Patel picks up the lead melody. There is a well-balanced mix of quirky solo numbers and rousing duets and ensemble pieces. Act One closes with the titular “Love Quirks”, during which we can imagine the full sound of the composer’s dream, rather than the solo piano accompaniment. Pianist/Musical Director, Tom Noyes, adds dynamic character to certain songs that are in danger of sounding just like the last. “Just Get Over It” is a surprise tango that is a lyrical delight, although director Cecilie Fray could do more with the musical staging.

There is no denying that this is a fun musical. Innovative – not really. Shallow – perhaps. Cheesy – probably. “Love Quirks” has some fine musical moments that stand alone, which is just as well as the story line is too weak to support it by itself. The fine performances from a talented cast certainly keep it from falling in on itself. A more solid framework would make this a sure-fire, quirky hit.



LOVE QUIRKS

The Other Palace

Reviewed on 28th September 2025

by Jonathan Evans

Photography by Anna Clare


 

Previously reviewed at this venue:

50 FIRST DATES: THE MUSICAL | ★★★★★ | September 2025
SAVING MOZART | ★★★★ | August 2025
THE LIGHTNING THIEF | ★★★ | March 2025
HOMO ALONE | ★★★ | December 2024
JULIE: THE MUSICAL | ★★½ | June 2024
CRUEL INTENTIONS: THE 90s MUSICAL | ★★★★ | January 2024

 

 

LOVE QUIRKS

LOVE QUIRKS

LOVE QUIRKS